Blog

A Life-Changing Accident

December 8, 1925—almost exactly 100 years ago—started as any ordinary Tuesday afternoon in Palo Alto, California. Isabella Alden was 83 years old, and was living in the beloved double-home that she and her husband Ross built a decade before on Embarcadero Road.

Ross and her son Raymond had died the year before, so only Isabella and her daughter-in-law Barbara (Raymond’s widow) and her five children were left to share the rambling house.

Barbara Hitt Alden, about 1910.

That afternoon, Isabella, Barbara, and Barbara’s youngest son, Raymond Jr., set out together in the family car. Barbara was behind the wheel. None of them could have known that their simple outing would dramatically change the remainder of Isabella’s life.

Black and white photo of a side-view of an old automobile with four doors and a woman seated in the driver's seat.
A 1925 Lincoln sedan, a popular car style in the 1920s.

At a street intersection a little less than a mile from their home, another car collided with the Alden vehicle, striking it with enough force to cause it to overturn. The impact shattered the windshield and windows, showering the passengers with broken glass.

Newspaper Clipping: 3 Generations of Aldens Suffer Cuts and Bruises. Three generations figured in the automobile accident here today in which two persons were severely cut about the face and head and suffered many bruises, while the third person was but slightly hurt. They were: Mrs. G. R. Alden, Mrs. Raymond M. Alden, Raymond M. Alden Jr., 4.
The San Francisco Chronicle, December 8, 1925.

Barbara was only slightly hurt. But Isabella and her young grandson suffered “severe cuts about the face and head, and many bruises.” After receiving first aid from a nearby physician, Isabella and Raymond Jr. were taken to Palo Alto Hospital for treatment.

Palo Alto Hospital in the 1920s.

The next day’s newspaper reported reassuring news: the accident victims had returned home, and Isabella “was found to have suffered only from shock and minor cuts.” Her grandson’s injuries were described as the most serious of the three.

Newspaper Clipping: Accident Victims Removed to Home: Hurts Not Serious. Mr. G. R. Alden, Mrs. Raymond M. Alden, and the latter's 4-year-old son, Raymond, were able to return to their home last night after receiving treatment at the Palo Alto Hospital for injuries incurred yesterday afternoon in a collision between the Alden automobile and that driven by Mrs. L. O. Head. The elder Mrs. Alden was found to have suffered only from shock and minor cuts. The child's injuries were most serious, his head and face having been painfully cut by flying glass. Mrs. Raymond Alden was uninjured.
The Peninsula Times Tribune, December 9, 1925.

But that assessment would prove tragically wrong.

What those initial medical evaluations missed was the true extent of Isabella’s injuries. The accident left her in considerable pain and, ultimately, confined to a wheelchair for most of the remaining years of her life.

Until the accident, Isabella was a woman who had been remarkably productive well into her eighties—still writing, still engaged with her work and family. The accident didn’t just slow her down; it fundamentally altered how she could live her remaining years.

Isabella in later years.

In her memoir “Memories of Yesterday,” which she finished writing after the accident, Isabella documented the physical pain she endured. For a woman who had spent her life in service to others, who had quietly helped so many navigate their own difficulties, those final years must have been particularly difficult for her.

Isabella lived for nearly five more years after the accident, passing away in 1930 at age 88. Those years, spent largely in a wheelchair and dealing with chronic pain, were a far cry from the active, engaged life she had led for more than eight decades.

What is striking about this incident in Isabella’s life isn’t just the tragedy of the accident itself, but what it reveals about her character during her final years. Despite her pain and limitations, she continued to write. She finished her last novel, An Interrupted Night, and entrusted it to her niece, Grace Livingston Hill, to guide it through the publishing process.

She also completed her memoir, Memories of Yesterdays, candidly sharing her memories and reflections on a life well-lived. Even when her body was confined to a wheelchair, her mind and spirit remained active.

That’s the Isabella Alden we’ve come to know through her writings—someone who lived out the principles she wrote about, even when circumstances became difficult. She had spent decades writing about faith, perseverance, and finding purpose in adversity. In her final years, she had to draw on those very principles herself.

A hundred years ago this month, Isabella’s life changed forever on a Palo Alto street corner. While the accident limited her physical abilities, it couldn’t diminish the legacy she’d built through decades of faithful work—or the strength of character that sustained her until the end.

Click on the links below to read more about:
The house on Embarcadero Road
The deaths of Ross and Marcia Livingston
The death of Raymond Alden
Isabella’s final novel, An Interrupted Night

The Gift of Music

It’s Christmas time, and shopping for the holiday is now in full swing. During Isabella’s lifetime, Christmas ads filled the issues of newspapers and magazines, tempting shoppers with bargains and gift ideas.

Among the many advertisements for books, handkerchiefs, slippers, and gloves were ads for a gift the whole family could enjoy: a piano.

The idea wasn’t as extravagant as it might sound; by the late 1890s pianos were quite affordable. Dealers and manufacturers offered consumers credit or payment plans that made purchasing a piano within the reach of families with more modest incomes.

A newspaper ad for Fischer Pianos with the headline "Standard of Highest Merit." In smaller type: "By our new method of Easy Payments every home is enabled at once to possess and enjoy a High-Grade Piano."

Families weren’t the only ones who took advantage of these arrangements. In Pansy’s Advice to Readers, Isabella wrote about a group of school girls who bought a piano for their gymnasium by raising the money themselves and making regular payments to the dealer.

Newspaper ad showing a young woman and her parents in a parlor with an upright piano. The headline reads "The Piano Problem Solved" and "Sold on Easy Payments."

Such arrangements meant pianos were no longer an article of luxury available only to the wealthy. As more families were able to purchase pianos, American social life began to change. Previously, people gathered at churches, concert halls, and other public places to enjoy music; but affordable pianos allowed people to enjoy music at home and within their own family circle.

An 1898 magazine ad for organs ($25 up) and pianos ($155 up). The headline reads "Free! Free! Save Money" and "Special Christmas Offers to Readers of The Ladies' Home Journal."

But even affordable pianos presented a challenge: someone had to learn how to play them.

Once a piano was installed in a home, there were lessons to be had and endless hours of practice in order for a player to become proficient. But in the 1890s self-playing devices came on the market that again changed how families brought music into their homes.

There were two kinds of self-playing devices: those that attached to pianos, and those that were placed inside them.

Invented in America, the pianola was a cabinet-type device that was pushed up against a piano keyboard. It depressed the piano keys with protruding felt-covered levers controlled by a perforated paper roll. A person had to be seated at the device to work the pumping pedals so air pressure created suction to rotate the roll. 

A pianola cabinet. A lid on top is open to show the perforated paper music roll. At the bottom are two foot pedals.
Pianola cabinet style in 1890.

The other type—the player-piano—operated in the same manner with a rotating perforated roll, but the device was installed within the piano itself.

Ad for a player piano with the instrument in the center of the ad, surrounded by holly. Above it is the brand name Krell. Below is "Auto-Grand, the Holiday Spirit."

According to the editor of The Piano and Organ Purchaser’s Guide for 1908, these devices “made tens of thousands of pianos eloquent with good and popular music”—pianos that formerly were silent, except when there was a dance at home, or on a Sunday, when a few hymns were played.

Illustration of a woman seated in front of a player piano with her feet on the pedals. Seated beside her is a young child. A little girl dances beside the piano.

“The present of a pianola is a present to every member of the family.” So declared a magazine advertisement in 1904 that urged consumers to consider buying a mechanical piano player for Christmas.

Photo of a Pianola cabinet with the caption "The present of a pianola is a present to every member of the family."

It wasn’t just families that could now listen to beautiful music in their homes. This ad in a 1904 issue of Booklover’s Magazine suggested a pianola cabinet player was the ideal gift for a bachelor’s home.

Illustration of a young man seated in a chair holding a pipe in his apartment. Beside him is a piano with a pianola cabinet attached. The caption reads "The Bachelor's Idea. The one finishing touch to a bachelor's apartment is furnished by a piano to be played with a Chase & Baker Piano Player."

Those self-playing piano devices opened up whole new musical worlds for people. Many who never visited the opera or a concert before became thoroughly acquainted with world-class musical and orchestral compositions.

Black and white drawing of a young woman seated at a player piano with a perforated music roll visible. A woman stands nearby who appears to be performing a song. A group of elegantly dressed people are seated listening to her.

Sales of pianolas and player pianos peaked in the mid-1920s when gramophone recordings and the arrival of radio caused their popularity to wane.

Illustration of a young woman seated at a player piano, with her feet resting on the pedal. A young man stands beside the piano, looking down at the young woman.

But while in their heyday, pianos, pianolas, and player pianos made an important mark on American culture, bringing music and joy to thousands of families. Isn’t that a wonderful gift to receive?

You can learn more about pianolas and player pianos by clicking here.

You can read Pansy’s Advice to Readers for free!

Choose the reading option you like best:

You can read the e-book on your computer, phone, tablet, Kindle, or other electronic device. Just click here to download your preferred format from BookFunnel.com.

Or you can select BookFunnel’s “My Computer” option to receive an email with a version you can read, print, and share with friends

New Free Read: His Friend

This month’s free read is a sweet story about faith and Christmas blessings by Isabella’s sister, Marcia Livingston.

Book cover showing a small Victorian-era cottage nestled in a quiet, snowy landscape at night. Through a downstairs window can be seen a Christmas tree. In all the windows shines a warm, golden light, contrasting with the dark, cold surroundings.

Wealthy Mr. Thornton finds his greatest pleasure in carrying out the quiet, unseen work of “his Friend.” With Christmas fast approaching, he has renovated a beautiful cottage to bestow upon an as-yet-unknown person who is homeless and friendless. When his path crosses that of Lily Winthrop and her grandfather, Mr. Thornton sees a clear object for his charity. Will his act of giving remain anonymous, or will Lily and her grandfather discover the secret donor of their miraculous Christmas gift?

You can read “His Friend” for free!

Choose the reading option you like best:

You can read the story on your computer, phone, tablet, Kindle, or other electronic reading device. Just click here to download your preferred format from BookFunnel.com.

Or you can select BookFunnel’s “email” option to receive an email with a PDF version you can read, print, and share with friends.

Mr. Moody’s Bible Class: Lesson Two

Decorative banner from the magazine that reads "MR. MOODY'S BIBLE CLASS." To the left of the text is an open Bible set against the petals of a flower. Across the top of the banner is a repeating pattern of half-circles and spires to add visual interest.

In his first lesson, evangelist D.L. Moody diagnosed humanity’s deepest problem: the universal reality of sin and its separating power. Now, in this second lesson, Mr. Moody presents the remedy: the Gospel of Jesus Christ.

Through scripture and stories, including a powerful account from a Civil War hospital, Mr. Moody shows how Christ came to heal the broken-hearted, deliver captives, restore sight to the blind, and liberate the bruised. As he reminds us, “The Gospel of Jesus Christ is all that we choose to make it.”

You can read Lesson Two for free! Click here to download a PDF version you can print or share with friends.

Then, join us next month for Lesson Three of Mr. Moody’s Bible Class: “The Three Doctrines of the Christian Faith.”

If you missed Lesson One, you can find it by clicking here.

Miss Marion’s Thanksgiving Day

This week, as we approach Thanksgiving, we’re sharing a lovely poem Isabella published in The Pansy magazine in 1886. “Miss Marion’s Thanksgiving Day” is about a wealthy but lonely lady who looks across the hills at the local almshouse and finds her purpose.

MISS MARION’S THANKSGIVING DAY

Two big houses broad and high,
Outlined against an autumn sky.
Set on two hills, the houses stand,
One grim and cheerless, one fair and grand;
One teems with life throughout its walls,
One silent in all its stately halls.
One is of wood, and one of stone,
Each set in broad acres all its own.
One is the almshouse, gaunt and gray,
One the beautiful home of Miss Marion Ray.
Black and white drawing of two hills separated by a road. On top of the left hill is a gaunt two-story wooden building with rows of plain windows. On top of the right hill is a beautiful Victorian-era mansion with turrets and porches, and perfectly landscaped trees and shrubs, surrounded by an iron fence with an ornately scrolled iron gate.
Miss Marion Ray—her kith and kin
All to their rest have entered in.
Now she dwells with servants in lonely state,
In the mansion behind the iron gate.
A lady tall, and sad, and fair,
With a quiet face and a gentle air—
A sweet, worn face, and hair of gray,
Was the lonely lady, Marion Ray.
Sometimes in the night, when all is still,
She has looked at the lights on the other hill,
And wondered much if it were sadder fate
To live in the house with the wooden gate.
But something happened, the other day,
That has stirred the heart of Miss Marion Ray:
A mother went out of the almshouse door,
Went out of it to go back no more;
Went out to be buried under the leaves,
While the wind of November moans and grieves,
And left a wee blossom with eyes of brown,
To the tender mercies of all the town.
Miss Marion has thought of the baby's fate
Till love and pity have grown so great
She has opened her Bible there to see:
"As ye did it to Mine, ye did it to Me;"
And so, on the morn of Thanksgiving Day,
In the early morn, when the sky is gray,
At the almshouse door a carriage stands,
With shining horses in gleaming bands;
And into the eyes of the little child,
The sad-eyed lady looked and smiled.
On the silken shoulder the glittering head,
Then —"I love 'oo, lady," the baby said.
Gathered close to the hungry heart,
The child and the lady never to part—
Carried home to the mansion grand,
The proudest and richest in all the land.
Never a pauper, the lovely child
Into whose face the lady smiled.
"Done to the least it is done to Me."
What grander honor on earth could be?
Oh, a sweet and joyous Thanksgiving Day
Has come to the home of Miss Marion Ray.

The heart of this story—and of so much of Isabella’s work—is the quiet call to charity, the simple act of extending kindness to those in deepest need.

What do you think? Does this poem illustrate Christ’s instruction from Matthew 25:40: “Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me”?

Geography Lessons, Pansy Style

Under Isabella Alden’s tenure as editor, The Pansy magazine went from a monthly children’s magazine to a weekly publication. The content also changed; from the early days of short stories, poems, and Bible lessons, the variety of articles expanded to include lessons in science, nature, and geography.

At the top "The Pansy" is displayed in a classic serif font. Below is a black and white woodcut illustration showing a close up of two birds in a meadow with a caption "A Family Disagreement."
The cover of September 17, 1892 issue of The Pansy magazine

In a regular column devoted to geography, Isabella cleverly turned what could have been a run-of-the-mill travelogue into a fun experience for her readers. Each month she chose a U.S. city as a topic; but instead of writing about the city herself, she invited children who had visited that city to write to her and tell about their trip and the sites they saw. Sometimes the children’s assessments and side-comments were more interesting than their descriptions of the city itself.

For example, when Isabella asked children to write about Minneapolis, Minnesota, she received this response from a boy named Harry Denning:

My uncle is a lawyer and lives in Minneapolis. He says the City Hall is just splendid. It cost three million dollars. Its great tower is three hundred and forty-five feet high, and there are only two others in the United States which can get above that. There isn’t any danger that this building will ever burn up, for it is made fire proof. I wonder why they don’t make all buildings fire proof? Then we would not have to buy engines, and pay firemen, and keep great splendid horses doing nothing all day long but wait for fires. This City Hall which I began to tell you about is three hundred feet square and fills up a great block on four streets. I am going to be a lawyer, and I shall have an office in Minneapolis.

Didn’t Harry have a good idea for building fire-proof buildings? The magazine included this illustration of the Minneapolis City Hall and Court Square:

City Hall and Court Square

Another letter was written by Minnie Andrews:

I have an aunt who is very fond of visiting churches. When she goes to a new place, if it is only a village, she wants to see all the churches and know about them. When she was in Minneapolis first, years ago, it was a little bit of a place, and my aunt is an old lady, and does not read the newspapers much, and did not realize that Minneapolis had grown a great deal. She went there last spring to visit a nephew. She reached there in the night, and was taken in a carriage to her nephew’s house, and did not realize the changes at all. The next morning at breakfast, when her nephew asked her what she would like to see in the city, she said she would like to visit the different churches if she could, and that perhaps as the day was pleasant they could go that morning.

“Very well,” said her nephew; “to which ones shall we go?”

“Oh, to all of them,” answered my aunt; “we can take a few minutes for each and see them all this forenoon, can we not?”

“Certainly,” said her nephew; “just as well as not. There are only about a hundred and sixty, I believe.”

And that was the first time my aunt knew that she was in a big city instead of the little town she had left thirty years or so before. But I don’t think her nephew was very polite to an old lady. She saw a good many of the churches, among them Dr. Wayland Hoyt’s, which she said she liked the best of all. It is the First Baptist Church of Minneapolis, and cost two hundred thousand dollars. It will seat about fifteen hundred people. I thought the Pansies would like to hear about it.

Perhaps the best part of Minnie’s letter is how caring she was in regard to her aunt’s feelings and how quickly she came to her aunt’s defense.  

Another boy named Thomas Bailey Atwood wrote that when he and his sister visited their uncle in Minneapolis, they went to the Public Library:

It is a very handsome building. They say it cost a good deal—over three hundred thousand dollars. We sat in one of the elegant reading-rooms and read books while our uncle was looking up something in books of reference. There are thousands and thousands of volumes there. The street cars in Minneapolis are all electric. My sister did not like to ride on them when there was a thunderstorm, but I was not afraid. I think I like Minneapolis better than any place I was ever in.

The magazine included this illustration of the city’s impressive public library:

Public Library.

These letters give us a delightful peek into the minds of children from the 1890s. Harry’s practical question about fire-proof buildings, Minnie’s fierce defense of her aunt, Thomas’s brave stance on riding electric streetcars during thunderstorms—each letter reveals not just facts about Minneapolis, but the personalities of the children writing them.

Every child who wrote to her about a city shared real experiences. Isabella understood that children learn best when they’re engaged and when their own voices are valued. By inviting her young readers to become contributors, she turned geography lessons into something personal and memorable. It’s just one more example of why The Pansy magazine resonated with so many children during Isabella’s years as editor. And it’s no wonder children loved writing to her.

New Free Read: The Deacon’s Songs

Like her younger sister Isabella, Marcia Macdonald Livingston was a talented writer. Her stories always contained a message of faith and a happy ending; and she excelled at writing about the trials—small and large—that husbands and wives face together.

This month’s free read is about one of those couples who must learn to cope with an empty nest.

Mrs. Warner is in despair. After her beloved daughter marries a young pastor and moves away, the once-cheerful woman cannot muster a smile for her husband, the Deacon. It will take a lonely November evening and the comforting strains of a few old hymns for this devoted couple to rediscover their faith and their gratitude for one another.

You can read “The Deacon’s Songs” for free!

Choose the reading option you like best:

You can read the story on your computer, phone, tablet, Kindle, or other electronic reading device. Just click here to download your preferred format from BookFunnel.com.

Or you can select BookFunnel’s “email” option to receive an email with a PDF version you can read, print, and share with friends.

Mr. Moody’s Bible Class

Isabella had a special bond with evangelist Rev. D.L. Moody. They were contemporaries who shared a common mission: bringing biblical truths to everyday Americans through accessible, compelling writing.

While Isabella wove Christian principles into her novels and short stories, Mr. Moody taught them directly through his preaching and writing.

In 1896, Mr. Moody published a twelve-part Bible study series in The Ladies’ Home Journal, a magazine that regularly published sermons, essays on religion and faith, and stories with Christian themes. He called his series, “Mr. Moody’s Bible Class.”

Decorative banner from the magazine that reads "MR. MOODY'S BIBLE CLASS." To the left of the text is an open Bible set against the petals of a flower. Across the top of the banner is a repeating pattern of half-circles and spires to add visual interest.

Each month for twelve months, Mr. Moody filled the pages of the magazine with lessons on the fundamental doctrines of Christianity, from sin and redemption to prayer and Heaven. His accessible writing style and practical approach made theological truths understandable to every-day readers, while he challenged them to examine their own faith.

Magazine announcement: Mr. Moody's Bible Class by Dwight L. Moody. The famous Northfield evangelist begins, in the November Ladies' Home Journal, a series of popular Bible studies in the form of a great National Bible Class, destined to prove the most helpful religious department ever sustained by a magazine.
From The Ladies’ Home Journal, October 1896.

“Mr. Moody’s Bible Class” is now available for a new generation. Each of his lessons has been carefully formatted for modern readers, with added reflection questions and organized Scripture references.

Magazine announcement showing a drawing of Mr. Moody sitting in a chair with his open Bible in his lap. He is surrounded by men and women, young and old, sitting and standing. Text beneath the drawing reads: "Mr. Moody's Bible Class. A New Religious Department by Dwight L. Moody."

Whether you’re studying alone, with a small group, or teaching a Sunday school class, Mr. Moody’s lessons offer rich yet practical insights into the foundations of Christian doctrine. Click on the link below to view or download the first lesson:

Lesson One: Understanding Sin

You can read more about the friendship between Isabella’s family and Mr. Moody by clicking on the links below:

Isabella’s Uncle and the Hymn that Changed America

Horatio Spafford’s Second Chapter

Marking Ester’s Bible

How to Have a Good Prayer Meeting

A Feather in Her Hat

Rebecca’s dress was entirely appropriate and becoming. She had gone out from her father’s house very well supplied with clothes, and her ability to re-make them herself had stood her in good stead, so that now her dress of fine black cloth, made severely plain, but with minute attention to details, became her well. So did the black felt bonnet, with its three stylish plumes, which she had herself dressed over.

from Wanted, by Isabella Alden, published in 1894

In her stories, Isabella often used the latest fashion to define a character’s financial and social status, and Rebecca Meredith’s outfit was an excellent example. Because her dress was plain and black, her bonnet “with its three stylish plumes” was the centerpiece of her outfit and called attention to her pretty face.

Bonnets with plumes were very much in style when Wanted was published in 1894. Women’s magazines, like Godey’s Lady’s Book and The Ladies Home Journal showed that hats were be made from a variety of materials—straw, for example, or stiffened fabrics like velvet—and that they were quite modest in size.

Black and white illustration of a young woman wearing a long gown in the fashion of 1895 with extremely large puffed sleeves, and a high collar with a large bow at the back. On her head is a bonnet with a short brim, decorated on top with flowers, gathered ribbons, and an aigrette of short bird plumes.
From Godey’s Lady’s Book, August 1895.

Though small, hats at that time were heavily adorned with ribbons, bows, artificial flowers and, most importantly, bird plumes.

A black and white drawing of a woman wearing a short belted coat with long sleeves and a collar that stands up to cover her neck. On her head is a small hat with a short brim, adorned with ribbons, flowers and a cluster of curled bird feathers at the top.
From Godey’s Lady’s Book, October 1897.

Bird feathers were the most desirable decorative elements on a lady’s hat. In 1894 The Ladies Home Journal predicted that actual wings displayed on bonnets would be “all the rage,” while another magazine wrote that “almost every second woman one sees in the streets flaunts an aigrette of heron’s plumes on her bonnet.”

Color illustration of a woman dressed in a coat and hat from about 1900. Her hat has a wide brim and is piled on top with arrangements of ribbons and two long bird feathers set at an angle pointing toward the back of the hat. A wide red ribbon tied beneath the woman's chin keeps the bonnet in place.

Milliners used feathers from egrets, hummingbirds, herons, and even song birds of all kinds as adornments.

Black and white photo of a woman wearing a dress from the 1890s. On her head is a flat brimmed hat; the crown of the hat is covered with flowers, gathered ribbon, and a single large bird feather in the front. The feather stands straight up on its stem and is adorned with beads.
From Godey’s Lady’s Book, 1898.

The more exotic the bird, the more desirable their feathers; and the millinery industry was willing to pay top dollar to anyone who would supply them, no questions asked.

But some people did ask questions and raise alarms, after nature lovers in England and the United States discovered that some birds, like ospreys and egrets, were hunted so mercilessly, ornithologists feared they would soon be extinct.

Newspaper clipping: BIRDS VICTIMS OF PRIDE. We have received some letters from our readers enforcing the words of Mrs. Aria as the the cruel price that has to be paid for the osprey's feathers, which are in vogue just now in women's headgear. Mrs. Phillips writs to point out that these feathers can only be obtained at breeding time. The plumage is torn from the living parent birds on the nest, which are then flung aside to die, while the young birds are left to starve. Could anything be fore horrible! The bare recital of these facts should be enough to put an instant stop to such a merciless trade.

In London, a Society for the Protection of Birds was formed. Members pledged to never wear feathers of any bird not killed for the purpose of food. Similar organizations were formed in Europe, Canada, and the U.S.

Newspaper clipping: BIRDS IN OUR BONNETS. In response to many inquiries, we would draw attention to the Society for the Protection of Birds, 29 Warwick Road, Maida Hill, London, of which Miss Hannah Poland is the secretary. There is no subscription fee, but any one wishing for a card of Membership can have one by sending two stamps to Miss Poland. Members promise not to wear feathers of any bird not killed for the purpose of food, the ostrich excepted.

The public outcry began to pay off, as women around the world pledged to stop wearing hats with real bird feathers, and American lawmakers enacted state and federal laws to protect certain species of birds by banning them from use in hats and garments.

One bird that was exempt from protection was the ostrich, because its feathers could be harvested without killing the bird. So it was natural that the millinery industry would turn its attention to ostriches as a source for adornments.

Black and white photo of a woman wearing a hat with a wide brim of 12 to 14 inches deep. The crown of the hat is covered in ostrich feathers that are piled about 12 to 14 inches high, giving a waterfall effect.

Ostrich farms that had been established in the southern United States in the late 1890s in hopes of selling feathers to the millinery industry suddenly saw an increased demand for their wares.

Color photo of a herd of about 40 ostriches running across a fenced enclosure.
An ostrich farm in southern California.

And because ostrich feathers could be plucked every eight or nine months, ostrich farmers with large herds enjoyed a regularly replenished inventory they could sell.

Black and white photo of a woman wearing a short-brimmed hat. A wide ribbon circles the crown of the had and is arranged in multiple loops in front. The stems of two long ostrich feathers are tucked into the ribbon arrangement and the feathers drape back cross the crown of the hat.

With the turn of the century, hat styles changed, and the small bonnets that were popular when Isabella wrote Wanted fell out of fashion. The new bonnet styles of the 1900s featured wide brims and brilliant colors.

Ostrich plumes suited the new styles beautifully. Because of their size, the plumes could cover a large hat’s crown and brim.

Hand-colored photo of a woman wearing a hat with a wide brim of 12 to 14 inches deep. The crown of the hat is covered in ostrich feathers that are piled high, with some parts of the feathers spilling over the brim of the hat.

Even more importantly, ostrich feathers could be dyed to match almost any color. Women and conservationists rejoiced, feeling confident that they could use ostrich feathers for fashion without feeling guilty.

Color illustration of a woman wearing a wide brim bonnet about 14 to 18 inches deep. The bonnet is black but the lining is a brilliant blue. A wide orange-gold ribbon circles the crown of the hat and is tied with a large bow. On the opposite side of the crown feathers of the same brilliant blue are arranged in a cluster across the brim.

In her 1912 novel The Long Way Home Isabella made sure her fashionable characters wore the latest style in bonnets. Newlywed Ilsa Forbes wore a wide-brimmed hat when she boarded the train with her new husband Andy:

But Andrew had no words, just then; never was the heart of bridegroom more filled to overflowing, and he could not yet think about decorations or supper.
“My wife!” he murmured, as his arm encircled her. “Really and truly and forever my wife. Do you realize it, darling?”
She nestled as closely to him as her pretty, new traveling hat would permit and laughed softly.

There was, however, a problem with those stylish large hats adorned with ostrich feathers. In 1908 a letter to the editor of the Oregonian newspaper applauded the ban on exotic bird feathers, but raised a new and troubling concern about ostrich feathers:

Newspaper clipping: The only plumage I have cared to wear is the ostrich feather, and I may yet become convinced that this practice is incompatible with my convictions. Having witnessed many times the plucking of ostriches in Southern California, I have been unable to see that there was any special cruelty attached, though I have no doubt the sensation experienced by the ostrich might be much like we would feel in having a deep-rooted molar drawn.

The letter-writer wasn’t the only one wondering if an ostrich felt pain when its feathers were plucked. Soon the Audubon Society and other conservationists began asking the same question and took their findings to state legislators.

In California, where Isabella was living and where many of the country’s ostrich farms were located, the question was answered by lawmakers. In 1900 the state updated its penal code to make it a crime to intentionally mutilate or torture a living animal, which included plucking live birds like ostriches.

Profile of a young woman wearing a black bonnet with a wide brim turned up in the front. At the back of the crown is a cluster of long, fluffy, pink ostrich feathers.

So ostrich farmers stopped plucking and began snipping feathers, instead. A 1911 article in the Dallas Morning News explained the process:

Newspaper clipping: While the term "plucking' is given to the harvesting of the feathers, the fact is that they are not plucked or pulled out, but are snipped off by means of shears. This process is gone through every eight months, and the quality of the plume depends largely upon how it is cut. There are twenty-five long white plumes on each wing of the male bird. The rest of the feathers are black on the male and a grayish color on the female. Harvesting the plumes is no easy task.
From The Dallas Morning News, November 12, 1911.

Once again, stylish ladies (and Isabella’s equally stylish characters) could wear hats adorned with feathers and maintain a relatively clear conscience.

It’s interesting how Isabella’s attention to details, like hat sizes and adornments, brought her stories to life. While she didn’t preach about fashion in her novels, she paid close attention to these niceties, and used them to bring authenticity to her characters and their world. Contemporary fans of her novels would have noted the subtle changes as keeping up with the times.

Cover of The Ladies' Home Journal magazine. The color illustration shows a stylish young woman seated, wearing a white dress. A gold colored cape is drawn open with one of her hands. In the other hand she holds a matching pair of gloves and an umbrella. On her head is a wide-brimmed hat fashionable in 1909. Covering the brim of the hat and cascading over the brim at the back is an arrangement of feathers dyed gold to match her outfit.

For us in 2025, it’s fascinating to learn there’s a whole complicated history behind Rebecca Meredith’s feathers—a history about women who were determined to write wrongs and find ways to be fashionable without compromising their conscience.

You can learn more about Isabella’s novels mentioned in this post by clicking on the book covers below:

Full disclosure: these are Amazon affiliate links, which means if you decide to purchase through them, this blog will receive a small commission. It doesn’t cost you anything extra, but it helps us keep this site running and researching Isabella’s life and the fascinating world in which she lived.

About Auntie May

Isabella was the youngest of six siblings. She had one brother, James, and four sisters. With her sisters she enjoyed a close bond, even though there was a wide range of ages between them. Her eldest sister Elizabeth was a married woman with a home of her own by the time Isabella was fourteen months old.

Her sister Mary married George Heaton when Isabella was a girl of 17. Mary and George moved into a house of their own—one that was so close to Isabella’s family home, that the two properties shared a garden gate.

Mary’s husband George was editor of the town’s newspaper; and it was he who was so impressed by the first story Isabella wrote, that he begged Isabella’s parents to allow him to publish the story in the newspaper. Reluctant at first, they eventually gave their permission, but only if Isabella’s name was not used. Instead, the story was published with the author’s name listed as “Pansy,” thus beginning Isabella’s writing career that would span the next eighty years. (You can read more about Isabella’s first published story here.)

Isabella was in her early thirties when she began editing and writing for The Pansy magazine. The enterprise quickly became a family affair when her sisters, brothers-in-law and friends also began to write articles and stories for the magazine.

Sisters Marcia, Julia and Mary were among those writers, and Mary often chose pets as the focus of her stories. In one story Mary explained to her young readers how she came to adopt a sweet little kitten:

“I live in a part of the country that is blessed with cats. I never saw so many gathered in one place before in my life — gray cats and yellow cats, cats with tails and cats without tails, and kittens without number. One day I took pity on a poor little hungry kitty, and set her out a basin of milk. In less than five minutes there were nine kittens, all with their heads in that basin. One late comer could not get into the ring, so she climbed on the backs of the others, and reaching down got her little red tongue into the dish. I said last week that I would adopt one of the orphans, so I kept her in the house all day, and fed and played with her; but at night I let her out. When we came downstairs in the morning there she was waiting at the door for admittance, but she had brought four others with her! She has seemed, however, to settle down, and decide that she belongs; she stays in the house with me all the time, and the others scamper in when they can get a chance, and out again.”

Black and white drawing of a cat outside in the tall grass peeking around the corner of a building.
Illustration from Mary’s story in an 1893 issue of The Pansy magazine.

In another issue of the magazine, she wrote about her new parrots:

“I have named the large one Billy, and the small one Polly. They are very happy together. Every afternoon Billy will spend an hour in petting and dressing Polly. He will oil her feathers, and scratch her head; then he will hold his head down, and try to make her fix him, but she can’t take time. She will just give him two or three little pecks, and then be intent on eating her supper, or playing with a stick, or bit of paper. Whenever she screams, Billy will say, ‘Shut up, Polly; shut up!'”

Black and white drawing of a little girl feeding a morsel to a bird in a cage.
Illustration from Mary’s story in an 1888 issue of The Pansy magazine.

Mary gauged her reading audience to a nicety—don’t all children love to read about friendly kittens and talking birds?

Over the years Mary occasionally wrote more stories for The Pansy under the pen name “Auntie May.”

When Isabella retired from editing the magazine, and her husband retired from the ministry, they moved to Palo Alto, California to be close to their son Raymond and his family. Isabella’s sister Julia, who had never married, also lived with them; so when Mary’s second husband died unexpectedly, Isabella invited her to join them in their spacious California home.

So at the age of 76, Mary packed her belongings and set off across the country to live with Julia, Isabella, and the rest of the Aldens in sunny California. (You can click here to read about the house they all lived in together). She soon found herself happily sharing a home with Isabella’s young grandchildren.

Black and white photo of an elderly woman in her 80s, seated in a chair. On her lap she holds a baby and beside her stands a little girl about 3 years old.
Mary, age 88 in 1914, with two of Isabella’s grandchildren.

And she quickly joined the Alden’s church and began attending social events with Isabella and Julia. The local newspaper gave this brief account of their attendance at a ladies’ “at home.” (Isabella is listed as Mrs. Alden, Mary as Mrs. Williamson, and Julia as Miss Macdonald.)

Gives At Home. Mrs. N. H. Smith was hostess at a charmingly informal at home on yesterday afternoon at her home on Kipling street, in honor of her guest, Mrs. Mason Prosser of Honolulu. those present were Mrs. G. R. Alden, Mrs. C. H. Williamson, Mrs. E. F. Weisshaar, Mrs. J. W. Roller, Mrs. H. L. Upham, Mrs. S. K. Bradford, Mrs. E. L. Greenleaf, Mrs. Caroline Kemp, Mrs. S. Taylor, Mrs. J. Anderson, Mrs. G. S. Allen, and Miss Julia Macdonald.

No matter their age difference, there seemed to be a close camaraderie and tightly-knit bond between the Macdonald sisters, and Isabella was grateful for the time she had with her sisters in their later years. She wrote:

“I took the very best care I could of my sister Mary for eleven years, and was close beside her when she ceased to breathe. I had the comfort and companionship of my sister Julia for fifty years and knelt beside her bedside when she was called Home.”

It was probably difficult at times for Isabella when she recalled that she was the last member of the family—that her husband and son, brother and sisters, mother and father had all gone on before her to their heavenly home. But as she neared the end of her own life, Isabella wrote to her niece Grace:

“But isn’t it blessed to realize that one by one we shall all gather Home at last to go no more out forever! The hours between me and my call to come Home grow daily less.”

The bond between the Macdonald sisters—Elizabeth, Mary, Julia, Marcia, and Isabella—helped shape Isabella’s entire life. From childhood through old age, through marriages and widowhood, through writing careers and quiet domesticity, the sisters were loving constants in each other’s lives. Their shared faith and genuine affection for one another provided Isabella with both comfort and inspiration. Perhaps the sister relationships that fill Isabella’s novels—tender, loyal, challenging, but always enduring—reflected the very real treasure she found in her own family bonds.