Which Way?

Isabella often wrote stories that featured children trying to earn money to help support themselves or their families.

"The Pinch of Poverty" by Thomas Benjamin Kennington, 1891.
“The Pinch of Poverty” by Thomas Benjamin Kennington, 1891.

Long before today’s labor laws and social service programs existed, children worked long hours in factories or in the homes of wealthy people, usually for pitiful wages.

"Homeless" by Thomas Benjamin Kennington, 1890.
“Homeless” by Thomas Benjamin Kennington, 1890.

Eleanor H. Porter, the famous creator of the Pollyanna books, wrote about the plight of one such child in her novel Cross Currents.

Cover_Cross Currents

And famed artist Thomas Benjamin Kennington painted a series of portraits of homeless and destitute children in an effort to raise awareness of the problem.

"Orphans" by Thomas Benjamin Kennington, 1885.
“Orphans” by Thomas Benjamin Kennington, 1885.

Isabella’s novels The Man of the HouseMiss Dee Dunmore Bryant and Twenty Minutes Late all dealt with the issue of children’s working conditions in cities across America; but Isabella always  made certain her books had a happy ending. She imbued her young characters with high ideals and strong work ethics that often brought them to the notice of a wealthy benefactor who changed their lives.

"Daily Bread" by Thomas Benjamin Kennington, 1883.
“Daily Bread” by Thomas Benjamin Kennington, 1883.

That was the case in Isabella’s short story, “Which Way?” about a twelve-year-old boy trying to make enough money to pay the rent on his family’s home. It first appeared in The Pansy magazine in 1889 and you can read it here:


Which Way?

He was a curly-headed, pleasant-faced boy, of about twelve; his clothes were growing short at the ankles and wrists, and were a good deal patched, yet there was a neat trim look about them that one liked to see.

He stood at the corner where two roads met, balancing in his mind the important question which way to go. Both roads led homeward, by an almost equally direct route; one was a trifle sandy part of the way, the other was up hill.

“Hill or sand?” he said to himself, with a smile. “It makes a lot of difference in a fellow’s lifetime which! What if it did, though? What if it should make a difference all the rest of my life? He told about smaller things than that bringing great things out of them. If I had a penny I might toss it up, only I don’t believe he thinks that’s the way to decide things.

“He” meant a stranger whose satchel the boy had carried that afternoon, and who, as they walked along, had spoken a half-dozen cheery words to him about the importance of little things; helping the boy to think more gravely, perhaps, than he ever had before. Then the stranger had gone his way on the three o’clock train, and Jamie never expected to see him again; but he could not help thinking a little about the words. To tell the truth, but for these words to think about he would have been very downhearted.

It was toward the close of a long summer day, in which he had been tramping from one end of the town to the other in search of work, and had failed. It was the old story, father dead, mother hard-worked and poor, with two children younger than Jamie to care for. There was great need that he should find work to do. The dreadful rent, which seemed to eat up every penny, was nearly due again, and little Eddie had been sick for a week, hindering his mother from going out to her regular day’s work, so that times were harder than ever before.

On Monday morning Jamie had started out with a brave heart, sure that for a strong and willing boy of twelve, there must be plenty of work to do; but now it was Thursday evening, and though he had tramped faithfully from morning till night, no steady work could be found, only a few odd jobs; which, though his mother told him would help a great I deal, seemed very small compared with what he had meant to do. It seemed hard to have to go home and say that he had failed again. This was why he loitered by the way, and tried to fill his mind with other things.

“I’ll go this way,” he said at last, dashing down the less familiar street. “Who knows what may happen?”

What “happened” was that the hostler at the great stone house on the corner, who had been kind to Jamie, called to him as he passed to ask if he would take a note to his cousin Mary Ann who lived at Mr. Stewart’s on the next corner.

Of course Jamie was glad to accommodate him and made all speed to the great house of whose gardens he had often wished he could get a closer view. A game of tennis was in progress here. Jamie stood a moment watching the graceful movements of the players; wondering, meantime, which way to turn to find Mary Ann. Presently the lady who seemed to be the chief one of the group noticed him, and he made known his errand.

“Mary Ann? Oh, yes, she is in the laundry, I think; or no, she is  probably upstairs by this time. Wait a moment, my boy, and I will see if I can find her,” and she took her turn in the game.

“Are you in haste?” she asked presently, turning to him with the pleasantest smile Jamie thought he had ever seen in his life.

“Oh, no, ma’am,” he said, returning the smile, “I’m never in a hurry.” His face sobered instantly as the fact that he had no work to make him feel in haste, came back to him unpleasantly. It appeared that the game was very near its close; a few more turns, and with much laughter and many pleasant words the players said good-night, leaving the young lady and Jamie alone. He was glad that her side had beaten.

Original illustration by Childe Hassam for the story "Which Way?"
Original illustration by Childe Hassam for the story “Which Way?”

She turned toward him, smiling. “So you are never in a hurry; that must be a rather pleasant state of things.”

“I don’t know, ma’am,” said Jamie again. “I guess I’d like to have a chance to be in a hurry.”

“Would!” with lifted eyebrows and an amused, questioning look. “That is strange! I’m in a hurry a great deal of the time, and I don’t enjoy it always. There is Mary Ann at this moment.” She signaled the red-faced Irish girl to approach, and Jamie delivered his note, then turned to go, having made a respectful bow to the lady. But apparently she was not through with him.

“Why do you go away so soon, if you are never in a hurry?” she said pleasantly.

“Why, I’ve done my errand,” said Jamie, “and I supposed the next thing was to go.”

“Why shouldn’t the ‘next thing’ be to come and look at my roses? Bright red and yellow ones. You like them, don’t you? In the meantime you can tell me how you manage it so as not to be in a hurry.”

Jamie followed her with great satisfaction, but finding she waited for his answer, said:

“Why, you see, ma’am, the way of it is, I’ve got nothing to hurry about, and I wish I had. I’ve been hunting for work for three days as steadily as I could, and haven’t found any yet, and am not likely to. That was what I meant.”

“Oh! I understand in part, but I should think your lessons would give you almost enough to do without a great deal of work.”

“I’m not in school, ma’am,” said Jamie, speaking low. “There are reasons why I can’t go very well; mother needs me to help earn the living, so I’m looking for a chance.”

“I begin to understand quite well. What sort of work do you want?”

“Any sort under the sun that I could do; and I could learn to do anything that other boys do if I had a chance,” he said eagerly.

“Such as weeding in a garden, for instance, and picking strawberries and peas? How long do you think it would take you to learn such work?”

“I was born on a farm, ma’am; mother only moved here this spring. It’s just the kind of work I’ve been looking for, but I can’t find any.”

“That is simply because you didn’t come to the right place. My mother has been looking for you all day. I dare say at this moment she is wishing you would come and pick some strawberries for tea, and I’m sure I do, for if you don’t I’m much afraid I shall have to do it myself. I think we would do well to go at once and talk to her about it.”

Jamie, as he followed her up the steps of the broad piazza, his heart beating fast with hope, told himself that he had never seen a sweeter lady in all his life.

Afterwards, while they were picking the strawberries—for she went with him to “show him how,” she said with a merry smile—he told her how he came to take the road home which led past her door; and then, in answer to her questions, how he was led into that train of thought by the earnest words which the strange young man said to him that morning.

“So you carried my brother Harvey’s satchel, did you?” she said, with a bright look on her face. “Very well; one of the ‘little things’ he told about has happened to you. Now you are sure of plenty of work about this house as long as you want it, provided you are a faithful, honest boy, as I seem to know you will be. I think I must have been looking for you; but I’ll tell you what I think, my boy; I don’t believe it is a happen at all. I believe your Father sent you.”


You can click on the cover images to find out more about the books mentioned in this post.


Cover_Cross Currents    Cover of Miss Dee Dunmore Bryant    Cover of Twenty Minutes Late

 

A Real Judge Burnham’s Daughter

Cover_By Way of the WildernessIn her novels, Isabella often wrote about the unique challenges of being a step-parent.

In By Way of the Wilderness, Wayne Pierson saw his new step-mother as an interloper and a rival for his father’s attention, causing much heart-ache for himself and his family.

Cover of Ruth Erskine's CrossesRuth Erskine, the main character in Ruth Erskine’s Crosses, disliked her step-mother to the point of being ashamed of her; and when Ruth later married a man with two daughters of his own (in Judge Burham’s Daughters), Ruth taught her step-children proper manners, but failed to address their spiritual needs.

Like all Isabella’s novels, By Way of the Wilderness and the Chautauqua Books were allegorical stories, written to convey specific messages and lessons about living the Christian life.

But what many people don’t know is that Isabella was herself a step-mother. When she married Gustavus “Ross” Alden in 1866, Ross had a ten-year-old daughter from his first marriage to Hannah Bogart.

Like Ross Alden’s family, Hannah’s ancestors were among the earliest emigrants to America; her ancestors arrived as far back as 1652 and settled the New Netherlands (now New York) in the time of Peter Stuyvesant.

Ross and Hannah met in New York and married when they were both in their early twenties. Nine months later, little Anna Maria Alden was born. Tragically, Hannah died just two months later.

Death notice of Hannah Bogart Alden. From the New York Daily Tribune, November 19, 1856.
Death notice of Hannah Bogart Alden. From the New York Daily Tribune, November 19, 1856.

Very few records exist to tell us how Ross coped with the daunting responsibility of raising an infant daughter after the death of his wife. We do know he stayed in New York, close to where Hannah’s family lived, and probably had much help from them. Census records show that by the time little Anna was four years old, she was living with her maternal grandparents, without Ross.

St. Andrews Church, Richmond. New York. Here Hannah Bogart Alden was buried, and Ross and Anna were baptized.
St. Andrews Church, Richmond. New York. Here Hannah Bogart Alden was buried, and Ross and Anna were baptized.

Three years after Hannah’s death, Ross made a decision that would influence the rest of his life. He “united with the Reformed Church in Richmond, Long Island”—the same church, which, for generations, had been the church of Hannah’s family—and he began laying the foundation for becoming a minister.

Membership records from the Dutch Reformed Church of New York.
Membership records from the Dutch Reformed Church of New York.

Ross was baptized, and a few months later his daughter Anna was baptized in the same church.

Baptism records from St. Andrews Church, Richmond, Staten Island, New York.
Baptism records from St. Andrews Church, Richmond, Staten Island, New York.

While Anna remained with her grandparents, Ross moved 300 miles away to begin studies at Auburn Theological Seminary. There he met Isabella Macdonald, who was visiting her sister Marcia and brother-in-law, Charles Livingston, who was also a theology student.

An 1863 Union Army record showing Ross Alden's registration for the draft. He lists his occupation as "student."
An 1863 Union Army record showing Ross Alden’s registration for the draft. He lists his occupation as “student.”

Ross and Isabella fell in love and married in 1866, the same year Ross graduated. The evening of their wedding day they boarded a train and left for Ross’s first church pastorate.

None of the records about that happy and blessed day mention whether Ross’s ten-year-old daughter Anna was at the wedding. Isabella’s good friend Theodosia Toll Foster was there, though, and that may have been the occasion when Theodosia and Anna met. Theodosia had younger sisters, the youngest of whom was just about Anna’s age.

Undated photo of Theodosia Toll
An undated photo of Theodosia Toll Foster

Though we can’t be certain when exactly Theodosia and Anna met, but we do know that very soon after Ross and Isabella’s marriage, Anna went to live with Theodosia at the Toll homestead in Verona, New York.

While Ross and Isabella led an almost itinerant life, moving from one church to another every two or three years, Anna enjoyed a very stable home life with Theodosia and her sisters. They called Anna their “truly sister” and she quickly became a much-loved and integral member of the family.

When Anna was 16, she lived with Ross and Isabella in Cooperstown, New York, where they were in charge of yet another congregation. And when Ross and Isabella moved two years later to New Hartford, New York, Anna went with them … as did the entire Toll family. Theodosia, her elderly father and her younger sisters all moved to New Hartford. There Theodosia put her talents for teaching to good use. She and her sisters set up a boarding and day school, and their journals reveal that Anna helped run the enterprise.

By then, Ross and Isabella had a son (two-year-old Raymond), and Isabella’s mother and sister Julia were also living with them in New Hartford. It must have been wonderful to have had their large, extended family so close together again!

The 1875 Federal Census showing the members of the Alden household in New Hartford, New York.
The 1875 Federal Census showing the members of the Alden household in New Hartford, New York.

But their reunion didn’t last long. Within months, Ross received a call to minister at a church in Indiana. Once again he and Isabella left New York for a new city. This time, 20 year old Anna stayed behind with Theodosia.

There is only one other instance recorded of Anna living with Ross and Isabella. When the 1880 Federal Census was taken, Anna was 24 years old and the Census shows her living with Ross and Isabella in Cumminsville, Ohio (a suburb of Cincinnati), where Ross had a church. That same year, Alida, the youngest of Theodosia’s sisters, wrote in her journal that she was excited over an upcoming trip to visit Anna in her Ohio home.

Sometime after that visit in Cumminsville, Anna once again returned to New York to live with the Tolls. And when the Toll sisters closed their school in New Hartford and returned to their home town of Verona, New York, Anna went with them; and there she remained for the rest of her life.

In Verona Anna was a long-time member of the Presbyterian Church, and she was deeply involved in church matters. Friends described her as “a consistent Christian woman” who “won the sincere love and respect of all who knew her.

Anna was just 57 years old when she passed away from complications of pneumonia. Theodosia’s sister Eunice marked the sad day in her journal with the notation, “Our Anna died.”

Obituary of Anna Alden. From the Rome Daily Sentinel, December 21, 1914.
Obituary of Anna Alden. From the Rome Daily Sentinel, December 21, 1914.

Unfortunately for us, none of Isabella’s correspondence with Theodosia has ever been found, so we cannot know the initial reason Anna first went to live with the Toll family; but we do know, from records that do exist of her life, that no matter where Anna lived, she was very much loved by her family and community.


You can click on the links below to read previous posts about:
Ross Alden and his connection to the Mayflower
The day Isabella and Ross met
Isabella’s early years of marriage
Isabella’s friendship with Theodosia

New Free Read: A Modern Sacrifice

Dancing 06Isabella Alden’s 1899 novel, A Modern Sacrifice, is about Kissie Gordon, the daughter of a minister, who had been raised to live according to the Bible’s teachings. But when Kissie’s father dies, she and her mother move to the city, where Kissie is quickly sucked into a whirl of social pleasures she’s never known before. Soon her world revolves around dancing and parties and playing cards.

Isabella wrote the story at a time when most Christian denominations denounced or forbad dancing of any kind. Ministers preached against dancing and wrote tracts about the hidden evils of dance.

Dancing 01

Isabella referred to those tracts in A Modern Sacrifice. In the story, Kissie tries to convince her friends to give up dancing by loaning them a book that warns against the promiscuous influence dance can have on young people.

Harrison Fisher_ Ladies Home Journal 1911 02-01The idea that dancing was a gateway to promiscuity was not new. In his 1893 book Modern Dancing; in The Light of Scripture and Facts, the Reverend William W. Gardner warned that dancing “nourished passion and sensual desires” and “leads to the seduction and ruin of the innocent.”

That was pretty strong language for Victorian times; and in A Modern Sacrifice, the mothers of Kissie’s friends were offended that Kissie—a well-brought up young woman—would own a book that contained such vulgar terms.

Ministers who preached against dancing found an ally in the New York City Chief of Police, who reported that three fourths of the “abandoned girls of that city were ruined by dancing.” His simple statement was held up by clergymen as proof of a link between dancing and prostitution.

Dancing 08

The waltz earned the most condemnation from churches. “It excites great physical intimacy among young men and young women, which should only exist between those whom wedlock has united,” declared Rev. A. B. Riker of the Fourth Street Methodist Church in his series of discourses condemning popular social pastimes.

Even the humble square dance was prohibited:

“The square dances create a taste for the round dances and, usually, if not invariably, lead to them. The step is so easily taken from apparently innocent dancing to that which is free, indecent, amorous and licentious, that a tender conscience will find it safest to reject all.”

 Dr. Archibald Alexander
Professor, Princeton Theological Seminary

Dancing 09

In A Modern Sacrifice Kissie Gordon finally comes to realize how far she has strayed from her upbringing; and once Kissie saves herself from society’s extravagances, she vows to try to save her friends, too, by organizing her own social event that soon has all of society talking.

Cover_A Modern Sacrifice 02You can read A Modern Sacrifice; the Story of Kissie Gordon’s Experiment for free. Click on the book cover to begin reading.

Would you like to read a popular 1893 tract on the perils of dance? Click here to read Modern Dancing; in the Light of Scripture and Facts by Rev. W. W. Gardner, D.D.

A Diet of Doughnuts

One of the interesting things about reading Isabella’s books is the window they give us into how people lived between 1870 and 1920. From fashion to modes of travel, Isabella’s stories chronicle how different her daily life was from our modern lives today.

Donuts-Crisco ad 1915

One noted difference is how people ate around the turn of the 20th Century. Back then meat, vegetables and potatoes were diet staples; and when one of those ingredients was lacking, people relied on affordable food, like johnny-cakes, to fill their stomachs. Sally Lunn cakes helped celebrate special occasions; but of all the foods that Isabella mentioned in her books, it was the humble doughnut that appeared on the menu most often.

Donut lard ad-Boston Cooking School Magazine 1913

Because they were small and easily transported, children took doughnuts to school for their noon meal. When Wayne Pierson took the job of teacher in a small town in By Way of the Wilderness, he toured the school-house and found it somewhat lacking:

He had taken in each dismal detail—the air of desolation, the hacked desks, the smoky walls, the grimy windows, and the indescribable odor adhering to an old schoolroom: odors made up of generations of lunches—bread-and-butter, and headcheese, pie, and doughnuts.

Donuts 1916 Crisco ad

And in A New Graft on the Family Tree, a kind farmer’s wife fed wandering John Morgan breakfast, then gave him a pocket-full of doughnuts to take along on his journey.

Dusted with sugar, doughnuts were also served as a dessert.

Scott Towels ad 1915

 

In Christie’s Christmas, a generous farm family fed the passengers on the nearby stalled train with:

Bread and butter, piles of it; a soup-plate piled high with slices of ham, thin, and done to a crisp, and smelling, oh, so appetizing! Sheets of gingerbread, great squares of cheese, a bowl of doughnuts, another bowl of quince sauce, and a pail full of milk.

Ad 1919

And in David Ransom’s Watch, Hannah Sterns served the neighborhood boys’ literary club “doughnuts, or cookies, or seed cakes, or the ever popular tea-cakes. Scarcely a meeting of the club that winter but some dainty was offered in Harlan’s name in the way of refreshment.”

At Ermina’s wedding in Household Puzzles, the family couldn’t afford to serve cake, but they had doughnuts and “delicious coffee to drink with them.”

Donut making illustration Good Housekeeping Jan 1907

Today we think of doughnuts as a breakfast food for the most part, but in Isabella’s time, doughnuts—from humble and plain to cake-like confections—were served with almost any meal.

You can read previous posts about other food items mentioned in Isabella’s books:

Delicious Johnny-cakes
Sally Lunn at Mount Vernon

The Pansy Magazine

For over twenty years Isabella Alden and her husband edited a children’s magazine called The Pansy.

Pansy Cover 1886 Jul

 

Each issue was filled with inspiring stories, delightful illustrations, short poems, and descriptions of exotic and far-away places to spark children’s imaginations. Published by D. Lothrop and Company of Boston, the magazine was first produced as a weekly publication, and later changed to a monthly.

D. Lothrop and Company sales room

 

Editing and writing for the magazine was no easy undertaking and Isabella’s entire family pitched in to help.

Pick up any issue of The Pansy and you’ll find stories by Isabella’s sisters, Julia Macdonald and Marcia Livingston, or her best friend, Theodosia Foster (writing as Faye Huntington).

Margaret Sidney, famous for the Five Little Peppers books for children, published some of her books as serials in The Pansy, as did author Ruth Ogden. Even Isabella’s brother-in-law Charles and beloved niece Grace Livingston (before her marriage to Reverend Frank Hill) contributed stories.

The 1881 cover of The Five Little Peppers and How They Grew by Margaret Sidney
The 1881 cover of The Five Little Peppers and How They Grew by Margaret Sidney

 

Isabella’s son Raymond wrote poems, and her husband Reverend Gustavus “Ross” Alden contributed stories and short homilies like this one:

Don't Gossip. Children, avoid this evil. I am pained every day at seeing the work which mischief-makers do. Someone has compared this evil to pin-making. “There is sometimes some truth, which I call the wire. As this passes from hand to hand, one gives it a polish, another a point, others make and put on the head, and at last the pin is done.” The Bible speaks much against mischief-making, and I would advise you to collect all the verses in this book, bearing on this subject, and commit them to memory, and then I do not think you will ever be guilty of this sin. Remember, my little friends, that you can never gather up the mischief you may do by gossip.

 

Sometimes, the family banded together to write stories for the magazine. In 1886 each family member—Isabella, Ross, Marcia, Grace, Raymond, Theodosia, and Charles—took a turn writing a chapter of a serial story titled  “A Sevenfold Trouble.” In 1887 they continued their collaboration by writing a sequel titled, “Up Garret,” with each writer again  producing a different chapter. In 1889 the combined stories were published as a book titled A Sevenfold Trouble.

An original illustration for A Sevenfold Trouble, published in an 1887 edition of The Pansy.
An original illustration for A Sevenfold Trouble, published as an 1887 serial in The Pansy.

 

Isabella also previewed some of her own books by publishing them as serial stories in the magazine. Monteagle and A Dozen of Them first captured readers’ hearts in the pages of The Pansy.

Cover of 2015 e-book edition of Monteagle

 

The magazine was a resounding success. Thousands of boys and girls from around the world subscribed. Many children grew to adulthood reading the magazine, as Isabella remained at the helm of The Pansy for over 23 years.

Next week: The Pansy Society

A Gift for the New Minister’s Wife

In a newspaper interview, Isabella once confided her method for coping with troubling events that upset her:

Whenever things went wrong, I went home and wrote a book about it.

Bonnet 02 The Delineator Apr 1900Many of the trials she weathered in real life ended up as turning points for characters in her books. One such situation occurred when Isabella was a young bride and was working hard to make a good impression on her husband’s new congregation.

About a week after she and her husband arrived at a new church where he was to minister, Isabella received a gift from a member of the congregation. It was a “pitiful little bonnet,” clearly made out of the sleeve of an old brown dress. Whoever fashioned it had not tried to hide the wrinkles and pin holes still visible from the bonnet’s former life as a dress.

“In my ignorance [I supposed] it to be a love-gift from some dear old poverty-stricken soul.”

So Isabella, filled with gratitude, wore the unattractive bonnet to church the very next Sunday. There she discovered the truth: the person who made the hat and gave it to Isabella was the wealthiest woman in town. She’d sent it to Isabella because she deemed Isabella’s own bonnet was “too gay for a minister’s wife!”

Hat Box edIt was a stinging insult, and, like she always did, Isabella used her pen to write about it in her novel, Aunt Hannah and Martha and John.

In the book, Martha Remington was, like Isabella, the newly-wed wife of a new minister. And Martha, too, received a gift from a wealthy lady in the congregation.

When the bandbox was opened, she struggled with her inward conviction that she ought to feel grateful. Therein lay a bonnet—a very remarkable one. It was made of mixed green and black silk, shirred after the fashion of our grandmothers. Some of the shirrs had been laid in the old creases, and some had not. Between every third row came an obstinate crease, made in the times when the silk did duty as a dress sleeve—a crease that refused to be covered with stitches, or ironed out, but told its tale of “second-hand” as plainly as though it had a tongue.

Bonnet from The Delineator Apr 1900Poor Martha thought the black and green bonnet was “grotesque,” and she didn’t know whether to laugh or cry when she looked at it. But she did know one thing: she would not wear it to church!

As the story progressed, one of the ladies who created the ugly bonnet confronted Martha on Sunday after church, and added further insult to injury by demanding to know why Martha was still wearing her usual hat, instead of the gift the ladies had sent. Martha’s reply was friendly, but dignified—a response that was much different than Isabella’s reaction had been in real life.

Isabella later said that writing about the bonnet helped heal the woman’s hurtful actions, and, eventually, she was able to look back on it all with humor … possibly because writing about the woman’s insult really did help her see the whole incident in a more forgiving light.

Cover_Aunt Hannah and Martha and JohnYou can read more about Martha and the “grotesque” bonnet in Aunt Hannah and Martha and John. The book also contains a few more examples of awkward situations Isabella encountered in her years as a minister’s wife.  Click on the book cover to learn more.

Isabella’s Christmas Tradition

When Isabella wrote Missent; the Story of a Letter, she created a heroine named Sarah Stafford. Sarah was strong, yet sympathetic; wealthy, but lonely, too. Alone in the world, Sarah yearned for a family, which is one of the reasons she decided to rent rooms as a boarder in the home of the Dennison family.

LadiesHomeJournal1898 edThere Sarah spent Christmas day with the family and took part in their Christmas celebration and fun. In the book, the family made a game of distributing gifts by making up rhymes and riddles, and having the recipient guess what the gift was before it could be opened.

That game was actually part of Isabella’s real family tradition. The entire family gathered together at Christmas—Isabella, with her husband and son; Isabella’s mother and sister Julia; her sister Marcia, with her husband Charles and daughter Grace.

On Christmas morning, there were many gifts to be opened, “nearly all of them quite inexpensive, most of them home-made, occupying spare time for weeks beforehand; occasionally a luxury, but more often a necessity, a little nicer perhaps than would have been bought at an ordinary time because it was Christmas.”

Gifts 01

Isabella’s niece, Grace Livingston Hill, remembered those family Christmas mornings with love. “Our Christmases together were happy, thrilling times.”

Grace also described the process they used for handing out the gifts:

The ceremony of distribution was a long delight, because it was a rule that each present, no matter how small, should be accompanied by an original poem or saying that was appropriate to the gift, the giver or the receiver. The rite lasted usually far into Christmas morning, with shouts of laughter over each reading, and Aunt Julia, or Grandma, or one of the others would frequently have to be excused and the ceremonies held up for a few minutes while the turkey was basted, or the mince pies taken out of the oven, filling the house with delicious Christmas odors.

Food fruit cake 1922 ed

It was on one of those Christmas mornings that Isabella gave her niece a gift that would influence her life: one thousand sheets of typewriter paper. With the paper was a note, wishing Grace success with her writing and encouraging her to “turn those thousand sheets of paper into as many dollars.”

An early, undated photo of Grace Livingston Hill
An early, undated photo of Grace Livingston Hill

At the time, Grace was just beginning to write bits of stories with no thought of ever trying to publish them. But Isabella’s gift changed that.

It was the first hint, Grace later wrote, that anyone thought she could write professionally.

Cover_Missent v2 resizedIt’s no wonder that Isabella used her own experience to write about Sarah’s Christmas with the Dennisons in Missent; the chapter was completely based on her happy and love-filled Christmas mornings with her own family. You can click on the book cover to learn more about Missent; the Story of a Letter.

Do you have a Christmas tradition that brings your family together? Please share it in the reply section below.

Now Available: Christie’s Christmas

Christie’s Christmas is now available!

Cover_Christies Christmas v1 resizedChristie Tucker’s parents have given her the most wonderful Christmas present ever. For the first time in her life, Christie will ride the train to town to spend Christmas Day with her Uncle Daniel and his family.

For Christie, it’s a dream come true, and a day of surprises. For that simple train ride soon becomes an adventure, filled with remarkable people. And Christie’s simple acts of kindness to her fellow travelers, done in Jesus’ name, result in blessings too numerous to count.

This edition of the 1884 classic Christian novel is available at these e-book retailers:

Amazon Kindle   Kobo Button   Barnes and Noble button

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October 30th – November 2nd
Promo Code: UK50SALE

Kobo ButtonNow’s your chance to save on Isabella Alden and Grace Livingston Hill titles, as well as many other Kobo e-books. Click on the Kobo link to go directly to their site. Happy shopping!

 

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