In Isabella’s early days of teaching Sunday school, the blackboard was an innovation. In her books, Isabella often wrote about how intimidating the blackboard was for many teachers, and some refused to use it.
That’s what happened in her 1878 novel Links in Rebecca’s Life. In the story, a young woman named Almina had the charge of teaching young children their Sunday-school lesson, but she refused to use a blackboard:
“It is quite the fashion to rave over them … but I won’t have one. What could I do with it? I don’t know how to draw, and as for making lines and marks and dots … I am not going to make an idiot of myself. What’s the use?”
Isabella saw things differently. With inspiration from her old Chautauqua friend Frank Beard (creator of “Chalk Talks”), Isabella embraced the blackboard as a teaching tool, especially for her youngest students who were just learning to read.
Of course, not all Sunday-school teachers had Frank Beard for a friend and guide. And not all teachers had a talent for drawing and diagramming.
Publications like The Sunday School Times recognized that, and published “Blackboard Hints” in many issues of their magazine, showing teachers that simple lettered blackboard illustrations could be just as effective:
It was Isabella’s opinion that any lesson could be better taught by the use of a blackboard or a slate.
“Children are invariably more impressed with what grows into being before their eyes then with what is brought in a completed form before them,” she said.
In her Sunday school lessons, Isabella used pictures and objects whenever she could to illustrate her lessons, but she liked the blackboard better.
“I never attempt elaborate drawings. In the first place, I cannot draw anything. In the second place, but I would not if I could, in a Sunday school room. There is not time. The barest outline is all you can spare time for in all that you need. A blackboard used constantly throughout the lesson — a mark for this one, a dot for that, a crooked line for a river, and oval for a lake — that is better for an [children’s] class than a careful summing up of the lesson at the close.”
So Isabella often began her lessons by putting a dot or a simple symbol on the blackboard, just to get the attention of everyone in her class—at least until they found out what that mark was for.
“If I need such a dot or mark or line as the most mischievous and troublesome [child] there can make for me, I have won him as a rule for that day.”
You can learn more about Frank Beard and his “Chalk Talks” by clicking here.
You can read Isabella’s novel Links in Rebecca’s Life for only 99 cents! Choose your favorite e-book retailer. (Your purchase from The Pansy Shop helps support this blog.)
The 2025 Chautauqua Institution officially opens on June 21. Much has changed at the institution in the last 151 years, but thanks to Isabella Alden and her contemporaries, we can piece together what it was like to spend a summer at Chautauqua in its early days.
Before there were cottages and meeting halls, Isabella and her family spent their summers sitting on rough wooden benches as they listened to lectures in the open air, and sleeping under the stars or in tents.
The photo below was taken about 1876, which was the second year of Chautauqua’s existence. Isabella was only thirty-five years old, but she was already quite famous.
She was the best-selling author of over a dozen novels, including the first four books of her “Ester Ried” series. And The Pansy magazine was in its third year of publication, with Isabella as editor and chief contributor of stories and articles.
In those early years The Pansy magazine was sent every month (it later became a weekly magazine) to thousands of children. Isabella called each of her young subscribers her “Pansies.”
While at Chautauqua one day that summer of 1876, Isabella was walking through the grove, which was one of her favorite spots at Chautauqua. She wrote:
Chautauqua is so beautiful this year. Don’t you know, I met today one of the little Pansies! As I was walking through the grove, there came a sweet-faced little girl to me, and she said in a low, sweet voice:
“If you please, I live in Ohio, and I’m going home today, and I’d like so very much to kiss you, then I could tell all the little girls that I kissed Pansy.”
You may be sure that I gave her the very warmest kiss I had, and told her to tell all her little Pansy friends that part of the kiss was for them.
A ladies’ magazine once printed an article about Isabella and commented that one of the strongest and most attractive elements of her character was her humility in regard to the great good she accomplished through her writing. But in truth, she was keenly aware of the power she had over her readers, and she always used that power to help them come to know and love the Lord Jesus Christ. Just think of the story the little girl in the grove told to her friends back in Ohio! How many of her little friends do you think were influenced to know and love Jesus, all because of Isabella’s kindness to a child and that one little kiss?
Have you ever wondered what it would be like to be famous?
Isabella Alden circa 1880
Imagine walking into a room filled with people who burst into applause as soon as you enter. Then imagine that you’ve agreed to speak at an assembly that’s filled to overflowing with people, seated and standing in every available space, who hang on your every word.
That’s a little taste of what life was sometimes like for Isabella Alden. Today it might be hard for us to understand just how famous and beloved she was by people across the country. In a time before social media, television, and radio, Isabella had a nation-wide reputation as both an author and as a respected and knowledgeable public speaker on a variety of topics, including the development of Sunday-school lessons.
In 1886 Isabella and her husband, Rev. G. R. Alden, were living in Cleveland, Ohio, where Rev. Alden was pastor of a Presbyterian church. But when he wasn’t preparing sermons, and she wasn’t writing novels and stories for Christian magazines, the Aldens traveled the country to help churches design and implement well-organized, robust Sunday-school curriculums.
In June of that year they were invited to attend a conference in Wellington, Kansas, where the local churches hoped to find a way to better manage their Sunday-school offerings to children and adults. The Aldens accepted.
From The Conway Springs Star (a Kansas newspaper) on June 11, 1886
As soon as the local newspapers announced that Isabella Alden would be among the featured speakers, the churches were guaranteed to have an excellent turnout for their conference.
from The Monitor-Press (Wellington, Kansas) June 11, 1886
Here’s how the local newspaper described the scene on the first night of the conference when Isabella made her appearance:
from The Wellington Monitor, June 18, 1886.
The meetings began on a Monday afternoon and Isabella took an active role, according to the agenda:
from The Wellington Monitor, June 11, 1886
In one of the sessions she spoke about how to design Sunday-school lessons for children in the Primary Class age range of four to eight years:
from The Wellington Monitor, June 18, 1886
In another session she participated in a discussion on the proper way to prepare teachers for the work of teaching meaningful lessons:
from The Wellington Monitor, June 18, 1886
On Monday evening she read one of her short stories, “People Who Haven’t Time and Can’t Afford It,” which, the newspaper reported, “held the close attentions of the audience in spite of the discomforts of the crowded room.”
The rest of the conference was similarly busy for Isabella. The last night of the conference was “attended by an audience larger than the seating capacity of the church.” Isabella closed the evening session by reading a paper she wrote about “the Penn Avenue Church” and the difficulty the church had raising money for Sunday school purposes and for books to stock a small church library.
Eventually, Isabella revised that “paper” into a short story called “Circulating Decimals,” which was published two years later.
By every measure, the 1886 Sunday School Institute in Wellington, Kansas was a resounding success.
And with Isabella’s many contributions—from offering practical advice to reading stories with a message—it truly was a “feast of good things.”
One final note:
Isabella may have been a famous celebrity, but when she and Reverend Alden made these trips, they rarely stayed in a hotel. Instead, they were usually invited to stay in the home of one of the local church members. In Wellington, Kansas, they stayed in the home of George and Laura Fultz. Mr. Fultz was a leading businessman in Wellington, and he and his wife were active members of the Presbyterian church.
George Fultz
How lucky were Mr. and Mrs. Fultz! Isabella and her husband stayed with them for five nights. Imagine having your favorite author sit at your dinner table, join you in a morning cup of coffee, or share an evening on your front porch, relaxing and watching the sun set together after a full day of meetings.
If you were fortunate enough to have Isabella as a guest in your home, what kind of questions would you ask her?
All of the short stories mentioned in the post are available for you to read for free. Just click on any of the highlighted titles or cover images to download your copy from Bookfunnel.com.
There’s no question that Isabella Alden was a talented writer. The plots for her novels were inventive and realistic, and each of her characters were carefully drawn.
Her niece, author Grace Livingston Hill, wrote that when she was old enough to learn to read, she “devoured [Isabella’s] stories chapter by chapter.” And when Isabella wrote the final chapter to one of the novels she’d been writing, the family often crowded around her, knowing Isabella would read her work aloud. Grace said:
“We listened, breathless, as she read, and made her characters live before us. They were real people to us, as real as if they lived and breathed before us.”
They were probably real people to Isabella, too. When she was interviewed in 1892 for a Philadelphia newspaper, she talked about her writing process. For many years she used a typewriter to write her stories (you can read more about that here), but by the time she was interviewed for the newspaper article, she was using dictation. It greatly increased the speed with which she wrote her books, and added an inadvertent element of entertainment to the task. Here’s how it was described in the article:
“The morning hours are devoted by Mrs. Alden to her literary work, and a person standing in the hall in front of the studio door is highly amused to hear the animated conversation with the varying tones indicative of stern displeasure, then of baby prattle, to be followed soon by the earnest and softened accents of the lover’s pleading; a monologue by Mrs. Alden as she personates her various characters. They are all seen in life, they must all appear in her books.”
Isabella’s characters seem alive and real to us because she wrote about the kind of average people we meet every day; and when her characters come to a crossroads in their lives and face tough decisions, we understand what they’re going through because we (or someone we know) has dealt with similar situations. Her characters cause those of us who read her books to search our own hearts and “see ourselves as God saw us.”
Grace wrote that Isabella’s characters “still live within our memories like people we have known intimately and dwelt among. Ester Ried and Julia Ried, the Four Girls at Chautauqua, Mrs. Solomon Smith—I almost expect to meet some of them in Heaven.”
Do you have a favorite character from Isabella’s books?
Isabella often drew on her own life experiences when writing her stories and novels.
For example, Isabella’s husband G. R. “Ross” Alden was a seminary student when he and Isabella were courting. On the very day of their wedding, Isabella and Ross boarded a train to take them to a new town where Ross was assigned his first church as a minister. Isabella used the very same circumstance in her 1890 novel Aunt Hannah and Martha and John. In the story, newly married Martha also left her parents’ home immediately after her wedding to go with her new minister husband to his first church.
And just as Isabella had to learn the best she could to be a good minister’s wife, Martha had to do the same in the novel. One scene in the book tells what happens when Martha attends a ladies’ prayer meeting soon after she and John arrive at the new church. Here’s how Martha described the meeting to John later that day:
It wasn’t pleasant, John. It was, well, dreadfully stiff; I don’t know any other word that will describe it. Almost everyone was late, yet the meeting did not begin; they sat around solemnly and looked at one another. At last someone ventured to ask Mrs. Jones to lead. She said that she was not prepared, and that she didn’t feel competent to lead a meeting, anyway. Of course that made all the others feel as though they ought not to be ‘competent,’ and one and another refused. Then our next neighbor said she thought the minister’s wife was the proper person to lead; but by that time I was so sort of frightened that it seemed to me I couldn’t lead anything, and I said I did not feel competent, either.
Mrs. Green was finally persuaded to lead; she selected a long hymn and read the whole of it. Think of reading a hymn, John, in a little informal prayer-meeting that is to last only an hour! Then they had a time getting someone to start the tune. Mrs. Jones said she was hoarse, and Mrs. Brown did not know any tune that would go with the words. At last I grew ashamed of myself, and started a tune that I thought everybody in the world knew, but hardly anyone sang, and that frightened me. But they all looked as solemn as though they were at a funeral.”
Poor Martha! She felt she disgraced herself as the new minister’s wife. If only she had been trained in how to lead a prayer meeting!
In her real life, Isabella had to learn the same lesson. Fortunately for her, she had expert advice from a close friend of the Alden family: Reverend Dwight Lyman Moody.
Rev. Moody was a world-renowned minister and evangelist. In 1897 he wrote this bit of advice about prayer meetings, which Isabella published in a Christian magazine she edited:
Several important matters must be considered in order to have a good, live prayer meeting. Of course, the all-important thing is the presence of the Spirit of God, without whom no spiritual blessing can come. But there are certain things on the human side that help or hinder success.
First of all, the physical conditions. I do not believe even the angel Gabriel could infuse life into a meeting that is held in a dull, close room. Let there be plenty of fresh air. Make the room bright and cheerful, and there will be little chance of people’s falling asleep.
The meeting should begin and end promptly on time. Announcement should be made on Sunday, and a cordial invitation given to everybody to attend. If the prayer meeting is held in contempt, it is useless to expect a blessing there. I know some churches where they look forward to it more (if anything) than to the Sabbath services.
It is a good plan to allow about a quarter of an hour at the beginning for singing, another quarter for the leader to read Scripture and introduce the subject of the evening, another quarter for prayer and testimony, and the remainder of the hour for special prayer. But I do not suggest this as a permanent division of the time. Avoid falling into ruts of any kind. If some leading minister can attend, let him occupy the whole time; and introduce variety in other ways.
The music should not be neglected. Paul says, “In everything, by prayer and supplication with thanksgiving, let your requests be made known unto God.” I take it that thanksgiving and praise can best find expression in songs in which all can join. It is therefore important to have an active, earnest leader of the singing, who is able to read the pulse of the meeting, and by striking up suitable and familiar hymns, bridge over a pause, if need be.
A GOOD LEADER.
The success of the meeting depends largely on the leader. If he is full of life and of the Spirit, the audience will catch his enthusiasm: but a cold, listless manner throws a wet blanket over the proceedings.
He should be there ten minutes before the meeting begins, in order to see that everything is in good order, and he should come prepared to lead. If there is one thing that will kill a meeting sooner than another, it is to have the leader stand up and state that he has not come prepared. If a subject has been announced, it is his duty to study it so that he can introduce it intelligently. If he is not limited to any special subject, let him introduce one that appeals to the hearts of the people, and that they can speak upon without special preparation. When I was in charge of a work in Chicago, I used to say, “I am going to take up the Good Shepherd (or some such topic) tonight,” and then got friends to quote texts or make remarks on that subject. Let the leader set an example by being short and to the point in his opening remarks.
As at all other services, I believe the best thing to do is to feed the people with Scripture. Why is it we have so much backsliding, so little growth in grace? Because of the lack of food for the soul. If one neglects the Bible, his soul becomes starved and easily stumbles. “As newborn babes desire the sincere milk of the Word, that ye may grow thereby.” The more men love the Scriptures, the firmer will be their faith. And if they feed on the Word, it will be easy for them to speak; for out of the abundance of the heart he mouth speaketh.
Like everything else, the plan of announcing a topic beforehand can be abused. The objection is raised that in many meetings they go together, have one or two prayers, and discuss a topic. There is no need to pervert the meeting in this way. Let there be full liberty to all to tell their joys and sorrows, and give their testimony along any line.
A GOOD FOLLOWING.
The success of the meeting must also depend largely on the audience. The leader is not a Goliath, to go forth alone. Of all church services, the prayer meeting is the one specially intended for church-members to take part in, and the subject should be such as to draw them out. The leader should try to bring in fresh voices, even if he has to hunt them up beforehand.
The members should come to the meeting in the spirit of prayer. It ought to be on their hearts from week to week, so that they are thinking about it and praying about it. If a spirit of unity prevails, such as we read of in the case of those early Christians who “all continued with one accord in prayer and supplication,” blessing will surely follow.
I have no sympathy with the excuse that people have not time to attend. Of course there are certain ones whose circumstances or duties keep them away; but with many the excuse is due to sheer carelessness or indifference. Daniel was a busy man. He was set over the princes of a hundred and twenty provinces. Yet he found time to retire to his chamber three times a day to pray and give thanks before his God.
When the meeting is thrown open, friends should be brief and pointed in their remarks. Bible prayers are nearly all short. Christ’s prayers in public were short. When he was alone with God, it was a different thing, and he could spend whole nights in communion. Solomon’s prayer at the dedication of the temple is one of the longest recorded, and yet it takes only six or eight minutes in delivery.
“Lord, help me.” “Lord, remember me when thou comest into thy kingdom.” “Lord, save us.”
Such are the prayers that never failed to bring an answer. The prayer that our Saviour left his disciples is a model in its brevity, its recognition of God and desire for the glory of his kingdom, its sense of dependence upon him for daily needs and for deliverance from the guilt and power of sin.
BE DEFINITE.
Beware of vagueness. It is a sure sign that the prayer is heartless and formal. Beware of praying about everything that can possibly be touched upon. Leave something for those who follow to pray about. Beware of falling into ruts. Dr. Talmage says that if we were progressing in our Christian life, old prayers would be as inappropriate for us as the hats and shoes and clothes of ten years ago. Mr. Spurgeon said that some men’s prayers are like a restaurant bill of fare—ditto, ditto, ditto.
I believe in definite prayer. Abraham prayed for Sodom. Moses interceded for the children of Israel. How often our prayers go all around the world, without real, definite asking for anything! And often, when we do ask, we don’t expect anything. Many people would be surprised if God did answer their prayers.
As it is the members’ prayer meeting, special prayer should be offered on behalf of the church in all its varied activities, the pastor and all in authority. Other subjects for special prayer are the sick and sorrowing, the unconverted, and the services of the coming Sabbath.
Before the meeting is closed, an opportunity might be given for the unconverted (if there are any present) to make a confession or rise for prayer. I have one church in mind where they have conversations right along at the prayer meeting. Some testimony, some personal experience of God’s grace and blessing, will often convince a man where sermon and argument fail.
The greatest need of the church today is more of the presence and power of the Spirit of God. O that Christians were roused to greater earnestness and importunity in prayer! I believe that the greatest revival the church has ever seen would result. God help us, each one, to be faithful in doing our share.
What do you think of Rev. Moody’s advice about prayer meetings?
What other advice would you give about how to lead a prayer meeting?
Have you ever been to a prayer meeting like the one Martha experienced?
Click here to read more about Rev. Moody’s friendship with Isabella’s family.
Isabella’s primary purpose in writing her stories and novels was to win souls for Christ. But she also wrote to inspire readers to simply be better people.
During Isabella Alden’s lifetime, there was no higher compliment you could pay a man than to call him a “gentleman.” So it’s no surprise that the main male characters in Isabella’s stories—young or old, rich or poor—exhibited many of the characteristics that defined a gentleman.
They had strong moral principles. They were courteous and considerate. They had good manners, a desire to learn and understand the world, and they were willing to help and be kind to others.
For Isabella, a gentleman’s character was closely tied to his Christian beliefs. She illustrated that premise in this scene from her novel, Her Associates Members:
As she walked back and forth thinking her troubled thoughts, she heard footsteps approaching, and was surprised to see Uncle Tommy returning.
“Why, Uncle Tommy,” she said, going to the gate to speak to him; “are you coming back? I thought you had started homeward for the night. Have you seen my charge to her own door already?”
“No, I didn’t see her to the door, ma’am; she met with someone whose company suited her better than mine, and said I need not trouble further, though it would have been no trouble at all, of course.”
“Met someone? Did she meet a friend?”
“Aye, and he turned and walked with her, and seemed glad of the chance, and she likewise, or at least willing; so there was nothing for me to do but turn and leave them.”
“A gentleman was it, Uncle Tommy?”
“Aye, at least that is what he calls himself. I make no doubt there might be two opinions about that.”
“What is a gentleman?” she asked, more for the purpose of seeming to be friendly with the old man, than because she was interested in his reply.
“Well,” said Uncle Tommy, straightening himself in the moonlight, “there might be different opinions about it; looking on at folks, I’ve no kind of doubt that there are; but if you ask for my views, why, according to my way of thinking, there is only one kind of true gentleman, and that is a man who is keeping to the road He traveled, just as near as he can.”
Not only did Isabella write about gentlemanly behavior, she also shared other authors’ writings that touched on the subject. In one of the magazines she edited, Isabella published this brief essay:
The true gentleman is the man whose conduct proceeds from good will and an acute sense of propriety, and whose self-control is equal to emergencies;
. . . who does not make the poor man conscious of his poverty, the obscure man of his obscurity, or any man of his inferiority or deformity;
. . . who does not flatter wealth, cringe before power, or boast of his own possessions or achievements;
. . . who speaks with frankness, but always with sincerity and sympathy, and whose deed follows his word;
. . . who thinks of the rights and feelings of others rather than of his own;
. . . who appears well in any company, and who is the same at home what he seems to be abroad;
. . . a man with whom honor is sacred and virtue is safe.
—John Walter Wayland
In today’s world of social media, movies, and television shows that encourage people to behave badly, it’s sometimes difficult to remember there was once a time when honor, honesty and kindness were admired traits. Thankfully, we have Isabella’s stories and novels to remind us of those days.
Do you know someone you would consider a “true gentleman”?
Do you think that being a gentleman has gone out of style?
For more than a quarter of a century, Isabella edited newspapers (like The Pansy), wrote innumerable novels and short stories, taught classes on homemaking and child rearing, served congregations as a pastor’s wife, and designed Sunday school lessons for children. In between all that, she somehow managed to travel extensively.
Sometimes she was called upon to deliver an address at a conference. Other times she was the guest of a ladies’ missionary society or Bible study, where she often read chapters from one of the stories or novels she was working on at the time. (You can read more about that here.)
From the Rome, New York “Daily Sentinel,” August 18, 1898.
When she returned home from one of her many trips, her family gathered around her so she could tell them all about the places she went and the people she met. Her niece, Grace Livingston Hill wrote:
“She saw everything, and she knew how to tell, with glowing words, about the days she had been away so that she lived them over again for us. It was almost better than if we had been along, because she knew how to bring out the touch of pathos or beauty or fun, and her characters were all portraits. It listened like a book.”
One time in particular, Isabella returned home with an extraordinary story. Speaking at the same event had been a woman who was active in many of the same efforts that were of interest to Isabella, such as woman’s suffrage, and the temperance movement. Like Isabella, the woman was well known across the country as a writer and as a much-in-demand public speaker. It was this woman who recounted to Isabella an incident that happened to her.
With the woman’s permission (and with a promise to keep the woman’s identity a secret), Isabella wrote a short story based on the woman’s experience.
The premise of the story is this: A woman traveling by train to a speaking engagement notices an older man and younger woman traveling together on the same train. She quickly realizes she had come upon a couple in the middle of an elopement—and that the young would-be bride is having second thoughts!
How Isabella’s friend intervened (and what happened after) were recounted in Isabella’s story. When it was finished, Isabella sent the story off to a Christian newspaper that was pledged to publish a certain number of her stories each year.
To her surprise, the editor wrote back to ask Isabella if she had considered that the story might suggest to young people “evil ways of which they had never read.”
Can you imagine that? The editor actually worried that Isabella’s story about an elopement might have a negative or “evil” influence on the young people who read it!
In the end, Isabella withdrew the story, locked it away, and forgot all about it. Then, in the late 1920s, she came across the old manuscript and decided to expand the story into a novel.
The result was An Interrupted Night, and the story’s lead character of Mrs. Mary Dunlap was based on Isabella’s friend and the unusual events she told Isabella about decades before.
An Associated Press newspaper photo of Isabella in her later years.
By the time she finished writing the book and submitted it to a publisher, Isabella was in frail health. When the publisher asked her to make some edits to her manuscript, Isabella’s niece, Grace Livingston Hill, stepped in to help her “put it into final shape.”
The book was released in the fall of 1929 with a decidedly modern-looking cover:
And it was received by a decidedly modern audience that took the story’s premise of an eloping couple in stride. Isabella later wrote that she “exploded with laughter” when she thought about how much the world had changed in the years since she first wrote the story.
Now An Interrupted Night is available for twenty-first century readers to enjoy with a brand new cover:
Mary Dunlap is on her way to a speaking engagement when the train on which she travels experiences engine trouble and must make an unexpected stop for the night. While frustrated by the delay, Mrs. Dunlap quickly realizes a couple on the train is in the middle of an elopement—and the would-be bride is having second thoughts! Drawing on God’s strength, Mrs. Dunlap intervenes; but can she convince the young woman to abandon her plan and return home to her mother before it’s too late?
An Interrupted Night is now available from The Pansy Shop, along with novels by Rev. Charles M. Sheldon, Mary McCrae Culter, and other Christian authors in Isabella’s circle of family and friends. Click on the tab in the menu above, or click here to check out The Pansy Shop!
BY THE WAY …
Who do you think was the “real” Mrs. Mary Dunlap? Frances Willard or Emily Huntington Miller Perhaps Harriett Lothrop (who wrote as “Margaret Sidney”)? Leave your guess in the comments below!
In her novel Wise and Otherwise, Isabella wrote about a group of people who lived at a boarding house and the influences they had on each other. One of the residents, Mrs. Sayles, invited her dearest friend Dell Bronson to visit and take a room at the same boarding house. Isabella describes their reunion this way:
Mrs. Sayles went about during the rest of that day with very shining eyes, and very happy, expectant face, which was not shaded in the least when on the morrow she had been sitting for half an hour close beside her friend, and was now with her in her dressing-room, waiting while the rich masses of brown hair were being smoothed and braided into shape.
Isabella knew whereof she wrote. Like Dell Bronson, Isabella also had rich masses of brown hair that she wore in a braid, arranged at the back of her head.
A publicity image of Isabella, drawn from a photo of her when she was about age 30.
Her niece, Grace Livingston Hill, admired Isabella’s hair, and described it this way:
Her eyes were dark and had interesting twinkles in them that children loved; her hair was long and dark and very heavy, dressed in two wide braids that were wound round and round her lovely head in smooth coils, fitting close like a cap.
Isabella about age 35
But that wasn’t all Grace admired about her aunt’s hair. She wrote:
When [her hair] was unbraided and brushed out, it fell far below her knees and was like a garment folding her about.
Isabella about age 40
Grace went on to confess:
How I adored that hair and longed to have hair just like it! How I even used in secret to tie an old brown veil about my head and let it fall down my back, and try to see how it would feel to have hair like that. Nobody else in the world looked just as lovely as did she.
Isabella, about age 60.
Isabella kept the same simple yet becoming hairstyle throughout her adult life.
Are you surprised to learn how long Isabella’s hair was? What is the longest length you’ve ever grown your hair?
If the surname “Dunmore” sounds familiar to you, you’ve probably read Isabella Alden’s novel, Miss Dee Dunmore Bryant.
In that book about the adventures of the Bryant family, Judge Dunmore was a kind and generous man who befriended the Bryant children and helped improve their fortunes.
Isabella must have liked the surname “Dunmore,” because six years earlier, she used the same name in a short story she published in The Pansy magazine. In the short story, the kindly and wise gentleman named Dunmore was a physician who went above and beyond his Hippocratic Oath to heal the heart of a badly injured patient.
“Doctor Dunmore’s Prayers” is this month’s free read.
When Mr. Greyson is badly injured at work, Dr. Dunmore does all he can to repair the man’s damaged body and orders him to bed. But with no income, the Greyson family is soon in dire straits and desperate for help. What else can the doctor do to help restore the man’s health and faith?
You can read “Doctor Dunmore’s Prayers” for free!
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In 1908 Isabella wrote a novel called Her Own Way.
Like her novels Interrupted, The Long Road Home, and Wanted, Her Own Way is very much a story for adults. It is also a cautionary tale about the trouble that can come when believers place their trust in another person rather than in God.
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Mrs. Eastman has always been proud of her beautiful, head-strong daughter Carol and the lovely Christian woman she’s become. Although Carol’s willful ways have caused difficulties in the past, Mrs. Eastman has always been able to gently lead her daughter back to the fold of the faithful.
But when Carol makes the acquaintance of the new church choir director, Mrs. Eastman soon finds her influence waning, as Carol begins to fall deeper under the spell of a man capable of betraying them all.
Her Own Way is not at all like the novels Isabella wrote early in her writing career. What did you think of the book? Do you think the story has relevance for today’s readers?
Reviews and giveaways for Christian fiction and sweet, clean fiction. Bringing readers information on great stories and connecting authors with their readers.
![Newspaper clipping: The committee in charge of the arrangements make this further announcement: “We desire again to call the attention of all parents, Sunday School workers, and especially all young people, to this unlooked for opportunity to meet and greet Mrs. G. R. Allen [sic], “Pansy.” She is known and loved as the author of such helpful and thrillingly interesting books as “Ester Ried,” “Four Girls at Chautauqua,” “The Hall in the Grove,” “One Commonplace Day,” etc. Her engagement with the State Sunday School Assembly at Ottawa, Kansas, brings her west at this time and we trust that a “crowded house” will show our appreciation of the extra effort she is making to come to Wellington. The other speakers from abroad, and those among us who have kindly agreed to assist in these meetings, will give us a feast of good things. Come everybody and enjoy the feast.](https://isabellaalden.com/wp-content/uploads/2025/06/06-11-05.jpg)
Isabella Alden 