iPhones and Isabella

Last week Apple unveiled its new iPhone with the latest innovations in communication technology. Its release came 130 years after Isabella Alden first mentioned the telephone in the plot of one of her novels.

As convenient and indispensable as phones have become in our modern age, the same could be said of telephones in Isabella’s time. In the late 1800s and early 1900s, telephones changed the way Americans lived.

Isabella was 35 years old when Alexander Graham Bell patented his version of the telephone in 1876; but that first model had very limited capabilities.

Inventor Alexander Graham Bell

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Although the early Bell telephones certainly transmitted sound, they only worked between two locations that were hard-wired to each other.

An illustration of Bell demonstrating his invention in 1877

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Then, in 1878, a man named George Coy invented the telephone exchange and immediately turned the telephone into a much more practical invention.

Instead of telephone lines being strung between two locations as Bell had envisioned, Coy’s exchanges linked any number of telephones to a single point: a switchboard.

An 1890 illustration of women working a switchboard at a telephone exchange.

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At the exchange, legions of trained switchboard operators used a series of cords and sliding keys to connect and reroute incoming calls to other telephones linked to the exchange.

An early telephone exchange, about 1898

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Thanks to those exchanges, telephone line construction exploded with growth over the next few years. By 1880, there were 47,900 telephones across America. By 1881, telephone service between Boston and Providence was established. By 1892, a telephone line had been constructed between New York and Chicago; and two years later New York and Boston were connected.

Switchboard operators at the Chesapeake and Potomac Telephone Company near Washington, D.C.

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Another benefit of those exchanges: jobs. As telephone service expanded, more and more trained switchboard operators were needed to connect calls; and the majority of the operators hired were women.

A 1911 photograph of a switchboard telephone operator.

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When Isabella published her novel Eighty-Seven, she included a character who worked as a switchboard operator. Her name was Fanny Porter, and she worked in the Dunbar Street Telephone Office. Another character in the story described Fanny as …

… a bright, pretty girl, young, and quite alone here. She lives in a dreary boarding-house, and used to have some of the most desolate evenings which could be imagined.

Switchboard operators in 1914

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Fortunately, not all switchboard operators lived and worked under such conditions. While the majority of switchboard jobs required working for a Bell Telephone Company, there were other positions available. For example, some large businesses that required multiple telephone extensions were equipped with their own exchanges and hired operators to run them.

Switchboard operators in an office, about 1910.

In fact, businesses were the foremost users of the telephone in the late 1890s. That’s because, in general, phones were too expensive for individual homeowners to install and maintain; but Mr. Mackenzie, the wealthy businessman in Isabella’s novel Wanted, could afford to have a telephone in his home.

In fact, the telephone plays a small but pivotal role in the story. When Rebecca Meredith, the novel’s heroine, first meets Mr. Mackenzie, she thinks he’s hateful and selfish, until she mentions one evening that his young daughter is a little hoarse. To her surprise, Mr. Mackenzie immediately telephones the doctor and …

… administered with his own hand the medicine ordered. Even after the doctor had made light of fears and gone his way, the father sat with his finger on Lilian’s small wrist and counted the beats skillfully and anxiously.

After witnessing his tenderness for his daughter, Rebecca begins to change her opinion about Mr. Mackenzie.

In her 1892 book, John Remington, Martyr, Aleck Palmer was also a young man of great fortune; he, too, had a telephone in his home and business, which caused Mrs. Remington some concern. You see, she was intent on playing matchmaker between Aleck Palmer and her friend Elsie Chilton and invited the unsuspecting couple to dinner without letting either know the other had been invited. As Mrs. Remington explained to her husband:

Elsie is getting to be such a simpleton that I am afraid she would run home if I should let her know he was coming; and as for him, he is developing such idiotic qualities in connection with her, that I feel by no means certain he would not get up a telephone message or something of the sort to call him immediately to the office, if he should know before the dinner bell rang that Elsie was in the house.

But by the time the 20th Century dawned, the demographics and cost of telephone usage changed dramatically. Telephone companies had connected most major cities and strung sufficient telephone lines across the country to bring costs down, and phone company executives began to set their sights on a new goal: providing service to residential customers.

At first, advertising to consumers stressed the obvious: keep in touch with friends and family.

Blowing kisses over the phone, 1908.

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Then, in 1910 the Bell Telephone Companies developed several strong marketing campaigns that offered different reasons why every home should have a telephone. One campaign was directed specifically at the lady of the house.

The ads had strong visual cues, like this one illustrating how a phone in the home meant a family could summon a doctor quickly:

The series of ads was printed in magazines and on postcards, showing how a Bell telephone …

… keeps travelers in touch with home …

… guards the home by night as well as by day …

… summons help during household emergencies …

… relieves anxieties over a loved one …

… and quickly helps arrange replacements when servants fail you.

The ad campaigns were extremely successful. People began to think of telephones as an essential tool for the home, instead of a mere convenience. Soon, telephone companies across the country were installing residential telephones at an astonishing pace.

This Bell Companies business card for the Philadelphia area cites the number of installations locally and nationally. The blank space was filled in by an installation or service subcontractor with his own contact information.

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And after each new installation was complete, telephone residential customers notified friends and family of their new phone number by sending out cards like these:

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Soon telephones became not only an essential device for the home, but a convenient tool for the lady of the house. In Ester Ried’s Namesake, published in 1906, Ester Randall worked as a cook in the home of the Victor family. And being a stylish family, the Victors, of course, had a telephone, which Mrs. Victor used regularly, as in this scene where she explained to Ester her plans for dinner:

We’ll make the dinner light and easy to manage; just a steak and some baked potatoes and canned corn. Did you say there was no corn? Oh, I remember, you told me yesterday, didn’t you? Well, just phone for it. Call up Streator’s, they are always prompt; tell them they must be. And we’ll just have sliced tomatoes with lettuce for salad; all easy things to manage, you see. As for dessert, make it cake and fruit—strawberries, or peaches, it doesn’t matter which. Why, dear me, that dinner will almost get itself, won’t it?

It’s amazing to think that Isabella Alden saw the development of one of the greatest inventions of the Twentieth Century. In her time the telephone was innovative and exciting. It opened new avenues of jobs for women and changed the way people interacted with each other; and Isabella reflected those changes in her novels and stories that we still read and appreciate today.


You can read more about Isabella’s novels mentioned in this post by clicking on the book covers below:

     

 

 

 

 

 

 

 

Postcards from Chautauqua: Pansy-trod Pathways

“I was coming down the hill, away off, you know, by the post office…”
(Four Girls at Chautauqua)

A walk through Bestor Plaza, toward the fountain and the library beyond.

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“All the younger portion of the congregation seemed to be rushing back up the hill again…”
(Four Girls at Chautauqua)

On day two of my Chautauqua wanderings, I stopped for a breather in lovely Bestor Plaza (the perpetual hill-climbing here is murder!). This carefully tended, beautifully landscaped watering hole and gathering spot commemorates the life and contributions of Arthur Bestor, Chautauqua’s president from 1915 to until his death in 1944.

The keynotes of his presidency are struck in the centrally placed fountain, where monumental icons to Knowledge, Religion, Music, and Art dominate the waterworks.

While I cooled my heels and absorbed the view, I noticed a Post Office in one corner of the Plaza and followed my curiosity there.

The Chautauqua post office, as it appeared in the 1920s

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Hoping to find postcards, I instead found a delightful hybrid of contemporary governmental efficiency and mid-Victorian charm. No one was around to quiz about the dates and history, so I let my imagination wander as I snapped these personal postcards.

Did Isabella post a few notes to her friends from this window?

Did Pansy receive some of her fan mail via one of these charmingly designed post office boxes?

Did someone from the Alden household purchase stamps here?

Did Pansy send her niece Grace to claim a package here?

Did this busy hive of cubbies shelter a stirring new work by a favorite author for Pansy to read sitting on a lakeside rustic bench?

How many newspapers passed through here to enlighten and entertain the 19th century crowd?

Discovering artistically elaborate fittings like these for something as pedestrian as mailboxes confirms my belief that Chautauqua’s ongoing commitment to enriching every aspect of life is more than lip service. Their original ideals of glorifying each element of one’s life—dedicating it to the Lord and ennobling the humblest of tasks—is inspiring and convicting.

Take a close look at the door frame of the Postmaster’s office. See the totally unnecessary but utterly beautiful detail there? Maybe it’s time for us to imitate those who recognized that every moment of our days, no matter how mundane, can be an opportunity to worship the Creator Who made all things beautiful?

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Finding my roots (and leaves and blossoms)

“The museum was not; it had not yet been evolved. Neither had the lovely hall. Where it stands was a grove…I dreamed out many a flower-strewn path leading to it…”
(Eighty-Seven)

As I left the Post Office, I admired the plaza’s beautiful flower beds, brimming with summer’s prettiest blooms.

The flowers reminded me of yesterday’s pilgrimage to The Hall in the Grove and some touchingly innocent 19th century floral-themed mosaics that wreathed the speaker’s platform, celebrating the C.L.S.C.’s earliest classes. Can you even imagine a contemporary co-ed reading circle allowing themselves to be dubbed “The Pansy Class”? Hardly.

I loved all these timeless tributes, but one class year stopped me in my tracks. There they were, my spiritual, cultural, and literary “ancestors”—the C.L.S.C. Class of 1884: “Irrepressibles.” While I obviously feel a deep kinship with all things Pansy, I must admit everything in me said “Yes!” as I stood, motionless, before this joyful declaration of literary enthusiasm.

So, this day, while I enjoyed the blaze of seasonal glory, I nodded a special ‘hello” to my new favorite flower, the confident, courageous lily. The buoyant Class of 1884 couldn’t have a better floral representation than the trumpet-shaped blossom that symbolically celebrates Christ’s promise of eternal life.

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Irrepressibly His, Karen.

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In her final Postcards guest post, Karen guides us on a walk through Chautauqua’s miniature Holy Land.

If you missed previous posts about Chautauqua Institution, you can read them by clicking on the links below:

Postcards from Chautauqua – On a Pilgrimage

Postcards from Chautauqua – Summer of 2017

A Tour of Chautauqua: Getting There

A Tour of Chautauqua: Strolling the Grounds

A Tour of Chautauqua: Where to Stay

A Tour of Chautauqua: Lectures and Classes

A Tour of Chautauqua: Having Fun

A Tour of Chautauqua: The Teachers’ Retreat

A Tour of Chautauqua: A Healthy Body

A Tour of Chautauqua: Palestine Park

100 Years Ago at Chautauqua

Postcards from Chautauqua: On a Pilgrimage

Karen Noske joins us again to share photos and descriptions of the Chautauqua landmarks she explored this summer, with Isabella Alden’s novels in mind. Welcome back, Karen!


My next objective was the Hall of Christ, as there was an archival lecture to be given momentarily on one of the most influential early religious leaders at Chautauqua, the renowned Shailer Mathews.

I imagined how Isabella might have felt, sitting in this arena, listening to contemporary reflections on the man whose influence changed the course of the Institute in so many ways.

The Hall of Christ, as it appears today.

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“The Hall of the Christ, is first of all, to stand in the center of Chautauqua to represent Christ as the center of all learning and all true living; the Key to the true and eternal wisdom…a Hall where Jesus Christ is enthroned; where only his story is allowed; told in print and picture and sculpture and the human voice. Isn’t it grand!”

(Four Mothers at Chautauqua)

The workmanlike interior of the unprepossessing Hall of Christ makes me wonder if there haven’t been many changes to it over the years.

The Hall of Christ as it appeared in 1909

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The general atmosphere is one of beneficent neglect and exhaustion. A magnificent organ dominates the stage—sadly, it was eclipsed by the speaker’s screen and I only got this tantalizing glimpse of it.

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Engrossing as the lecture was, I was glad to make my way out towards my next objective—the centerpiece of Chautauqua for Isabella and, as it turned out, for me.

The Hall in the Grove

Directly adjacent to the Hall of Christ is the cherished “Hall in the Grove.” I recognized it immediately by its prominence and its beauty:

“If you have up to this time been even a careless reader of this volume, you have doubtless discovered that the center of Chautauqua life was the ‘Hall in the Grove.’ A beautiful grove, with trees old enough and grand enough to be worthy of their baptismal name—”St Paul’s Grove.” White-pillared, simple, plain, yet suggestive of such a brilliant past and hinting of such a glorified future … this bit of green and white, with a glimmer of lake between.”

(The Hall in the Grove, page 286)

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The dedication plaque on the “Hall in the Grove” reads, “Erected in 1900 on the site of an earlier wooden hall placed here in 1879. This building was erected by the generous gifts of members of C.L.S.C. classes and other friends of Chautauqua.”

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A talk by the very popular Bill Moyers (of CBS News fame) was just finishing up, so I crept in around the edges and starting following the elaborate and beautiful mosaics that frame the lecture hall’s floor.

“All was quiet there. The sunset meeting which had been held in that white, still place was closed sometime since, and their feet, as they stepped on the floor, resounded throughout the vacant Hall.”

(The Hall in the Grove, page 240)

I was delighted to find the shield of Pansy’s Class of 1887 in a place of genuine honor—nestled around the corners of the lectern.

The lectern platform itself is still a modest affair, virtually unchanged since Pansy’s class approached to celebrate their graduation. Let’s join Paul Adams from The Hall in the Grove here:

“Arrived at the white, quiet building, he entered it with soft tread, and, under an impulse which he did not in the least understand, uncovered his head. He stepped softly onto the platform, drew the armchair, which was the seat of honor, forward a trifle, and settled himself in it. Then he brought up before him in review the many and varied and wonderful experiences which the weeks had brought him in connection with that spot … Then he got down from the professor’s chair and … after a silent last look at the Hall, he walked home with Joe, they two speaking words together that were better than marble columns or millions of money, for they represented manhood.”

(The Hall in the Grove, page 382)

In The Hall in the Grove, Isabella shares a peek into her heart:

“…the gleaming pillars of the Hall of Philosophy rose up before him; something in the purity and strength and quaintness seemed to have gotten possession of him. Whether it was a shadowy link between him and some ancient scholar or worshiper I cannot say … but treading the Chautauquan avenues for the first time … his young heart thrill[ed] with a hope and a determination, neither of which he understood, every time he saw those gleaming pillars.”

(The Hall in the Grove, page 198)

When Caroline Raynor (another character in The Hall in the Grove) objects to the Hall being made in the style of a Temple of Minerva, she is vigorously corrected by her soon-to-be suitor, Robert:

“I like it exceedingly. Let the beautiful white temple be rescued from its heathen desecration and dedicated to the service of the good and true God our Father, and his Son Jesus Christ.”

(page 204)

I passed an ancient oak near one of entrances that was garmented in ivy and wondered … if I parted the ivy, would I find a lichen-crusted carving in the tree reading “Vine, 22, 1887”? (EightySeven, page 12.)

I surely saw what Dr. Winter Kelland did when …

“he and Vine walked … around under the hill, and up the hill, and come out beside the white-pillared hall and stopped under one of the tallest trees, and looked about them, and were silent. Dr. Kelland took off his hat and looked up reverently to the very top of the tall tree, beyond the top, into the blue of heaven.”

(Eighty-Seven, page 318)

As I walked reluctantly away from the Hall, I looked up and felt sure I was seeing the same trees, the same sky, the same view Pansy enjoyed in Four Girls at Chautauqua:

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“None of all … who spent the day within the shadow of that sweet and leafy place have surely forgotten how the quaint and quiet beauty of the place and its surrounding fell upon them; they know just how the birds sang among those tall old trees; they know just how still and blue and clear the lake looked as they caught glimpses of it through the quivering green of myriad leaves …”

(Four Girls at Chautauqua, page 180)


Next time, Karen makes a little visit to the Chautauqua Post Office before trekking to the “Holy Land.”


If you missed previous posts about Chautauqua Institution, you can read them by clicking on the links below:

Postcards from Chautauqua – Summer of 2017

A Tour of Chautauqua: Getting There

A Tour of Chautauqua: Strolling the Grounds

A Tour of Chautauqua: Where to Stay

A Tour of Chautauqua: Lectures and Classes

A Tour of Chautauqua: Having Fun

A Tour of Chautauqua: The Teachers’ Retreat

A Tour of Chautauqua: A Healthy Body

A Tour of Chautauqua: Palestine Park

100 Years Ago at Chautauqua

Quotable

Pansy cutoutHe will not come into a divided heart; a heart which says, “In some things I will obey; but in this, and this, and this, I must have my own way.”

You would not expect even a human friend who had the right to direct you, to accept such a position as that, would you? How much less the Lord?

—from Eighty-Seven

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