Today Marcia Macdonald Livingston is widely known as the mother of beloved Christian novelist Grace Livingston Hill and the older sister of Isabella “Pansy” Alden; but Marcia was actually a talented, well-published author in her own right. She wrote uplifting stories for readers of all ages, and this month’s free read is a wonderful example. Although “A Happy Summer” was written with children in mind, Marcia’s warm, engaging writing style makes this a meaningful and entertaining read for adults, too.
For sisters Jessie and May, life in a hot, cramped city attic makes the country feel like a distant dream. With their widowed mother working day and night to keep a roof over their heads, a summer filled with green fields and fresh air seems impossible. But when an unexpected act of kindness opens the door to a new life in the quiet village of Woodbury, the Wilson family discovers the joy of answered prayers and the simple beauty of nature.
Originally published in an 1883 issue of The Pansy magazine, this special edition of “A Happy Summer” includes the original artwork published with the story, so you can read it in the same way Victorian children first enjoyed it!
Dwight L. Moody was unlike any preacher of his era. Other celebrated evangelists of the nineteenth century (including his contemporary Charles Spurgeon) preached with scholarly precision and theological authority.
Mr. Moody took a different approach. He talked to his audiences the way a trusted friend might talk across a kitchen table — warmly, personally, and without pretense. It was a style he probably carried with him from his early days as a shoe salesman in Boston, where he learned that persuasion begins with a human connection, not an argument.
His simple, conversational style is evident throughout Lesson Ten of Mr. Moody’s Bible Class.
He doesn’t begin the lesson with a Scripture text or a theological declaration. Instead, he opens with a lovely description of the view from his study window at his home in Northfield, Massachusetts. He describes the Connecticut Valley stretching out before him and his view of the distant Vermont hills after an early mist has burned away. It’s a short and ordinary paragraph, and that is precisely his point. From that gentle opening he moves into one of the most profound doctrines of the Christian faith: the resurrection of the dead.
Mr. Moody’s home in Northfield, Massachusetts in 1904.
Half way through the lesson, Mr. Moody shares more about his personal life and admits that when he was a child he was terrified of death. He describes how he would pause whatever he was doing and anxiously count the strokes of the church funeral bell (one toll for each year of the deceased’s life) and feel a cold dread whenever the count was low. It’s a tender and relatable confession of fear from a man who regularly preached to millions of people.
That is what makes this lesson so powerful and so relevant for readers today. Mr. Moody doesn’t lecture us about the Resurrection from a safe theological distance. Instead, he tells us what it cost him personally to believe it — and what it gave him in return.
In 1918, Isabella’s husband, Reverend G. R. Alden was a healthy, hardy 86-year-old. Though retired from his ministerial duties in the Methodist church, he remained incredibly active. The Aldens were living in Palo Alto, California at the time, and because the Reverend didn’t drive, his bicycle was his primary mode of transportation. Seeing him pedaling his bike around town was a familiar and endearing sight in the neighborhood.
A roadster bicycle from about 1915, described in advertisements as “admirably suitable for the young and middle-aged.”
Rev. Alden was also a well-known dog lover. Years earlier, he had written two children’s novels centered around a canine protagonist named Major: Major’s Autobiography and Major’s Friends, were both serialized in the pages of The Pansy magazine in 1892.
An illustration from the 1892 serial story, “Major’s Friends.”
He was very open about his affection for four-legged friends. In the opening lines of Major’s Friends he declared to his young readers:
“By this time you will begin to believe that I am fond of dogs. Well, I am, if they are good, and I am especially fond of large, intelligent dogs.”
With such a deep affection for man’s-best-friend, it must have come as quite a shock to the Alden family—and the community—when the local papers ran a startling headline in July 1918.
According to the July 17, 1918 issue of the Peninsula Times Tribune, Rev. Alden was riding his bicycle near his home one evening when he was suddenly “assaulted” by a vicious bull terrier. The dog bit him, leaving a painful injury on his left leg just above the ankle. The next morning, Rev. Alden reported the attack to the police, requesting that immediate action be taken to muzzle or properly handle the dangerous dog.
Because Isabella and the Reverend were such prominent figures in the region, the story quickly spread beyond Palo Alto to nearby San Jose. The Aldens were frequent visitors to the Mount Hermon Christian Camp in Santa Cruz, where they owned a cottage, so two days later, the Santa Cruz newspaper also picked up the story and added a few additional details for its readers.
The article made sure to note that Mrs. Alden was the famous author of the beloved “Pansy” books, and proudly mentioned that their son, R. M. Alden, was currently serving as a professor at nearby Stanford University.
Thankfully, an injury above the ankle couldn’t keep a robust 86-year-old retired minister down for long, and Rev. Alden was soon back on his bicycle, pedaling around Palo Alto. It’s fascinating to see how a minor local mishap can reveal so much about the Aldens’ daily lives, their tight-knit family, and their enduring fame in California.
Did you know Reverend Alden wrote children’s stories about dogs? Have you ever read about Major’s adventures? Leave a comment below and share your thoughts!
Isabella Alden was a teacher at heart. She learned at an early age that the best and most lasting lessons are often taught through real-life examples (read more about that here). It was a philosophy she shared frequently with other parents—whether she was speaking to mothers at church, during her summers spent at Chautauqua, or while traveling on her lecture circuit.
Isabella loved discussing the unique challenges of raising children with Biblical truths as their guide. In a 1901 article in American Mother magazine, she shared a bit of advice she had learned from a mother who found a brilliant way to do just that:
Teaching Self-Reverence.
I knew one mother who, before her son could speak the words plainly, taught him the Bible verse, “I will give thanks unto thee, for I am fearfully and wonderfully made.”
Then, every evening, during their half-hour of confidential talk, she gave him, in minute detail, some proof of the truth of this verse. He was interested in “chu-chu cars,” and had been allowed to stop and examine the great engines, and to ask numberless questions about them.
That evening, his mother told him of the engine in his body that worked day and night at its appointed task. He had a chance, one evening, to look through a small telescope and saw wonders; and was led to think of the two perfect telescopes that he carried about with him daily.
For days, for weeks, for months the marvels went on, given in serial chapters; the revelation of one small human being to his human self. Every night he repeated, with increasing reverence, the words, “I will give thanks unto thee, for I am fearfully and wonderfully made.”
Can you imagine Isabella nodding and smiling as she listened to this mother’s clever idea? Long before modern science had mapped out the intricate inner workings of the human body, this mother used a child’s natural curiosity over trains and telescopes to inspire a deep, foundational reverence for how God made him. It’s a reminder for us today that Isabella’s philosophy was right, and that the greatest truths can often be taught in the quietest moments of a daily routine.
Do you have a favorite way you’ve seen scripture or deep Biblical truths made simple for children?
Our July free read is a short story by an author who may be new to you. Margaret Marshall Saunders was a Canadian writer of children’s stories and a passionate advocate for animal welfare. She was thirty-two years old and just starting her writing career in earnest when her novel Beautiful Joe was published in 1893 under her pen name “Marshall Saunders.” The book quickly became a worldwide bestseller and made history as the first book by a Canadian author to sell over a million copies.
Margaret Saunders was a talented writer, and when she submitted her short story “It Might Have Been” to Isabella Alden for publication in The Pansy magazine, the story must have touched Isabella’s heart.
Margaret Marshall Saunders with her dog, Billie Sunday.
Like the character of Ella Crouse in the story, Isabella had a temper! Throughout her life Isabella candidly shared times when her quick flare-ups and uncontrolled anger often got the best of her, leading to situations she later regretted. It’s easy to see how she identified with Margaret Saunders’ beautifully written story. She undoubtedly knew that this tale of regret and sisterly love would resonate deeply with her readers.
Published in the June 1895 issue of The Pansy, “It Might Have Been” by Margaret Marshall Saunders is a lovely short story that reminds us that building character is a slow process—earned through daily patience, forgiveness, and love.
Ella and her sister, Jessie, are opposites in every way. While Jessie is calm and fragile, Ella possesses a fierce, volatile temper that she struggles to master. One chaotic morning, a minor misunderstanding over a pair of gloves escalates into a passionate argument that Ella regrets. But when an unexpected crisis strikes the family later that day, Ella is forced to confront the terrifying reality of what might have been if she never got the chance to say “I’m sorry.”
Dwight L. Moody was one of the most beloved evangelists of the nineteenth century, who preached to millions on both sides of the Atlantic. For Isabella Alden, Mr. Moody was more than a famous name; he was part of her world.
Dwight Lyman Moody (portrait by Edward Clifford)
The connection ran deep in her family. Isabella’s uncle, Horatio Spafford, was a close personal friend of Mr. Moody’s, a supporter of his evangelistic campaigns, and a fellow laborer in Chicago’s Christian community. It was a personal letter from Moody (then preaching in Europe) that invited Horatio and his family to join him in England in 1873, a voyage that ended in tragedy and gave the world the hymn “It Is Well With My Soul.” Mr. Moody himself traveled to be with the grieving Spaffords in the aftermath of that loss. (You can read more about that here.)
Closer to home, Mr. Moody was a contributor to Isabella’s own work. In 1897 — the same year he was writing these monthly Bible lessons for a popular women’s magazine — he contributed a piece on prayer meetings to a Christian magazine Isabella edited, a collaboration that speaks to the mutual respect and shared mission between them.
What makes lesson nine of Mr. Moody’s Bible Class so interesting is that its central message was one Isabella had been sharing for decades in her stories and novels. Mr. Moody teaches that love is not a feeling reserved for the lovable — it is the very essence of God, extended unconditionally to the unworthy, and expressed in small acts of grace that leave impressions that last a lifetime.
If you have read any of Isabella’s novels, you’ll recognize that theme immediately. Her stories are populated with difficult people — the prickly neighbor, the harried, impatient mother, the unlovable child, the proud and self-righteous churchgoer — and her heroes and heroines choose to love them anyway, to speak a kind word, and to see the person beneath the surface. Isabella was writing fiction; Mr. Moody was preaching theology; but they were both saying the same thing.
In his ninth Bible class, Mr. Moody explains how God’s love differs from man’s love, and he shares the ultimate way in which we can show our love for God in return.
In 1892 Isabella Alden—writing under her pseudonym, Pansy—was one of the most popular fiction authors in the U.S. Her novels were translated into multiple languages and sold around the world. A “Pansy book” was guaranteed to occupy an honored place on bookstore and library shelves.
She wasn’t alone on the best-seller lists. At that time the literary world was dominated by books like:
The Picture of Dorian Gray by Oscar Wilde The Sign of the Four by Arthur Conan Doyle Tess of the d’Urbervilles by Thomas Hardy
These novels were praised for their new “realistic” writing style that featured characters and plots that were “true to life.” By comparison, some critics complained the characters in Isabella’s books were “too good to be true” and her themes were “sentimental.”
Isabella clapped back.
She wrote an essay for a Christian magazine titled “How to Read a Story.” In it, she fiercely defended her work and taught a master class on how a Christian should select and read fiction. Her essay gives us a wonderful insight into Isabella’s philosophy as a writer—and the high expectations she had for her audience.
Read Isabella’s essay below. When you’re finished, continue on to see how her 134-year-old words still hold true today and perfectly describe one of her most famous characters.
HOW TO READ A STORY
BY “PANSY”
My complete subject is: “How to read a story so as to get the most good out of it.” Let me emphasize the thought involved; first choose your story. There are stories which are not and cannot by any process be made helpful. Busy young people, at least, have a right to the best.
Of course there is a difference of opinion as to what is the best, and perhaps the first thing to be done in order to get help from a story is to decide why it should be helpful. We hear a great deal about realistic writers, or those who picture life as it is. At first thought these seem to be the ones whom we should choose for helpfulness, because of what use is it to study a life which is not helpful? But a closer look shows you that there are two sides to this question. The police reports, the murder trials, the accounts of bar-room fights, and the like, are intensely realistic; but why should we grovel in such scenes as these, merely because they are too sadly true to life?
We hear a great deal about sentimental writers, until some of us are in danger of learning to think that sentiment of any sort is a very weak and offensive thing. The fact is, there is a vast difference between sentiment and sentimentalism, and we young people must learn to discriminate between them. For instance, the sentiment of love is ennobling, uplifting, immortal in its power; but the sentimentalism of love which makes a parade of its outward forms—dishes them up for silly readers, giving to the public words and caresses which should be held in sacred privacy—merits our stern disgust. To discriminate between them is what we want to learn.
It has become a fashion of the present day to sneer at what is called the “goody-goody” book; by which too often is meant the book written with an evident purpose to accomplish good in the world. But whatever others may say, of course no Christian reader will be found sneering at the book which was “written for a purpose,” for without a purpose worthy of an immortal, what right has one to write, or one to read, who is pledged to “try to do, every day, just what Jesus would like to have him do?”
Only yesterday a young lady, speaking of a character in a well known book, said, “He is too good—unnaturally good; there never lived a man like him.”
Did there not, dear friend? Have you forgotten the man Christ Jesus, who came to be our example?
I take it, young friends, that if there be a legitimate realm for fiction in a Christian’s life, it is found in an earnest attempt to portray, and an earnest effort to study, a character which represents not what most people are, but what people might become who tried to live each day a life hid with Christ in God. When next you hear the cry of “unnaturalness” raised against a book or character, try to learn whether it should be unnatural, or whether it is not your privilege to live just as round and full and beautiful a life as that.
Well, we have chosen our story; how shall we read it?
“How not to do it, is the first rule to apply,” said a young reader to whom I appealed the other day. And when I further questioned, he explained, “Why, don’t plunge in, and read for twelve consecutive hours, straight through. If you do, you will feel at the close as if you had been to a three days’ circus, and on the whole you will be disgusted with the performance. I have discovered it to be a good plan to lay aside a story as soon as I have found I don’t want to … I do not want a story-book to be my master.” I think so many stories get out of their proper place in our lives.
Do you ever try to study a writer’s power over you? To define what pleases you in the story? Why you want to read it? I think that is one of the ways of making a story helpful.
“I mark books freely,” said one young reader who reads to good purpose, “stories as well as other matter. I mark the passages which thrilled me, and go carefully over them when the story is finished, to discover, if I can, why they thrilled, and whether, on sober second reading, they still have that power. Moreover, it is not much of a book which does not give you one or two thoughts that you want to remember and quote for the benefit or pleasure of others.”
Sometimes we get good out of a story by carefully studying the characters whom we admire, and discovering why we admire them. If we find that in certain situations their conduct has been admirable, and that in like situations we should be tempted to act differently, we can use this story to forewarn and forearm ourselves against a future temptation. The reverse of this proposition is also true. I remember reading, years ago, a story in which I disliked a certain character. A careful analysis of my reason and a little careful thinking developed within me the astounding thought that I was often guilty of the same line of conduct, though I had never realized it before.
I would have you learn to note with exceeding care the effect which a story is having on you as you read. Does life seem to you a better, nobler, grander thing as you read of its dealings with these creatures of fiction? Do you admire true courage and unselfishness more? Do you feel more eager than ever to overcome within you that which mars your usefulness and cripples your influence? Do you rise up from its pages feeling stronger to do that day’s’ duties, however small; to bear that day’s crosses, however irksome? Then indeed such a story may be to you a voice from the King himself urging you to higher and better endeavor in his service.
But if, on the other hand, as you read, the every-day commonplace life that you are called upon to live grows petty to you, grows irksome; if sin in any form looks less appalling to you because your story has awakened some weak interest in the sinner; if, in short, God, and duty, and endeavor in His name and for His sake seem less important and less inviting because of the story you are reading, let me beg you to put the book from you as unworthy of the thought of an immortal soul.
In her essay Isabella wrote, “Sometimes we get good out of a story by carefully studying the characters we admire, and discovering why we admire them.”
Were truer words ever written? Isabella wasn’t just lecturing readers about an impossible standard—she shared her secret for creating enduring fiction. Her books still have the power to make readers examine their own lives, leaving us feeling “stronger to handle our daily duties [and] to bear that day’s crosses.” Perhaps more importantly, her stories showed us “what people might become who tried to live each day a life hid with Christ in God.”
Ester Ried is one of Isabella’s most beloved characters because she fulfills that exact role. Ester’s struggles with a never-ending to-do list, financial worries, and family friction feels incredibly modern because we still wrestle with the very same problems today.
Isabella also wrote that sometimes we can learn from the reverse, by looking at a character we dislike and realizing “we share the exact same flaws.”
This also applies to Ester Ried. Ester wanted a deeper spiritual life, but she was too tired, too cynical, and too overwhelmed by her daily “crosses” to find it. We readers might initially judge Ester’s grumbling attitude, until we realize we often handle our own busy, stressful lives with the same grumbling spirit.
Ester’s eventual transformation isn’t an overnight miracle that makes her rich or takes away her chores. Instead, the grace Ester finds altersher heart toward her daily duties. Because Isabella grounded Ester in real human emotion, Ester’s journey still inspires us to find that same grace in our own hectic lives.
What do you think of Isabella’s essay?
When you first read Ester Ried, did you see your own daily frustrations reflected in her? How did her journey help you look at your own “every-day commonplace life” with fresh eyes?
What other Pansy novels have you read that served as a mirror that made you examine your own life?
While Isabella Alden captured the hearts of millions with her stories, her husband, Reverend G. R. Alden, occasionally added his own gentle voice to the pages of The Pansy magazine.
In this charming poem from the June 1891 issue, Rev. Alden shares the sights and sounds of tranquil Victorian summer days that the Alden family very much enjoyed.
The winds are wafted through the woods, The birds are singing in the trees, The buttercups with yellow hoods Are bowing to the passing breeze.
The brook glides lazily along Beneath the shadows of the birch; The kine are listening to the song, Silent and sober, as in church.
Cheering his mate the sparrow sings, The catbird scolds about his nest; The bee flies homeward as he brings His gathered sweetness with the rest.
The crowned thistle shapely stands, The elders bloom along the lane; The furrow marks the harvest lands, The gay colt tosses high his mane.
O, lovely June! With clover clad, Writing they pledges o'er the field; Thy smiling makes the farmer glad With thoughts of what shall be the yield.
But I inhale thy fragrance now Upon the present gladly look, And watch the branches as they bow Their greeting to the laughing brook.
This month’s free read is a short story Isabella wrote for an 1876 issue of The Pansy magazine about Janie Smith, a miller’s daughter who can’t help comparing her own plain life with another girl’s seemingly charmed one.
Janie Smith has never ridden the stage coach, never seen the city, and never owned anything half so fine as the traveling costume Miss Josephine Jennings wears. Watching the elegant young heiress board the train one morning, Janie can’t help but feel the world has been very unfair. But the express-man’s quiet words — “Poor little thing!” — are about to change everything Janie thinks she knows about fairness and God’s blessings.
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Isabella Alden 