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BFFs at Oneida Seminary

Young Isabella Alden in an undated photo
Young Isabella Alden in an undated photo

For most of her young life, Isabella Alden was educated at home by her parents and an occasional tutor. But all that changed when she was about fourteen years old.  That’s when her parents enrolled her in Oneida Seminary in Oneida, New York.

The school was almost 80 miles away from her family’s home in Johnstown, New York; but that didn’t mean Isabella would be at the school alone.

Her older sister Marcia and Marcia’s husband Charles Livingston were also at Oneida Seminary. Marcia and Charles lived in apartments on the campus because Charles was a professor at the school; so Isabella had family close by.

 

Oneida Seminary
Oneida Seminary

 

At Oneida Seminary the male and female students were separated in their classrooms, study areas and living quarters; so making strong friendships with other female students would have been natural for Isabella. She often crossed paths with Theodosia Toll, who was called Docia. Docia was one of the most popular girls at Oneida Seminary. Her family owned a large farm called Locust Shade about 7 miles away in nearby Verona, New York.

Docia was three years older than Isabella. She was a better scholar, too. She had a reputation for being keen and quick-witted, good-humored and kindly. Everyone thought well of her.

Undated photo of Theodosia Toll
Undated photo of Theodosia Toll

 

Knowing Isabella was far from her family home, Docia invited her to spend her weekends at Locust Shade but Isabella always refused the invitation. Isabella wrote in “Memories of Yesterdays”:

“I had taken a great dislike to that girl in the earliest days of our acquaintance. . . I avoided her on every occasion possible and declined her invitations for the weekends so haughtily that I wonder she ever asked me again.”

One day Isabella went out of her way to avoid Docia by visiting her sister Marcia in her apartments. She didn’t hold back in complaining to Marcia about “that insufferable girl,” Docia.

Undated photo of Charles Livingston
Undated photo of Charles Livingston

 

“If she ever asks me again to go home with her for over Sunday, I’m going to tell her that it takes all the skill I have to invent ways of escaping her society here, and I can’t be expected to follow her home, even though it would be a treat under pleasanter conditions to have a ride.”

Charles had been in the next room and overheard everything Isabella said.

“What a foolish girl you are,” he said almost sadly. “I was saying to Marcia this morning that I could not imagine why you had taken such a dislike to Docia. She is the best scholar in her class, and every teacher in the school speaks highly of her. Certainly her character is above reproach. As for her family, if you knew them you would consider it an honor to be invited to their home. I should.”

After Charles’s scolding—and much prayer and soul searching—Isabella realized why she disliked Docia . . . she was jealous of her!

“My aroused conscience showed me just where I stood. Faint and faulty as were the proofs of it in my life, I knew even then that I belonged to the Lord Jesus Christ; and He came graciously to my help at that hour and showed me plainly not only how offensive in his sight had been my attitude, but also how I had misjudged the other girl.”

The next time Docia invited Isabella to go home with her for the weekend, Isabella accepted. Three weeks later she drove in the Toll family carriage with her new friend Docia to Locust Shade, where she was made a welcome addition to the family. After that first visit, Isabella spent many weekends and school vacations at Locust Shade.

Greeting the Guest by Edward Lamson Henry
Greeting the Guest by Edward Lamson Henry

 

That was the beginning of Isabella’s lifelong friendship with Docia Toll. In later years they would both marry, have families of their own, and move away to different parts of the country; but they remained fast friends and confidants who loved each other and collaborated in creating short stories and novels that bore witness to God and their Christian faith.

Who is the Tallest? by Jerry Garrett
Who is the Tallest? by Jerry Garrett

Chrissy’s Endeavor Pin

.  Logo Young Peoples Society of Christian Endeavor

When Chrissy Hollister arrived to spend the summer with her friend Grace, she was shown to a guest room that was decorated in blue and white and was “just as sweet and cool and charming as it can be.”

Presently her eyes rested on the blue satin pincushion, covered with white lace. Across it lay a ribbon—a badge of some sort. Chrissy laughed as she noticed that even the ribbon, which had evidently been dropped there by accident and forgotten, partook of the general character of the room, being of white satin, and bearing on its surface, painted in delicate tints of blue, five mystic letters: “Y. P. S. C. E.”

Victorian pin cushion smallChrissy studied them curiously, admiring the graceful curves of the rustic work, but wondering much what those letters could represent.

As Chrissy would later discover in a rather embarrassing way, those initials stood for Young People’s Society of Christian Endeavor. She would also discover just how important that distinctive pin was.

The design of the official Christian Endeavor emblem is attributed to Reverend Howard Benjamin Grose, a Baptist minister and editor of The Home Mission Monthly magazine. As a Christian Endeavor trustee, he felt strongly that the Society needed to adopt an official emblem, but the designs he’d seen were either too elaborate or expensive to produce. He wanted a simple design and felt, given the long name of the organization, the letters C and E should be made prominent.

Reverend H. B. Grose
Reverend H. B. Grose

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Reverend Grose began to doodle, putting the C and E together in different ways:

Pin sketches

He proposed sketch No. 9 to the trustees, and the monogram pin was unanimously adopted in 1887.

The C embraces the E. The Endeavor is all within the Christ.

Christian Endeavor_PinMany emblems are more showy, more glittering, more ornamental, perhaps; but I see none that satisfies me so well, or that awakens so many feelings of affection, gratitude, consecration, and hope,  as the strong, simple, speaking monogram in which the E that means Endeavor is made sublimely significant by the encompassing C that marks it all as Christian.

—Rev. Francis Bell, Founder, the Society of Christian Endeavor

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Once adopted, the Christian Endeavor emblem remained unchanged for generations. The distinctive design was enhanced only slightly for pins produced for the children’s society and Christian Endeavor organizations in other countries, such as this pin from Scotland:

Christian Endeavor_Pin Junior    Christian Endeavor_Pin Scotland

The ribbon badge Chrissy saw in the guest room at Grace’s house may have been a local Christian Endeavor badge. Many state and local societies adopted their own unique Christian Endeavor colors, which they wore as ribbons on their lapels. The ribbons were usually printed or embroidered with the state name, as well as the initials Y.P.S.C.E. and the words Christian Endeavor.

Ribbon badges were also created to commemorate Christian Endeavor annual conferences. Below is an example of the badge worn by attendees at the 1892 annual conference in New York:

Christian Endeavor Badge 1892 New York

And this badge is from the 1909 national convention in Minnesota:

Christian Endeavor Badge 1909 Convention

After Chrissy became a Christian and organized a Christian Endeavor Society in her own town, she learned the power of the little pin while riding the streetcar one day:

A plainly-dressed girl of about her own age, with a good earnest face, sat opposite her, watching her with an intentness that was only excusable because of the absorbed and almost tender light in the girl’s eyes, which lifted her act far above the commonplace stare. At last, seeming to have gathered courage for a resolve, she arose and took a vacant seat beside Chrissy.

“I beg your pardon,” she said in low, well-bred tones, “may I speak to you? I am a stranger, but I see that we are kindred.” Touching as she spoke, the tiny silver badge she wore, bearing the magic letters “C. E.,” and glancing significantly at the corresponding one of gold, which fastened Chrissy’s linen collar.

There was an instant clasping of hands, and an exchange of cordial smiles.

The plainly-dressed girl explained that a friend of hers had attended a Christian Endeavor meeting—the very Christian Endeavor Chrissy organized in her town.

‘And she liked it all so much, that she came home and told about it, and did not rest until she had started a society out of our class in Sunday school. I joined as an associate member, because I was ready to do whatever the others did, but I got acquainted in that society with Jesus Christ. I signed the pledge, and gave myself to Him forever; and I’ve had a good winter.”

Chrissy was surprised and humbled to know that her efforts resulted in a soul being won for Christ. “Unfaithful, unreliable in every way, yet He had used her in the harvest field!” wrote Isabella Alden.

Posing in the shape of the CE monogram ca 1898
Members of two Christian Endeavor Societies pose on the steps of Antioch College in the shape of the CE monogram, circa 1895.

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Isabella and her husband, Reverend Alden were tireless workers for Christian Endeavor. Isabella featured the society in her books Chrissy’s Endeavor, Her Associate Members, Pauline, and What They Couldn’t. She also wrote several short stories about Christian Endeavor: One Day’s Endeavoring and A Christian Endeavor Revenge were published in the Christian Endeavor magazine, The Golden Rule. And her book Grace Holbrook was a compilation of several short stories that illustrated the principles of Christian Endeavor for children.


You can learn more about today’s Christian Endeavor by clicking here to visit their site.

Click on the book covers below to find out more about the books mentioned in this post.

Cover_Chrissys Endeavor v3    Cover_Her Associate Members v2 resized

Cover_Pauline    Cover_What They Couldnt 02 resized

 

New Free Read: Memory’s Picture Gallery

Cover_Memory's Picture Gallery resized

Just in time for Valentine’s Day, this charming short story chronicles a young couple’s journey of true love and abiding faith.

Click on the book cover to begin reading Isabella Alden’s 1885 short story, “Memory’s Picture Gallery.”

You can find more Isabella Alden free reads by clicking on the Free Reads tab above.

Sally Lunn at Mount Hermon

In The Browns at Mount Hermon, Mrs. Roberts was overjoyed when her most fervent prayer was answered—her daughter, Ailene gave herself to the Lord. Mrs. Roberts wanted to celebrate the blessing in the best way she knew how: by preparing a special breakfast for everyone to enjoy.

Illustration of woman reading a recipe.“Oh, well, we won’t mind if we don’t have muffins for breakfast tomorrow morning. What does it matter what we have to eat? Yes, it does, it matters a great deal. We want the best breakfast tomorrow morning that was ever had in this house. I should like to feed everybody on roses! Though after all, I don’t suppose they would like them to eat half so well as they do muffins. Or Sally Lunn; I’ll have Sally Lunn tomorrow, whole sheets of it. Mr. Brown says nothing was ever better to eat than my Sally Lunn; and Ailene likes it better than anything else; I wonder I didn’t think of it the first thing. Oh, Mary Brown! I’m that happy tonight over the child, that it is a wonder I can think of anything to eat! I feel as though I could fly, without wings. Don’t you think she’s settled it! She belongs to the Lord!”

Sally Lunn was a type of cake that originated in England; and there are American versions of the Sally Lunn recipe in cook books dating back to early 1800s. By 1907, when The Browns at Mount Hermon was written, Sally Lunn had become a favorite pastry on American tables, too.

Henry's Cook Book and Household Companion (1883)
Henry’s Cook Book and Household Companion (1883)

There were as many versions of Sally Lunn as there were cooks; but, in general, Sally Lunn was a rather dense cake, much like sponge cake, that could be baked in a variety of ways.

For breakfast, it was usually made up in loaves, then served toasted and spread with butter.

from The Winston Cook Book by Helen Cramp (1913)
A Sally Lunn cake, pictured in The Winston Cook Book by Helen Cramp (1913)

It was also baked in muffin tins and served as tea-cakes with honey, fruit jelly, or sweet sauce.

Black and white photo of three individual cakes arranged on a plate.
Sally Lunn tea cakes. From Good Housekeeping magazine, 1907

If you made several sheets of Sally Lunn, as Mrs. Roberts planned to do, and it happened to go stale because you didn’t eat it fast enough, never fear. A 1903 edition of The Epicure magazine recommended cutting stale Sally Lunn cake into small slices or shapes, soaking then in a thin custard, and frying them in clarified butter. Sprinkle the top with sugar, and “you had very good Beignets.”

Here’s a recipe from 1913 that may have been close to the recipe Mrs. Roberts followed for her Sally Lunn cake:

Recipe Sally Lunn Cake

Click on the image to see a larger version you can print out.

You can learn more about the history of Sally Lunn cake. Click here to read a post at Smithsonian.com about Sally Lunn cake.


Cover_The Browns at Mount HermonClick on the book cover to find out more about The Browns at Mount Hermon.

 

Quotable

Pansy 03You cannot have lived in this world so long without discovering that pain and disappointment of every sort are not happenings, but have their own wise and most important ends to fulfill, though we may be too childish to see the occasion, or understand the remedy.

Spun from Fact

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Did you know you can read Spun from Fact for free? Click on the Free Reads tab above to read the book now.

A Woman’s Voice

Colored drawing of a country church displayed above the word Prayer In her memoirs, Isabella Alden wrote about the first time her father and mother visited her after she was married. It happened when Isabella’s minister husband was new to his church and was working hard to make the Wednesday prayer meetings a success. He wanted the prayer meeting attendees to participate, so on Sunday mornings he would announce from the pulpit the topic for the Wednesday meeting. He asked everyone to come on Wednesday with a Bible verse that supported or illustrated the topic.

One Tuesday, Isabella’s mother and father arrived unexpectedly for a visit. The next evening Isabella proudly escorted her parents to the church and sat beside her father as her husband, Reverend Alden, led the prayer meeting. But something happened that forced her to make a terrible choice.

Her father had always strongly opposed women speaking in public and that opposition extended to prayer meetings.

Yet Isabella had prepared a Bible verse to recite aloud if necessary to help and support her husband. None of the other attendees were responding to Reverend Alden’s call to participate and an uncomfortable silence stretched on for several minutes. Isabella wrote:

“I sat in distressed silence for several minutes; so did everybody else. Suddenly I looked at my husband. I had promised him, had even talked with him about some of the thoughts that I wanted to present. What must he think of me now?

“Oh, Christ!” I prayed in my heart. “Tell me what to do!”

And the answer came, she said, as plainly as spoken words. She broke the silence and recited aloud the verse she had prepared:

“Thus saith the Lord who created thee:
 “Fear not, for I have redeemed thee; I have called thee by thy name; thou art mine.”

As soon as she finished, others followed in quick succession, and the prayer meeting continued on.

But Isabella was keenly aware that her father never said a word to her about the meeting or the verse.

“He was kind and tender toward me, but graver than usual; I had a feeling that I had hurt him by showing no respect for his opinions.”

Her mother and father left early the next morning and never visited the Alden home again.

A black and white illustration of a woman in Victorian era dress speaking before an audience of men and women.That was an experience that stayed with Isabella. In fact, it made such an impression on her that she described that scene—in different ways—in many of her books.

In Workers Together: An Endless Chain, Miss Joy Saunders knew that the church she belonged to “believed in woman’s sphere, and desired her to keep strictly within its limits” and “on no account to let her voice be heard” in its religious meetings.

But when Joy followed her conscience and spoke a simple verse in an otherwise very quiet prayer meeting, she “set in motion forces that are pulsing yet” because the verse she recited touched so many hearts.

Profile of a young woman standing in church. Behind her is a stained glass window; but instead of Christian icons, the window  features faces of people looking down upon her, some forwning, some laughing.
Scrutiny

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Rebecca Harlow, the heroine of Links in Rebecca’s Life, was well aware that people in her church thought women and girls should keep silent when they were at prayer meeting. But after one of those long “awful pauses” in which no one at the meeting said a word, Rebecca spoke up and asked the people to pray for a friend who was in temptation.

That was all she said and though she couldn’t see anything wrong in her words, she knew there were some in the room who “thought it was out of taste.”

And when Ester Ried attended her first prayer meeting in New York, she was astonished by the proceedings:

“Now,” said the leader briskly, “before we pray, let us have requests.” And almost before he had concluded the sentence a young man responded.

“Remember, especially, a boy in my class, who seems disposed to turn every serious word into ridicule.”

“What a queer subject for prayer,” Ester thought.

“Remember my little brother, who is thinking earnestly of those things,” another gentleman said, speaking quickly, as if he realized that he must hasten or lose his chance.

“Pray for everyone of my class. I want them all.” And at this Ester actually started, for the petition came from the lips of the blue-ribboned Fanny in the corner. A lady actually taking part in a prayer meeting when gentlemen were present! How very improper. She glanced around her nervously, but no one else seemed in the least surprised or disturbed; and, indeed, another young lady immediately followed her with a similar request.

Illustration of a young woman going to her seat in church, with the yes of several members of the congregation following her.
An American Girl in Church
by Howard Chandler Christy

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In Ruth Erskine’s Crosses, Isabella described the reaction when Ruth’s half-sister spoke up at the weeknight prayer meeting:

The words she uttered were these: “Therefore being justified by faith, we have peace with God, through our Lord Jesus Christ.”

Now, if it is your fortune to be a regular attendant at a prayer-meeting where a woman’s voice is never heard, you can appreciate the fact that the mere recitation of a Bible verse, by a “sister” in the church, was a startling, almost a bewildering innovation. Only a few months before, I am not sure but some of the good people would have been utterly overwhelmed by such a proceeding. But they had received many shocks of late. The Spirit of God coming into their midst had swept away many of their former ideas, and therefore they bore this better.

A Happy Ending:

Not long after that Wednesday night prayer meeting when Isabella spoke out in front of her parents, her father became very ill and she traveled to his home to be with him in his final days. One evening she was alone with her father when he said, unexpectedly:

“Thus saith the Lord who created thee.”

He explained to Isabella that he well remembered that Wednesday night prayer meeting and the verse she recited.

“The first time I ever heard it, your beloved voice gave it to me,” he said. “I can’t begin to tell you what [those words] are to me now, lying here. ‘Fear not; for I have redeemed thee; I have called thee by thy name; thou art mine.’”

That was the last private talk Isabella had with her father and she cherished the memory of it.

“I thank the dear Lord,” she later wrote, “that one night He gave me courage to repeat words which brought joy to Father’s heart.”


Click on the “Isabella’s Books” tab at the top of this page to read more about the books mentioned in this post.

Jessie’s Jockey

Jessie Wells, the heroine of Isabella Alden’s 1880 novel by the same name, never went anywhere without her jockey. Of course, when Isabella wrote about Jessie’s jockey, she didn’t mean someone who rides a horse . . . she meant Jessie’s hat.

Jockey hats were very fashionable from the 1860s through the early 1900s. The style of jockey hats changed over the course of those years, but the basic design remained the same: a jockey hat had a brim or peak that protruded in front and a rounded, narrow crown that fit close to the top and sides of the head. Jockeys were usually trimmed with a tassel or feather.

Elisabeth McClellan illustrated the 1860s style of jockey hat in her book, Historic Dress in America.

Drawing of a woman in Victorian-era dress and hairstyle wearing a hat that sits high on her head with several feathers swept back from the brim.
Illustration of a jockey hat from Historical Dress in America by Elisabeth McClellan.

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The style of hat was so much in vogue in 1860s America, a popular song was written about it. You can click on the image below to read the song’s lyrics.

Cover illustration showing a woman in Civil War era dress wearing a hat that fits against her head, with a turned up brim and a tassle on one side.
Cover to the sheet music for the 1860s song Jockey Hat and Feather.

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Perhaps the most famous illustration of a jockey hat was the one fashioned for the character of Scarlett O’Hara to wear in post-Civil War Georgia in the movie, Gone with the Wind.

The famous jockey hat worn by Scarlett O’Hara in Gone with the Wind.
The famous jockey hat worn by Scarlett O’Hara in Gone with the Wind.

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Though it was made of drapery fabric (as we all know), Scarlett’s jockey was quite fashionable with its styling and trim.

Jessie’s jockey hat would not have been as fashionable or as luxurious as Scarlett’s. Jessie’s jockey may have been made of straw, and the brim might have been more like a visor than a peak pulled low on her forehead, as this 1878 illustration shows:

Drawing of a young girl wearing a straw jockey hat with ribbons trailing down the back.

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Straw jockeys were in fashion in the 1870s and 1880s. Isabella may have imagined Jessie’s hat of straw, because she wrote scenes in the book where Jessie set her jockey down on the ground (an action that would have soiled a jockey made of fabric) and she often used her jockey to fan herself.

Illustration of a woman with her arms around a young girl who is wearing a straw jockey hat trimmed with flowers and pulled forward over her forehead.
Version of a girl’s jockey hat from La Mode Illustrée.

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In the late 1800s the styling of jockey hats changed again. Godey’s Lady’s Book and Magazine described the latest version in their November, 1883 issue:

Article describing jockey hats made of felt or velvet. This has a visor, front, and band of the close cap worn by jockeys, but the crown is higher, has a crease or fold front to back, and the back of the crown is cut off so that it rests lightly upon the knot of hair..

Interestingly, what was fashionable in America was not so fashionable in other parts of the world. The British magazine, Household Words, published this warning about jockey hats in 1884:

Article condemning jockey hats for grown-up girls because they make the wearer look "fast."

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In America, there were no such restrictions, however, and ladies wore their jockey hats sitting forward on their foreheads at a fashionably jaunty angle.

Color illustration showing two women and a young girl dressed in Victorian-era attire and wearing embellished straw jockey hats pulled forward so the brim covers their foreheads.
Fashionable jockey hats for ladies and young girls, from La Mode Illustrée.

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Many thanks to blog reader Merry Chris for suggesting this topic.

Cover_Jessie WellsYou can click on the book cover to read more about Isabella Alden’s book, Jessie Wells.

A Tour of Chautauqua: The Teacher’s Retreat

Before there was a Chautauqua, there was a Teachers’ Retreat. The first meeting was formally named “The National Sunday School Assembly,” and it was held at Fair Point, New York on Lake Chautauqua in August, 1874. In years to come, people would refer to it as the first Chautauqua Assembly; but at the time, no one who attended the modest gathering of Sunday school workers could envision what it would eventually become.

John Vincent and Lewis Miller
John Vincent and Lewis Miller

That first assembly was a meeting to talk shop about Sunday schools. Attendees studied a “definitive” course of instruction, heard lectures on “subjects illustrative of the Bible,” and learned teaching skills. At the end of the three-week-long assembly, attendees took a written examination on Bible knowledge and Sunday school work.

In charge of it all was the Honorable Lewis Miller, a Sunday school superintendent from Akron, Ohio and Dr. John Vincent of the Methodist Church.

Dr. Vincent had long held the belief that Sunday school teachers must have appropriate training to be effective in leading their classes. As far back as 1864 he wrote a regular column in the Sunday School Journal, a monthly publication of the Methodist Church, advocating that ideal.

Banner for Sunday School Journal 1883

 

Together Dr. Vincent and Mr. Miller developed a plan to bring together a large group of Sunday school workers to study a proscribed course that included Bible lectures, ancient geography, and educational theory; and issue diplomas to those who passed a written exam based on the course work.

But it was Mr. Miller who is credited with the idea of holding the retreat in the woods, rather than in a city. He chose to convene the gathering in the Fair Point area on the shore of Lake Chautauqua in New York.

Old black-and-white photo of small boats on Lake Chautauqua off the shore of Fair Point with Point Chautauqua in the distance
Fair Point with Point Chautauqua in the background.

 

The main meeting place was out of doors where a platform had been set up in an open area that would eventually become Miller Park. Someone—maybe Mr. Miller himself—ironically called the gathering area the “auditorium” and the name stuck.

Blacdk and white photograph of several rows of flat plank wooden benches spaced outdoors among the trunks of tall trees.
The original Chautauqua meeting area

 

The Assembly opened on Tuesday evening, August 4, 1874, with a brief responsive service of Scripture and song, offered by Dr. Vincent. He later wrote about that memorable first meeting:

“The stars were out and looked down through trembling leaves upon a goodly well-wrapped company, who sat in the grove, filled with wonder and hope. No electric light brought platform and people face to face that night. The old-fashioned pine fires on rude four-legged stands covered with earth, burned with unsteady, flickering flame, now and then breaking into brilliancy by the contact of a resinous stick of the rustic fireman, who knew how to snuff candles and how to turn light on the crowd of campers-out. The white tents around the enclosure were very beautiful in that evening light.”

Old photo of of men and women in late 18th century dress, seated in Auditorium benches
An early photo of an audience gathered in the original Auditorium

 

The tents Dr. Vincent mentioned were erected at each of the four corners of the auditorium where the first Normal classes were held.

The Reverend Jesse Lyman Hurlbut described how the Normal Class was conducted with precision.

“At eight o’clock the teachers of the different section-classes were called together for a conversazione concerning the subjects to be presented to the class. At ten o’clock one session of the Normal class was held for an hour. At 1:30 was a report and review of the morning lessons; and at two o’clock another session of the classes. The classes—for while all studied the same lesson there were four sections—each met in a tent. . . . Students were expected to attend the same tent regularly, but the instructors were changed daily from tent to tent. But, in spite of the rules, students would watch to see where favorite teachers entered, and would follow them.”

Black and white photograph of men and women seated in the Auditoriam amid the trees
An early gathering at the original Chautauqua Auditorium

 

The examination was held on the last day of the two-week program. There were fifty written questions: twenty-five on the topics of Sunday school and teaching; and twenty-five on the Bible.

Black and white photo of the open-air Auditorium from the back. The audience benches have backs on and they face a raised platform stage.
A later photograph of the Auditorium on the Chautauqua Sunday School Assembly Grounds. Still in the open air, the bench seats now have backs on them.

 

Reverend Jesse Lyman Hurlbut wrote many times about the exam and how tough it was. Those “who passed the examination and received the diploma were not more than a tenth of those who attended the classes.”

The first year over 200 people sat down to take the fifty-question exam. After five hours of wrestling with the questions, 184 people completed the exam; but of those, only 142 actually passed the exam and received diplomas.

In 1875, the second year of the Assembly, 123 passed the exam; and two years later, more than 300 Sunday school workers received diplomas.

Each year the course-work expanded. By 1883 the teachers’ retreat offered lessons in languages, crayon sketching, paint, choir practice, clay modeling, sciences, as well as instruction in teaching different grades. A Ph.D. from Dickinson College delivered several lectures on psychology and taught practical ways teachers could use principles of psychology in their work. Almost every form of instruction for teaching was covered.

Black and white photograph of women standing at lab desks and shelves stocked with bottles and beakers
A Chautauqua chemistry class, 1885

 

The Teachers’ Retreat wasn’t just lectures and class work. Teachers attended concerts, competed in spelling bees, and compared notes while they mingled at receptions.

From year to year the subject matter expanded. By the time the Teachers Retreat celebrated its twentieth anniversary, the original premise of training Sunday school workers had become a small fraction of the Chautauqua University academic program.

In fact, the Teachers’ Retreat had evolved into a meeting of secular school teachers by 1885, as this ad in the Journal of Education shows.

1885 Advertisement from the Boston Journal of Education listing the program and benefits of attending the teachers' retreat.
Advertisement in an 1885 edition of the Boston Journal of Education

 

There was a practical reason for the Chautauqua Teachers’ Retreat to expand its offerings as it did. In the nineteenth century, Sunday schools were often the only education many American children received. Children who could not, for one reason or another, attend school, could regularly attend church; and it was there that many received their only instruction in reading, writing, and arithmetic, in addition to training in the Bible.

As its catalog of academic classes expanded, so did the student body. Enrollment in the teachers’ retreat doubled, then tripled. By 1918 more than 3,000 students were enrolled and the faculty numbered ninety instructors.

Black and white photo of a building with aa large front porch and gingerbread trim, set among tall trees.
Chautauqua Normal Hall as it appeared in 1895. The building was erected ten years earlier by the Alumni of The Sunday School Normal Classes.

 

Every year thousands of men and women left the Teachers’ Retreat and returned home with a new ideal of Sunday school work and an inspired plan for influencing others. Very quickly, Bishop Vincent’s office was overwhelmed with requests for information about the program and for teachers.

Newspapers helped spread the fame of Chautauqua. Click here to read an article in the New York Times published August 10, 1875, about the second Chautauqua Assembly.

Soon, “daughter” Chautauqua Assemblies were established in different parts of the country so more people could attend. By 1890 there were over 30 active Chautauqua Summer Assemblies, ranging from Southern California to Maine, from Canada to  England.

At the heart of each Assembly was the Teachers’ Retreat, where the best teachers learned their craft from Chautauqua’s visionaries and leaders, John Vincent and Lewis Miller.