Pansy’s Most Frequent Character

As a fan of Pansy’s books you may have noticed that Isabella’s characters frequently show up in different stories.

Eagle-eyed readers with good memories often spot them. For example, Brewster is a surname that appears in several of her books:

Her Mother’s Bible
Only Ten Cents
Aunt Hannah and Martha and John
Living a Story
Circulating Decimals

That’s a lot of Brewsters!

“Girl with Dog” by John White Alexander.

But the character that appeared most often in Isabella’s books wasn’t a Brewster at all; in fact, it wasn’t even a person!

The character Isabella wrote about most often was Bose the dog.

Sidney Martin’s Christmas (1879)

Bose first came to life in this short story when he interrupted a group of children singing Christmas carols in their neighborhood:

Just at that very point they stopped every voice, and little Gretchen, the youngest of the group, gave a little squeal that did not belong to the carol. It was plain that something had frightened them. Sidney crossed over to them. Just inside of the gate had appeared old Bose, the great house dog, and he was not a lover of their music, to judge by the low growls with which he greeted it.

“Don’t be afraid,” said Sidney, coming promptly into view. “I know old Bose and he knows me. He is an ill-mannered scamp, but he won’t hurt you so long as I am around. You sing away and I will stand guard.”

“Newfoundland” by Carl Reichert.

Christie’s Christmas (1884)

In this novel, Christie meets Bose when she’s trying to do a good deed, and comes upon an enormous dog that literally knocks her off her feet:

Bow, wow, wow! Here was a fellow who disputed the way with her, and came suddenly towards her, as if the least that he should think of doing was to swallow her at once.

Now it happened that Christie, unusually brave about most things, was dreadfully afraid of a dog.

She gave a pitiful little shriek, and the next thing she knew, she was picking herself out of the meanest looking mud hole she had seen in her trip. The dog had retired to a safe distance, and with his head hung down, and his silly little tail between his legs, was receiving a lecture from a woman with a frowzy head, and sleeves rolled up at the elbow, who appeared in the door of the little house.

“Aren’t you ashamed of yourself!” she said, shaking her head. “A decent dog you are to be cutting up such tricks! Come along, child; what do you want? There’s no kind of need of your being afraid of that there dog. There ain’t a bigger coward in all Kansas than he is.”

Spun from Fact (1886)

In 1886 Bose made a brief appearance in Spun from Fact as a faithful dog mourning the loss of his young master, Frank:

I slipped out in the yard, and began to coax the old dog into a frolic. He got into a tremendous one at last, and bounded about me in such a ridiculous way that I laughed loud and long, and rolled on the grass in my glee. Just then I looked up on the piazza, and there stood my aunt! I bounded to my feet all in a glow of shame.

But she was smiling as pleasantly as I had ever seen her, although at that minute there were tears in her eyes, and she said, ‘Poor Bose will be grateful to you all day. He misses Frank very much. He used to frolic with him, you know. It is pleasant to hear a merry young voice again in the yard.’

A young girl and her Bernardiner.

Grandma’s Miracles; Stories Told at Six o’Clock in the Evening (1887)

In this book, Grandma Burton tells the story of Bose, a great, menacing beast who crossed her path when she was a child. She described how:

. . . a great white dog, that looked as ugly as his mistress, glared on me and growled. I was trembling so that I could hardly stand,

Just as I turned the corner by Mr. Willard’s place I heard a low growl, and there stood Bose eyeing me in a way to make my heart beat fast. I was dreadfully afraid of Bose, and with good reason: he had the name of being a very fierce dog; they kept him chained all day. I saw the chain around his neck then, but still I was afraid.

A 1913 calendar trade card, featuring two girls and a Newfoundland.

That terrifying dog with the chain around  his neck would later play a very important role in young Grandma Burton’s life.

Bose also made appearances in several short stories in The Pansy magazine.

Curiously, Isabella didn’t describe Bose in detail. In fact, Grandma’s Miracles is the only book that tells us his color (white).

A trade card from about 1900. Any guesses what this dog’s breed is supposed to be?

But we know Bose was a large dog, perhaps a shepherd, a collie, or even a mastiff, any of which are breeds known to be especially protective of children.

A Mastiff.

We also know that Bose often appeared menacing at first, only to show that underneath his barks and growls, he was a loyal friend with a heart of gold.

And that was true of many of Isabella’s human characters, too.

Have you ever known a great big dog that frightened little girls, as Bose did? Please tell us about it!

You can read more about the Isabella Alden books mentioned in this post by clicking on the book covers below:

    Image of the cover for Sidney Martin's Christmas



The Day New York Turned French

The year 1886 was a banner year for Isabella. In that year she had six books published, including Spun from Fact and One Commonplace Day.

1886 was a banner year for America, too. A wave of patriotism was surging through the country, thanks to the long-awaited unveiling of the Statue of Liberty on a small island in New York’s harbor.

Frank Leslie's Illustrated Newspaper for June 27, 1885, chronicling the New York arrival of the French transport steamer, Isere, with the Statue of Liberty on board.
Frank Leslie’s Illustrated Newspaper for June 27, 1885, chronicling the New York arrival of the French transport steamer, Isere, with the Statue of Liberty on board.

Newspapers and magazines were full of descriptions of the statue and of the pedestal that was being constructed for it on Bedloe Island in New York harbor. Americans were intrigued by the sheer size of the statue. They marveled over its engineering and wondered how the torch would remain lit.

An 1884 print illustrating the proposed location of the Statue of Liberty in New York harbor.
An 1884 print illustrating the proposed location of the Statue of Liberty in New York harbor.

The statue was the brainchild of French sculptor Frederic Auguste Bartholdi. He originally envisioned presenting the statue to the United States on the one-hundred year anniversary of the signing of America’s Declaration of Independence, but he did not have enough of the statue completed by that deadline.

An 1882 photo of workmen constructing the Statue of Liberty in Bartholdi's Paris warehouse.
An 1882 photo of workmen constructing the Statue of Liberty in Bartholdi’s Paris warehouse.

Instead, he sent America pieces of the statue. For example, in 1876 he sent to America the hand holding the torch and one of the feet of the Statue of Liberty. Those pieces toured American cities as part of the centennial celebration, and helped raise the funds needed to erect the pedestal on which the Statue of Liberty would ultimately stand.

The torch and part of the arm of the Statue of Liberty on display at the 1876 Centennial Exhibition in Philadelphia.
The torch and part of the arm of the Statue of Liberty on display at the 1876 Centennial Exhibition in Philadelphia.

Ten years later, the pedestal was in place. Bertholdi was finally able to assemble the statue on top, and America set the date for the unveiling for October 28, 1886.

That day dawned cold and misty. A light fog hung over the city; it had rained the day before, so areas that were not paved were muddy. But wet pavement and mud and chilly temperatures couldn’t dampen America’s enthusiasm.

"Up the Avenue from 34th Street" by Frederick Childe Hassam (1917)
“Up the Avenue from 34th Street” by Frederick Childe Hassam (1917)

Everywhere the city was decorated with buntings and flags. French flags flew from the tops of American households, and American flags fluttered from almost every window.

People came from all over the country to fill the New York streets. Businesses shut down and public schools closed as all New York joined in the celebration.

A New York parade, circa 1899
A New York parade, circa 1899

One visitor in the crowd later related that “every place that a person could get to see was occupied; the tops of lamp posts, telegraph poles, trees, and the housetops were all filled.”

The festivities began with a parade. Newspaper accounts estimated between 25,000 and 30,000 men paraded through the city. It took over two hours for the head of the parade to reach the Battery.

A New York Parade, about 1910.
A New York Parade, about 1910.

The parade featured canon and carriages filled with dignitaries, like President Cleveland and members of his cabinet. Civic organizations, military companies, police battalions and the Army Engineering Corps marched through the streets. Band after band paraded playing the “Marseillaise.”

Volunteer firemen’s associations, Knights of Pythias, federal judges, local mayors, and veterans of 1812 joined the ranks of marchers. They paraded down Fifth Avenue, past Central Park to Madison Square, then on to the review stands on Twenty-Fourth Street.

Undated photo of the Masons of Pyramid Temple on parade.
Undated photo of the Masons of Pyramid Temple on parade.

When President Cleveland stepped up on the stand, the crowd cheered; but then the people close enough to the stage caught sight of the sculptor, Monsieur Bartholdi, who was waiting to be introduced. The crowd instantly recognized him because his likeness appeared on the programmes and in illustrated newspapers.

A promotional image of French sculptor Frederic Auguste Bartholdi, with the Statue of Liberty and a sculpture of a lion.
A promotional image of French sculptor Frederic Auguste Bartholdi, with the Statue of Liberty and a sculpture of a lion.

Those nearest the stand began to chant his name, “Bartholdi, Bartholdi.” Crowds on the avenue up and down heard the name and passed it to the people in the park, and they passed it to the people on the side streets, until the air was “shaken with the roar of cheering” the sculptor’s name.

Monsieur Bartholdi accompanied President Cleveland aboard the steamship Dispatch, to make the short journey across the bay to Bedloe Island. As soon as the Dispatch got under way, over 100 vessels, decorated with flags and bunting, blasted their whistles and followed behind.

Undated photo of the Statue of Liberty in New York Harbor, viewed from the north.
Undated photo of the Statue of Liberty in New York Harbor, viewed from the north.

When they reached Bedloe Island the official unveiling ceremony took place. A large French flag had been placed over the head of the statue, but at the signal, the flag was pulled away, to the sound of a salute of gun fire by all the batteries in the harbor, afloat and ashore.

"Unveiling the Statue of Liberty," by Edward Percy Moran, 1886.
“Unveiling the Statue of Liberty,” by Edward Percy Moran, 1886.

President Cleveland formally accepted the statue on behalf of the United States, after which there followed an address by a representative of France, then music, and a benediction.

When the ceremony concluded there was a one-hundred-gun salute, and the steamers in the bay blew their whistles. The guns on Governor’s Island and other forts fired for a full half an hour.

By this time the rain had begun to fall, but the crowds did not disperse. Over a million people filled every available space from Wall Street to Pearl Street and to the Battery. They stood in the drenching rain and driving winds and cheered themselves hoarse.

A view of the "Statue of Liberty from Castle Garden," New York, by Andrew Melrose, 1887.
A view of the “Statue of Liberty from Castle Garden,” New York, by Andrew Melrose, 1887.

That rainy October day in 1886 was a great day for the city of New York and for the American people, who received a gift that would go on to epitomize the spirit of liberty and refuge for people all over the world.

This video provides more detail about the Statue of Liberty and how it came to reside on Bedloe Island.

Click here to read Isabella’s book Spun from Fact, published in 1886.

And click here for more information about Isabella’s 1886 novel, One Commonplace Day.

The Christian Calling Card

In 1922 Emily Post wrote, “with a hair-pin and a visiting card, [a woman] is ready to meet most emergencies.”

Do Good

There’s evidence of that maxim in Isabella Alden’s books. In several of her stories a simple calling card played a prominent role in the life of one of her characters.

Card Luke

In Spun from Fact, Jeanie Barrett had cards printed with only her name and this sentence in plain text:

“Are you saved by grace?”

Each time she gave away one of her cards, she did so with a purpose, and knew exactly how she wanted to engage that person in conversation about the straight-forward question printed on the card.

Spun from Fact Bible School training
A card used to announce dates and times of a Gospel worker’s upcoming speaking engagements.

In Workers Together; An Endless Chain, Dr. Everett’s calling card was printed on both sides. The front of the card gave the address and hours for his medical practice. On the other side he listed the times for Sunday worship services, Sunday School classes and weekly prayer meetings at the church where he was superintendent of the Sunday School.


In A New Graft on the Family Tree, John Morgan received a calling card that changed his life. He was hungry and homeless, hopping one rail car after another to find anyone who would feed him in exchange for doing some work.

Spun from Fact card00555_frJohn’s situation was desperate; he was weak from hunger when he came across neat-looking house, with a neat kitchen-door; he knocked at it, and asked for a bit of bread. A trim old lady answered it. To his surprise she invited him in and fed him a savoury breakfast. And while John ate, the old woman talked to him:

“Well, there are a good many homeless people in the world. It must be hard; but then, you know, the Master himself gave up his home, and had not where to lay his head. Did it for our sakes, too. Wasn’t that strange! Seems to me I couldn’t give up my home. But he made a home by it for every one of us. I hope you’ve looked after the title to yours, young man.”

No answer from John, The old lady sighed, and said to herself, as she trotted away for a doughnut for him:

“He doesn’t understand, poor fellow! I suppose he never has had any good thoughts put into his mind. Dear me! I wish I could do something for him besides feeding his poor, perishing body!”

The little old lady trotted back, a plate of doughnuts in one hand, and a little card in the other.

“Put these doughnuts in your pocket; maybe they’ll come good when you are hungry again. And here is a little card; you can read, I suppose?”

The faintest suspicion of a smile gleamed in John Morgan’s eyes as he nodded assent.

“Well, then, you read it once in a while, just to please me. Those are true words on it; and Jesus is here yet trying to save, just the same as he always was. He wants to save you, young man, and you better let him do it now. If I were you I wouldn’t wait another day.”

Card Proverbs

John waited until he left the woman’s house and was tramping down the street before he looked at the card she gave him.

It was a simple enough card, printed on it in plain letters these words:

“It is a faithful saying, and worthy of all acceptation, that Jesus Christ came into the world to save sinners.”

Then, underneath:

“I am the bread of life. He that believeth on me shall never hunger.”

Still lower on the card, in ornamented letters, the words:

“The Master has come, and calleth for thee.”

Then a hand pointing to an italicized line:

“I that speak unto thee am he.”

John thrust the card into his pocket and strode towards the village depot to board another train, unaware that the little card would eventually change his life.

Card Isaiah

You can still find examples of religious calling cards on ebay, Etsy and other Internet sites. But Isabella’s books demonstrated that religious calling cards by themselves were not enough to change a person’s life. In her stories, a calling card may have opened the door to a conversation about salvation, but it was the act of the person who gave the card—their kindness and concern for someone else—that turned those small pieces of cardstock into the means by which a soul was saved.


You can read more about the vagabond life John Morgan would have lead. Click here to read our previous post, The Fraternity of the Tramp.

Click on a book cover to read more about Isabella’s books mentioned in this post.

Cover_Workers Together v2   Cover_Spun from Fact   Cover_A New Graft on the Family Tree


Pansy 03You cannot have lived in this world so long without discovering that pain and disappointment of every sort are not happenings, but have their own wise and most important ends to fulfill, though we may be too childish to see the occasion, or understand the remedy.

Spun from Fact


Did you know you can read Spun from Fact for free? Click on the Free Reads tab above to read the book now.

New Free Read Available

Cover_Spun from Fact resizedIn 1886 Isabella Alden published Spun from Fact. The book is a fictional tribute to a young woman Isabella admired for her unwavering faith and courage during times of trial.

Spun from Fact is an inspiring story, unlike any other Isabella Alden novel.

Click on the book cover to begin reading Spun from Fact. Enjoy!