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Pansy’s Most Frequent Character

13 Mar

As a fan of Pansy’s books you may have noticed that Isabella’s characters frequently show up in different stories.

Eagle-eyed readers with good memories often spot them. For example, Brewster is a surname that appears in several of her books:

Her Mother’s Bible
Only Ten Cents
Aunt Hannah and Martha and John
Living a Story
Circulating Decimals

That’s a lot of Brewsters!

“Girl with Dog” by John White Alexander.

But the character that appeared most often in Isabella’s books wasn’t a Brewster at all; in fact, it wasn’t even a person!

The character Isabella wrote about most often was Bose the dog.

Sidney Martin’s Christmas (1879)

Bose first came to life in this short story when he interrupted a group of children singing Christmas carols in their neighborhood:

Just at that very point they stopped every voice, and little Gretchen, the youngest of the group, gave a little squeal that did not belong to the carol. It was plain that something had frightened them. Sidney crossed over to them. Just inside of the gate had appeared old Bose, the great house dog, and he was not a lover of their music, to judge by the low growls with which he greeted it.

“Don’t be afraid,” said Sidney, coming promptly into view. “I know old Bose and he knows me. He is an ill-mannered scamp, but he won’t hurt you so long as I am around. You sing away and I will stand guard.”

“Newfoundland” by Carl Reichert.

Christie’s Christmas (1884)

In this novel, Christie meets Bose when she’s trying to do a good deed, and comes upon an enormous dog that literally knocks her off her feet:

Bow, wow, wow! Here was a fellow who disputed the way with her, and came suddenly towards her, as if the least that he should think of doing was to swallow her at once.

Now it happened that Christie, unusually brave about most things, was dreadfully afraid of a dog.

She gave a pitiful little shriek, and the next thing she knew, she was picking herself out of the meanest looking mud hole she had seen in her trip. The dog had retired to a safe distance, and with his head hung down, and his silly little tail between his legs, was receiving a lecture from a woman with a frowzy head, and sleeves rolled up at the elbow, who appeared in the door of the little house.

“Aren’t you ashamed of yourself!” she said, shaking her head. “A decent dog you are to be cutting up such tricks! Come along, child; what do you want? There’s no kind of need of your being afraid of that there dog. There ain’t a bigger coward in all Kansas than he is.”

Spun from Fact (1886)

In 1886 Bose made a brief appearance in Spun from Fact as a faithful dog mourning the loss of his young master, Frank:

I slipped out in the yard, and began to coax the old dog into a frolic. He got into a tremendous one at last, and bounded about me in such a ridiculous way that I laughed loud and long, and rolled on the grass in my glee. Just then I looked up on the piazza, and there stood my aunt! I bounded to my feet all in a glow of shame.

But she was smiling as pleasantly as I had ever seen her, although at that minute there were tears in her eyes, and she said, ‘Poor Bose will be grateful to you all day. He misses Frank very much. He used to frolic with him, you know. It is pleasant to hear a merry young voice again in the yard.’

A young girl and her Bernardiner.

Grandma’s Miracles; Stories Told at Six o’Clock in the Evening (1887)

In this book, Grandma Burton tells the story of Bose, a great, menacing beast who crossed her path when she was a child. She described how:

. . . a great white dog, that looked as ugly as his mistress, glared on me and growled. I was trembling so that I could hardly stand,

Just as I turned the corner by Mr. Willard’s place I heard a low growl, and there stood Bose eyeing me in a way to make my heart beat fast. I was dreadfully afraid of Bose, and with good reason: he had the name of being a very fierce dog; they kept him chained all day. I saw the chain around his neck then, but still I was afraid.

A 1913 calendar trade card, featuring two girls and a Newfoundland.

That terrifying dog with the chain around  his neck would later play a very important role in young Grandma Burton’s life.

Bose also made appearances in several short stories in The Pansy magazine.

Curiously, Isabella didn’t describe Bose in detail. In fact, Grandma’s Miracles is the only book that tells us his color (white).

A trade card from about 1900. Any guesses what this dog’s breed is supposed to be?

But we know Bose was a large dog, perhaps a shepherd, a collie, or even a mastiff, any of which are breeds known to be especially protective of children.

A Mastiff.

We also know that Bose often appeared menacing at first, only to show that underneath his barks and growls, he was a loyal friend with a heart of gold.

And that was true of many of Isabella’s human characters, too.

Have you ever known a great big dog that frightened little girls, as Bose did? Please tell us about it!


You can read more about the Isabella Alden books mentioned in this post by clicking on the book covers below:

    Image of the cover for Sidney Martin's Christmas

   

 

You Can Be a Nurse. Yes, You!

20 Feb

“Nurse” was a word that figured often in Isabella Alden’s novels, but not all her nurses were created equal.

In some of her stories, “nurse” was another term for a nanny—a woman who took care of young children.

Nurse and baby, about 1910.

That was the case for Miss Rebecca Meredith in Wanted, who hired herself out as a “nurse-girl” after she applied for the job listed in this newspaper ad:

Wanted—A young woman who has had experience with children, to take the entire care of a child three years of age. Call between the hours of four and six, at No. 1200 Carroll Avenue.”

In other novels, like The Older Brother, nurses were everyday people who knew what to do whenever illness struck, like Aunt Sarah:

Aunt Sarah proved herself a veritable angel of mercy. She was able to lay aside her brusqueness and her sarcasms, and become the skillful practical nurse, taking her turn and indeed more than her turn with the others, and compelling the anxious mother to take such rest as she needed.

Aunt Sarah and Rebecca Meredith developed their nursing skills through practical experience, and a history of caring for neighbors and family members who were ill.

But when Helen Betson’s father fell ill in Echoing and Re-echoing, the doctor insisted on securing the services of a “professional nurse,” which threw Helen into days of anxious waiting:

If she could have done a share of the nursing—but they had been forced to employ a professional nurse who shared the task with her mother, so that it was only now and then a little service that Helen was permitted to do; and she grew weary of the long waiting that seemed so purposeless.

In Isabella’s lifetime, it was common for physicians to train their own nurses, but they often found it difficult to find candidates who already possessed basic knowledge of human anatomy, nursing science, and mixing medicines.

A young nurse in the 1890s.

The best candidates were trained in a hospital setting, but hospital training programs had drawbracks:

Most programs had age limits that disqualified women who were middle-aged and older.

The coursework took years, and tuition was expensive at a time when there was no such thing as tuition assistance or student financial aid.

Portrait of a graduating class circa 1890.

The programs tended to attract only local students because the best teaching hospitals were in large American cities where the high cost of living proved a barrier to outsiders.

Fees charged by graduates of hospital programs meant their services were unaffordable for the majority of Americans, especially those in rural areas of the country, so nursing school graduates tended to live and practice in larger cities.

Four nurses at Samaritan Hospital, Sioux City, Iowa, about 1910.

The result: America had a great shortage of competent, trained registered nurses. Dr. Everett mentioned the problem in Isabella’s novel, Workers Together:

Professional nurses are good when you can get them. It is unfortunate that they are especially scarce just now. I have been on the look-out for one all the morning without success.

Graduates of Roots Memorial Hospital nursing program, Arkansas, about 1908.

A New Yorker named Cyrus Jones decided to do something about it. Because he lived very close to Chautauqua Institution, he was familiar with the Chautauqua Literary and Scientific Circle. The CLSC conducted first-class four-year college degree courses via correspondence. He was certain nurses could be trained using the same methods. He said:

There must be many thousands of bright, earnest women, young and old, who would be nurses if they could learn the profession without going to a hospital. Other branches of knowledge are taught by mail and learned at home. . . . Why not nursing?

An advertisement in Christian Nation magazine, 1915.

Mr. Jones launched the Chautauqua School of Nursing in 1900, and it was immediately successful. Over 200 students enrolled the first year.

Unlike other schools, Chautauqua School of Nursing did not have age limits, welcoming many women who were denied admission to other schools because of their age.

The administrative offices for the Chautauqua School of Nursing in Jamestown, New York.

Since the enrollment fee was only $75.00, women who intended to work as professional nurses knew they would soon earn back that cost because they would earn between $10.00 and $35.00 a week as a registered nurse after graduation.

A young woman’s nursing school graduation photo, undated.

But the highest enrollment came from students who lived in rural and isolated areas where conventional hospital training schools didn’t exist.

A 1913 newspaper ad.

Like the hospital-based schools, the Chautauqua School of Nursing bestowed upon its graduates its own pins, caps, and certificates.

A 1913 diploma (from Flickr).

In every respect, its graduates appeared to have the same training and cachet as graduates of hospital programs. The public couldn’t tell the difference.

From the Columbus Weekly Advocate (Columbus, Kansas), November 27, 1913.

They also employed a very unique marketing tactic: They advertised their students.

The school used their real students as models in their print ads in magazines and newspapers.

Print ad for Chautauqua School of Nursing, 1915.

And if a prospective student was unsure whether or not she should enroll in the course, she had only to write the school.

Three Chautauqua nursing graduates, 1910.

In return, the school would provide the prospective student with the name and address of the graduates closest to her, with an invitation to contact any one of them to get more information about the school, the teaching curriculum, and what graduates’ lives were like as professional nurses.

Chautauqua school advertisement, 1909.

By 1910 the school had bestowed diplomas upon 12,000 nursing students; the class of 1911 alone exceeded 3,000 enrollees.

In all respects, the school was a success. Because of the Chautauqua School of Nursing, hundreds of communities had a trained, reliable nurse for the first time . . .

. . . and thousands of women entered into a respected profession that helped their communities, and produced a steady income for themselves.

Click on a book cover to learn more about Isabella Alden’s novels mentioned in this post.

    

New Free Read: On Which Side Were They?

6 Feb

Not all of Isabella Alden’s stories had happy endings. This month’s free read is a short story Isabella wrote in 1893 when she was living in Washington, D.C. and very active in the Christian Endeavor Society. She deliberately left the ending of the story unresolved. Perhaps she was waiting to see how the real-life model for her story played out—or perhaps she wanted her readers to concentrate on the meat of her story, rather than on a happy ending. Either way, “On Which Side Were They?” is a thought-provoking story that’s as relevant today as it was the day it was first published.

You can read “On Which Side Were They?” on your phone, ipad, Kindle, or other electronic device.

Or you can read it as a PDF document on your computer screen. You can also print the story to share with friends.

To begin reading, just click on the book cover to choose your preferred format from BookFunnel.com.    

Helen Lester

3 Jan

Isabella Alden’s first novel, Helen Lester, was published in 1865 when she was 24 years old.

The original book included a few illustrations. This one depicts the moment in the story when Helen’s older brother leads her to the Christ.

Helen Lester was a great success and launched Isabella’s writing career, but it almost wasn’t published!

You can read more about how Helen Lester came to be—-and read the book for free! Just click here.

Happy Thanksgiving and a New Free Read!

21 Nov

Tomorrow is Thanksgiving and in honor of the day, we’re sharing one of Isabella’s short stories from 1891.

About the Story:

Little Nannie Walters simply wishes to dress her favorite doll in lace and linen; but she quickly learns there are consequences for little girls who take things that belong to others—a lesson that could ruin her Thanksgiving day plans.

Read it for free!

You can read “Nannie’s Thanksgiving” on your phone, ipad, Kindle, or other electronic device. Just click here to download your preferred format from BookFunnel.com.

Or you can click here to read it as a PDF document on your computer screen. You can also print the story to share with friends.

 

Artificial Flowers

4 Oct

During the late 1800s and early 1900s no true lady ever left home without being properly attired. Isabella Alden would have abided by that rule.

When paying calls or shopping, Isabella, like all women at the time, wore gloves as well as long sleeves and high collars to cover her arms and neck.

Even more importantly, ladies always wore bonnets.

The fashion in 1895: A black straw hat trimmed with artificial roses, lily of the valley, and violets. Courtesy of HistoricNewEngland.org.

Bonnets were de rigeur for any lady in the out of doors; and while styles of bonnets changed from year to year, one constant was decoration; with few exceptions, ladies’ hats were decorated with ribbons, netting, swashes of fabric and—most commonly—with artificial flowers.

Hat styles in 1914, depicted in The Ladies Home Journal.

Woman of the era loved artificial flowers. From small dainty buds to cabbage-sized blooms, women wore them not just on their bonnets, but in their hair and on their gowns, as well.

Artificial flowers were in heavy demand; companies that supplied them were constantly adjusting their prices to gain an upper hand over their competition.

Business card for a dealer in artificial flowers.

In Isabella’s lifetime, the American manufacturing industry was in its infancy; there were no machines that could make artificial flowers. So the flowers were constructed by human fingers, petal by individual petal.

It was tedious, painstaking work that was typically performed by women and children for paltry wages.

Artist Samuel Melton Fisher memorialized flower makers in his 1896 painting

Flower Makers by Samuel Melton Fisher, 1896.

But Mr. Fisher’s painting shows an idealized setting, with women and girls in crisp white aprons happily gluing the petals of flowers together or attaching blooms to stems.

The truth was that the majority of artificial flowers were made as piecework in women’s homes.

A mother and her children making artificial flowers in their home (1910).

In 1908 the city of New York conducted a study of people living in city tenements. As part of the study, they published this photograph depicting Frank, a fourteen-year-old, and his family, who lived in a tenement building:

The city used this caption for the photo:

Frank, 14, John, 11, and Lizzie, 4, work with their parents at home making artificial flowers. The father helps because his health is too poor to do other work. The boys work from Saturday afternoon and evening until 10 or 11 p.m. Lizzie separates petals. They make regularly from ten to twelve gross a week for which they are paid 6 cents a gross.

At 6 cents a gross, Frank’s family earned between 60 and 72 cents a week. To put that amount into perspective, a loaf of bread at the time cost 5 cents; a quarter of milk cost 6 cents, and a dozen eggs cost 22 cents. Given the amount Frank and his family earned, they were able to afford just enough food to survive.

Young women making artificial flowers.

The demand for artificial flowers remained high for decades. Some unscrupulous suppliers rounded up street children and locked them in rooms, forcing them to make flowers for 12 to 14 hours a day. The children were give little food and allowed minimal rest before they were made to begin work again.

Eleanor H. Porter, the popular author of the Pollyanna series of classic children’s novels, wrote about the plight of such children in her book, Cross Currents.

Although many of the children in Isabella’s novels had jobs or worked to help support their families, none of them assembled flowers; still, it was such a wide-spread cottage industry, Isabella was probably very aware of the practice.

There’s no available photograph of Isabella to tell us whether she liked artificial flowers on her bonnets; but in her memoirs, Isabella mentioned that when she was a young bride, she wore a hat that a woman at church felt was “too gay” for a minister’s wife to wear. The woman went so far as to send Isabella an incredibly ugly hat for her to wear instead.

Isabella even wrote about the incident in her novel Aunt Hannah and Martha and John. In the story (just as it happened in Isabella’s real life) an anonymous person sends newly-wed Martha Remington a very unattractive hat. Martha’s struggles in deciding whether to wear the horrid creation to church reflected the very same struggles Isabella endured in the very same situation!

You can read more about the books mentioned in this post by clicking on the book covers.

 

Isabella’s Last Novel

27 Sep

Much has been written about Isabella’s first book, Helen Lester, and how it came to be published.

Less has been written about her last novel, An Interrupted Night. Here’s an interesting fact about the book: in the same way her first novel Helen Lester was published with the help of her best friend, Theodosia Toll Foster, Isabella’s last novel was published with the help of her beloved niece, Grace Livingston Hill.

Isabella Alden

Here’s how it happened. In 1924 Isabella was 82 years old. During that year she suffered great loss: her dear sister Marcia, her husband Ross, and her son Raymond all died within months of each other. Isabella’s writing took a back seat as she made her way through that difficult time.

Ross and Isabella Alden with their son Raymond in 1916

Two years later, in 1926, Isabella was seriously injured in an automobile accident in Palo Alto, California, where she was residing. She lived with the pain of her injuries for years afterward.

Then, in 1929, due in part to those old automobile accident injuries, Isabella fell and broke several bones including her hip. From that point on, Isabella was confined to a wheelchair and in constant pain.

Still, despite everything she had been through, at the age of eighty-seven she had one more story to tell.

Between intervals of constant pain and visits from friends and well-wishers, Isabella began writing her last novel. But even with her best efforts, she struggled to complete the story because, as she said, her body . . .

. . . was unfit for the work that needed to be accomplished.

Finally, determined to get her promised manuscript into the hands of the publisher, Isabella called upon her niece Grace Livingston Hill for help.

Grace Livingston Hill, 1915.

By that time, Grace was a successful novelist in her own right. Still, Grace said of her aunt’s request:

I approach the work with a kind of awe upon me that I should be working on her story! If, long ago in my childhood, it had been told to me that I should ever be counted worthy to do this, I would not have believed it. Before her I shall always feel like the little worshipful child I used to be.

But Grace took up the task, and helped her Aunt Isabella — by then confined to her bed — finish the book.

The novel was titled An Interrupted Night. Isabella said the story was based on actual facts, told to her by one of the people characterized in the story as “Mrs. Dunlap.”

The cover for Isabella’s 1929 novel, An Interrupted Night.

The novel was published by J. B. Lippincott Company in 1929 and received very favorable reviews.

One particular review, found in the Fort Lauderdale News on July 12, 1929, begins with this this sentence:

Old readers must have gaped with surprise and thought that their glasses were at fault when they read that a new book by Pansy, Mrs. G. R Alden, will be published soon by Lippincott’s. Shades of sainted grandmothers and all the dear old ladies of the Presbyterian fold, who reveled and doted upon Pansy when they were little girls!

That’s quite a beginning to a book review, isn’t it? Although the review begins with a rather sarcastic tone, it ends on a more respectful note. You can read the entire review by clicking here or on the image below.

Because it’s still protected by copyright, we can’t make An Interrupted Night available to you, but copies of the book do surface in libraries and book stores on a fairly regular basis.

If you find a copy of An Interrupted Night, you’ll be treated to a marvelous story about Mrs. Dunlap and her efforts to convince a young woman to abandon her plans to elope with a man who seems, on the surface, to be her ideal mate.

It’s a Pansy story in the truest sense, with a wonderfully sweet ending, engaging dialog throughout, and important life lessons for her characters —and readers! — to learn along the way.


This is the last post in our Blogiversary Celebration! Leave a comment below or on Isabella’s Facebook page to be entered in a drawing for a $25 Amazon gift card! We’ll announce the winner tomorrow.

 

What a Character!

25 Sep

If you love stories that feature believable characters trying to find their way through life’s struggles, look no further than Isabella Alden’s books!

This word search puzzle features the names of some of Isabella’s most beloved characters, who ultimately learned to trust God to guide their daily steps in life. See how many names you can find!

Words can go horizontally, vertically, and diagonally, backwards and forwards.

Once you complete the puzzle, let us know how you liked it by leaving a comment here or on Isabella’s Facebook page.

Choose how you want to play:

To play online, click here. Then, click on a letter and drag to reveal each listed character name. You can play the puzzle online until October 30.

To print the puzzle and share it with others, click here. The print puzzle never expires, and it’s more challenging than the online version!

Have fun!


This post is part of our Blogiversary Celebration! Leave a comment below or on Isabella’s Facebook page to be entered in a drawing for a $25 Amazon gift card! We’ll announce the winner on Friday, September 28.

Pansies for Thoughts

20 Sep

Yesterday you read a lovely letter Isabella wrote to the students of an elementary school, thanking them for planting a tree in her honor.

Isabella’s writings—her books, stories, letters, and lessons—are filled with quote-worthy lines. Here’s an example from her novel, Tip Lewis and His Lamp:

In the story, The Reverend Mr. Holbrook asked that question of young Tip Lewis to help him realize that his resentment toward another boy was jeopardizing his own standing with God.

It was Isabella’s way of illustrating the Bible verse: “If ye forgive not men their trespasses, neither will your Father forgive your trespasses.”

That was Isabella’s genius: she had a talent for explaining the Bible in terms anyone—young or old—could understand.

One of the greatest admirers of Isabella’s talent was her niece, Grace Livingston Hill. When Grace was twenty-three years old, she was the newly published author of her first book, A Chautauqua Idyll. And she was ready for her next project.

Grace turned her attention to her Aunt Isabella’s books. She combed through them, selected inspiring quotes, and organized them into a daily devotional, with each quote accompanied by an applicable verse from the Bible.

The result of Grace’s efforts was called Pansies for Thoughts, and it became her second published book.

The original cover for Grace’s 1888 devotional, Pansies for Thoughts.

Isabella wrote a brief Preface for the book, with a prayer that . . .

The Holy Spirit would use these pages in a way to lead some souls daily higher, and higher, even into the “shining light” of the “perfect day.”

Pansies for Thoughts is a wonderful daily devotional, and you can read the book for free! Click here to download the e-book version for your Kindle, Nook, or tablet. Or you can download a PDF version to print or read on your computer.


This post is part of our Blogiversary Celebration! Leave a comment below or on Isabella’s Facebook page to be entered in a drawing for a $25 Amazon gift card! We’ll announce the winner on Friday morning, September 21!

Searching for Pansy’s Titles

11 Sep

Isabella Alden was a prolific writer of Christian stories and novels for children and adults. We’ve compiled a list of 213 of her titles (which you can see here) and she may have written even more!

To celebrate Isabella’s beloved stories, here’s a word search puzzle for you, created from the titles of her books.

Choose how you want to play:

To play online, click here. Then, click and drag to reveal each listed book title. You can play the online puzzle until September 30.

To print the puzzle and share it with others, click here. The print puzzle never expires!

Once you’ve completed the puzzle, be sure to leave a comment to tell us how you liked it, and to be entered in this week’s drawing for a $25 Amazon Gift Card.

Have fun !


This post is part of our Blogiversary Celebration! Leave a comment below or on Isabella’s Facebook page to be entered in a drawing for a $25 Amazon gift card!

We’ll announce the winner on Friday, September 14.

Writer Jenny Berlin

Faith, romance, and a place to belong

The Hall in the Grove

Author of Classic Christian Fiction

Isabella Alden

Author of Classic Christian Fiction

Britt Reads Fiction

Reviews and giveaways for Christian fiction and sweet, clean fiction. Bringing readers information on great stories and connecting authors with their readers.

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