Are College-educated Women Good Home-makers?

That was the question that was being debated across late-Victorian America. It was a timely subject; while higher education for women was still a relatively young movement, women were rapidly proving their intellectual competence in colleges across the country.

In 1896 a Christian magazine put the question to three prominent Christian women writers and leaders of the era. You may recognize their names:

Elizabeth Stuart Phelps-Ward (1844-1911) was one of the most famous and best-selling American authors of the late 19th century. She was also a passionate advocate for women’s rights and financial independence, making her one of the most visible feminist voices in Christian literature.

Black and white photo of Elizabeth Stuart Phelps-Ward about 18905. Seated in a chair, her face in profile. Her hair is drawn back and arranged in a modest chignon. She wears a dark gown with a white ruffle trimming the cuffs of her long sleeves and a high color.
Elizabeth Stuart Phelps-Ward (Wikimedia Commons)

Mrs. James L. Hill (Lucy B. Dunham Hill) was an author, speaker, and Christian leader. Married to a prominent Congregational minister and leader of the Christian Endeavor movement, Lucy was a strong advocate for women’s involvement in Sunday school work, missionary societies, and national Christian assemblies.

Grace Livingston Hill (1865-1947) was Isabella Alden’s niece and a giant in Christian fiction. In 1896 Grace was just beginning her prolific career and was deeply involved in the Christian Endeavor movement. With her husband she wrote a popular guide for leaders of Christian Endeavor meetings. Over the course of her life, Grace would write over 100 beloved novels that seamlessly blended themes of romance, faith, and practical Christian living.

When it came time to answer the question “Are college-educated women good homemakers?” each woman took a difference approach.

Elizabeth Stuart-Phelps-Ward felt it was “too early to judge” because female-only and co-educational universities had only recently sprung up. However, she felt no one could doubt that a woman’s intellect could “bear the strain” of obtaining a college degree.

Mrs. James L. Hill answered the question with a balanced “No and Yes.” If higher education caused a student to lose her femininity or feel she was above domestic duties, then her answer was “No.” But if a woman used her education to embrace full “comradeship in marriage,” recognized good housekeeping as a virtue, and retained a true love for the home, then her answer was a resounding “Yes!”

A sketch of Mrs. James L. Hill in profile.
Mrs. James L. Hill in 1900.

As always, Grace Livingston Hill brought a refreshing, practical, and spirited perspective to the discussion. Instead of defending college on its own merits, Grace cleverly turned the argument back on her critics by contrasting a college education with a “society life.”

She wrote:

“It is sometimes said that a college life gives a girl tastes that unfit her to be a home-maker, yet you do not hear it often urged that a society life does the same thing. Surely in society she will acquire tastes for being out late at night dancing, flirting with other women’s husbands, spending her energies over bits of paste-board while the household accounts run riot, dropping her tears for the dressed-up children on the stage while her own little ones are crying at home for their mother.”

Grace argued that the “earnest purpose, patience, and perseverance” required to earn a college degree meant she could apply those same qualities to managing the care and strain of running a home. She added that a mother whose mind had been broadened by science, literature, and history would ultimately be far better equipped to train her children “for all higher and better things.”

Grace Livingston Hill Lutz about 1910

Much like her Aunt Isabella, Grace believed that higher learning was not an obstacle to faith and domestic life, but a valuable tool to enrich it.

What makes this 1896 article so interesting is how clearly it shows the changing roles of women in the late 19th century. Just like Isabella herself, the three women quoted in the article actively demonstrated that a woman could be intellectual, articulate, and deeply devoted to Christ and home.

And Grace’s defense of the disciplined college graduate over the frivolous society girl feels just as insightful today as it did when she wrote it 130 years ago!

Originally published in The Golden Rule magazine, the article was syndicated and published by different newspapers, including The American Israelite. You can read the entire article here in its original form, followed by a transcript.

New Free Read: “Deacon Bates’ Wife”

Marcia Livingston, Isabella’s sister, was a widely published author whose work appeared in magazines and newspapers across the country. While she often wrote stories for young children, her stories about the trials and joys of marriage are true to life, charming, and inspiring.

Marcia’s story “Deacon Bates’ Wife” is about appreciating the ones we love, recognizing their burdens, and taking the time to look at them with fresh eyes.

When “Deacon Bates’ Wife” was published in newspapers in 1892 it was very well received. One New York newspaper editor added this thoughtful introduction:

“The following story … conveys an admirable lesson. We commend it to the considerate attention of all “good men” who have “over-worked wives.”

Deacon Daniel Bates takes great pride in his thrifty, hard-working wife, Cynthy, unaware that decades of unceasing labor have taken a toll on her spirit. It takes a keen-eyed summer guest and a dose of plain speaking to open the deacon’s eyes before it’s too late.

YOU CAN READ “DEACON BATES’ WIFE” FOR FREE!

Choose the reading option you like best:

Read on your device: You can read the story on your computer, phone, tablet, Kindle, or other electronic reading device. Click here to download your preferred format from BookFunnel.com.

Print & Share: Select BookFunnel’s “email” option to receive an email with a PDF version you can read, print, and share with friends.

A Novel Celebration

One hundred years ago, J. B. Lippincott Company published two new novels by Isabella’s niece, Grace Livingston Hill: A New Name (her 43rd novel) and Coming Through the Rye (her 44th novel).

The Philadelphia Inquirer, March 27, 1926

The mid-1920s were an interesting time for an author like Grace. While literary critics enthusiastically praised modernist writers like Ernest Hemingway and F. Scott Fitzgerald, everyday readers continued to turn to Grace for something entirely different: comfort, clear moral lessons, and stories that reminded them that life could have a noble purpose.  

Evening Express, Portland, Maine, September 28, 1926

Community reading groups like the Riverside Reading Circle in Bridgeport, Connecticut, frequently placed her latest releases right at the top of their schedules:

Newspaper clipping: The last meeting of the season of the Riverside Reading Circle, will be held at the home of Mrs. Emma D. Chase, Maple street, Monday evening, May 24, at eight o'clock. The Circle has just completed the reading of Grace Livingston Hill's latest work, "A New Name" and Monday night's meeting will be for the purpose of closing up all business affairs of the year. Meetings will be resumed in the fall.
The Bridgeport Telegram, May 24, 1926.

That enthusiasm wasn’t limited to the 1920s. Decades later, readers were still discovering her work for the first time—and realizing their mothers and grandmothers had loved her, too. In April 2000, a newspaper in Kentucky published an article by a feature writer named Nancy Taylor, who wrote:

I discovered a small volume, Coming Through the Rye, and enjoyed it so much, I mentioned it to my mother as if I were telling her something she didn’t know.

“Grace Livingston Hill!” she said. “I’ve read so many of her books I don’t know where to begin. Matched Pearls is one of my favorite stories ever.”

Newspaper Ad: "COMING THROUGH THE RYE By Grace Livingston Hill. It's pretty hard for a girl to discover that her father is a bootlegger. And if the girl is as lovely as Romayne Ransome, it's equally hard for a young inspector do do his duty. But let the path "trough the rye" be ever so beset with misunderstandings, it always ends in lovers' meeting. Romance charming as the old song. $2.00 at all Bookstores. J. B. LIPPINCOTT CO., Philadelphia.
Chicago Tribune, September 25, 1926.

Ms. Taylor went on to write:

My great-grandmother read them, my grandmother read them, my mother read them, I’ve read them, and my daughter reads them.

Black and white photograph of Grace Livingston Hill in profile. with this caption: Grace Livingston Hill, in her new story, "Coming Through the Rye," touches the all important subject of bootlegging. She has written a great  many stories, some twenty or more, and they are always of a more or less religious nature.
St Louis Globe-Democrat October 16, 1926

The old adage, “the more things change, the more they stay the same” is still true. Grace’s novels continue to hold the same place in readers’ hearts today as they did in 1926, and every year since. Perhaps Ms. Taylor said it best in the closing lines of her article published twenty-six years ago:

Where there is discouragement in the world, Grace sowed encouragement. Where there is yearning, Grace sowed hope, and she did it across generations. It is such a comfort to know that words which so long ago inspired our great-grandmothers are today an inspiration for our daughters. Grace Livingston Hill is the author of that gift.

LEAVE A COMMENT AND TELL US:

DO YOU SHARE GRACE LIVINGSTON HILL’S BOOKS WITH OTHERS?

DID YOU BECOME A FAN BECAUSE SOMEONE SHARED THEM WITH YOU?

New Free Read: “A Happy Summer”

Today Marcia Macdonald Livingston is widely known as the mother of beloved Christian novelist Grace Livingston Hill and the older sister of Isabella “Pansy” Alden; but Marcia was actually a talented, well-published author in her own right. She wrote uplifting stories for readers of all ages, and this month’s free read is a wonderful example. Although “A Happy Summer” was written with children in mind, Marcia’s warm, engaging writing style makes this a meaningful and entertaining read for adults, too.

For sisters Jessie and May, life in a hot, cramped city attic makes the country feel like a distant dream. With their widowed mother working day and night to keep a roof over their heads, a summer filled with green fields and fresh air seems impossible. But when an unexpected act of kindness opens the door to a new life in the quiet village of Woodbury, the Wilson family discovers the joy of answered prayers and the simple beauty of nature.

Originally published in an 1883 issue of The Pansy magazine, this special edition of “A Happy Summer” includes the original artwork published with the story, so you can read it in the same way Victorian children first enjoyed it!

YOU CAN READ “A HAPPY SUMMER” FOR FREE!

Choose the reading option you like best:

You can read the story on your computer, phone, tablet, Kindle, or other electronic reading device. Just click here to download your preferred format from BookFunnel.com

Or you can select BookFunnel’s “email” option to receive an email with a PDF version you can read, print, and share with friends.

Mr. Moody’s Bible Class: Lesson 9 – The Greatest Virtue: Love

Dwight L. Moody was one of the most beloved evangelists of the nineteenth century, who preached to millions on both sides of the Atlantic. For Isabella Alden, Mr. Moody was more than a famous name; he was part of her world.

Dwight Lyman Moody (portrait by Edward Clifford)

The connection ran deep in her family. Isabella’s uncle, Horatio Spafford, was a close personal friend of Mr. Moody’s, a supporter of his evangelistic campaigns, and a fellow laborer in Chicago’s Christian community. It was a personal letter from Moody (then preaching in Europe) that invited Horatio and his family to join him in England in 1873, a voyage that ended in tragedy and gave the world the hymn “It Is Well With My Soul.” Mr. Moody himself traveled to be with the grieving Spaffords in the aftermath of that loss. (You can read more about that here.)

Closer to home, Mr. Moody was a contributor to Isabella’s own work. In 1897 — the same year he was writing these monthly Bible lessons for a popular women’s magazine — he contributed a piece on prayer meetings to a Christian magazine Isabella edited, a collaboration that speaks to the mutual respect and shared mission between them.

What makes lesson nine of Mr. Moody’s Bible Class so interesting is that its central message was one Isabella had been sharing for decades in her stories and novels. Mr. Moody teaches that love is not a feeling reserved for the lovable — it is the very essence of God, extended unconditionally to the unworthy, and expressed in small acts of grace that leave impressions that last a lifetime.

If you have read any of Isabella’s novels, you’ll recognize that theme immediately. Her stories are populated with difficult people — the prickly neighbor, the harried, impatient mother, the unlovable child, the proud and self-righteous churchgoer — and her heroes and heroines choose to love them anyway, to speak a kind word, and to see the person beneath the surface. Isabella was writing fiction; Mr. Moody was preaching theology; but they were both saying the same thing.

In his ninth Bible class, Mr. Moody explains how God’s love differs from man’s love, and he shares the ultimate way in which we can show our love for God in return.

YOU CAN READ LESSON NINE FOR FREE!

Click here to download a large-print PDF version you can print or share with friends. Then, join us again on July 28 for Lesson Ten of Mr. Moody’s Bible Class.

If you missed Lessons One through Eight, you can find them by clicking here or on the Free Reads tab above.

Everybody Likes Grace!

If you grew up prior to the 1990s, you may remember what life was like before the Internet brought the world into our homes. If you wanted to research a topic, get help solving a riddle, or find the latest best-seller, you went to your local library.

Librarians were the original “human search engines” of their communities. They were masters of the card catalog, date-stamped every book checked out and returned, and stood ready with recommendations to help neighbors find the perfect “good book” to read.

In Marion, North Carolina, county librarian Alice Bryan shared the joys and quirks of her librarian job in a weekly newspaper column. She quickly noticed that readers had some very unique strategies for choosing their next read!

From the “Marion Progress” newspaper, 1946.

When one lady in the library asked, “How can I tell a good book when I see one?” another patron quickly spoke up: “See how many names are on the card!”

(For our younger readers: back then, every book contained a paper card that patrons physically signed when checking it out. A card packed full of names was the ultimate 1940s version of a five-star review!)

Other readers chose books based on its physical characteristics. “Lightweight books are the best,” one lady told Alice, while pre-schoolers often picked their books by size—the bigger, the better!

But when patrons weren’t judging books by their weight or size, an equally large number asked for them by author. Popular authors like Zane Grey, Agatha Christie, and Mary Roberts Rinehart were always in demand—but there was one name Alice Bryan saw flying off the shelves more than any other: Grace Livingston Hill.

LIBRARY NOTES BY ALICE BRYAN. "What types of books are most popular at the library?" asked one of our readers. "Light fiction," I replied. "Books by Grace Livingston Hill and Zane Grey are most called for."
From the “Marion Progress” newspaper April 3, 1947.

Alice frequently highlighted Grace as a reader favorite for “light fiction.” The appeal of Grace’s books even seemed to cross generations. One day Alice overheard this conversation between a group of sixth-grade girls at the library:

LIBRARY NOTES BY ALICE BRYAN. "Are all those your books?" asked a young sixth grader of her companion. "No," replied her friend, "I picked two out for my mama so she'd let mine alone." "I wouldn't know how to pick out books for my mother," volunteered another younger child waiting at the circulation desk to sign for two books for herself. "That's easy," replied the older girl. "I get Grace Livingston Hill's books. Everybody likes those!"
from the “Marion Progress,” April 17, 1947.

By the mid-1940s, Grace Livingston Hill was at the absolute peak of her writing career with almost one-hundred beloved novels to her credit. In an uncertain, complicated post-World War II climate, readers eagerly sought out her stories for their comfort, warmth, and reliable messages of eternal hope.

Of course, long-time readers of this blog know that Grace’s writing talent was practically a family trait—she was Isabella Alden’s cherished niece. Both women shared a remarkable gift for understanding what readers needed most. By seamlessly weaving messages of faith and comfort into their stories, they ensured that current and future generations of readers knew exactly where to turn for a truly “good book.”

A Treasured Autograph

Have you ever asked a famous person for their autograph?

After seeing a play, did you ever go backstage or wait outside the theater at the stage door to congratulate a performer and ask them to sign the play bill?

Or at a sporting event, have you had a chance to talk to one of your favorite players and ask them to sign your hat or team jersey?

For many people, collecting autographs is an expression of genuine admiration for a person’s talent or achievements. It’s also a way for them to feel closer to someone they admire from afar.

That was the case for Leona McGill, a teenager growing up in Winona, Minnesota in the 1920s. She was an avid reader, and gained fame in her home town by collecting autographed letters from every author whose book she read. In July 1920 her hometown newspaper wrote an extensive article about her efforts.

Newspaper Headline: High School Girl Has Read Several Hundred Books.
Miss Leona McGill, High School Senior, is Record Reader.
Famed Authors Send Suggestions and Good Wishes.

In some of her letters to authors, Leona expressed her admiration for their writing talents. In other letters she asked authors for advice on how to launch her own writing career. She wrote hundreds of letters, and received an almost equal number of replies!

Newspaper clipping: THEIR LETTERS. What well know writers have written to Winona's faithful little reader.

The majority of the replies she received were short and to the point, like this one from Booth Tarkington:

Newspaper clipping: Booth Tarkington, Kennebunkport Maine. I thank you for your letter and for your personal interest in my books.

Zane Grey, famous for his novels about the American West, was a bit more friendly with his reply:

Newspaper clipping: Zane Grey, Los Angeles. Your letter afforded me a great deal of pleasure. I get many letters, but few so inspiring as yours, and I can only say that so long as I continue to have readers like you I cannot fail to go on climbing toward the heights.

Another famous author Leona wrote to was Isabella Alden’s niece, Grace Livingston Hill. In her reply to Leona, Grace sounded very much as if she were writing to an old friend. Here is what she wrote:

I am afraid you will think I have been a long, long time getting an answer to your lovely letter, but if you could see the pile of letters lying on my desk that I have waded thru before I got yours and could know how very busy I have been all this fall and winter I’m sure you would forgive me. I write very few letters by hand because I have not time and the typewriter is so much faster but because you have asked it, I am writing this. Boys and girls are very near my heart and when they want something I know how much they want it.

You ask about “The Mystery of Mary”—yes—that is one of mine—one of what I call my “crazy” stories in distinction from the more serious ones.

I am sure I ought to be very proud to be put in the same list with such distinguished writers as have written you and I want to thank you for your pleasant words about my stories.

Leona must have written a very persuasive letter to receive such a lovely and thorough response! Or perhaps Grace simply knew the sort of letter a teenage girl would love to receive.

You can read the entire article about Leona McGill and see more of the authors’ replies by clicking here.

The Voices in Isabella’s Head

There’s no question that Isabella Alden was a talented writer. The plots for her novels were inventive and realistic, and each of her characters were carefully drawn.

Her niece, author Grace Livingston Hill, wrote that when she was old enough to learn to read, she “devoured [Isabella’s] stories chapter by chapter.” And when Isabella wrote the final chapter to one of the novels she’d been writing, the family often crowded around her, knowing Isabella would read her work aloud. Grace said:

“We listened, breathless, as she read, and made her characters live before us. They were real people to us, as real as if they lived and breathed before us.”

Four young women sit in a Victorian era room with bookcases lining one wall. One woman reads a book with her back to the others. Another woman reads a book aoud to two others.

They were probably real people to Isabella, too. When she was interviewed in 1892 for a Philadelphia newspaper, she talked about her writing process. For many years she used a typewriter to write her stories (you can read more about that here), but by the time she was interviewed for the newspaper article, she was using dictation. It greatly increased the speed with which she wrote her books, and added an inadvertent element of entertainment to the task. Here’s how it was described in the article:

“The morning hours are devoted by Mrs. Alden to her literary work, and a person standing in the hall in front of the studio door is highly amused to hear the animated conversation with the varying tones indicative of stern displeasure, then of baby prattle, to be followed soon by the earnest and softened accents of the lover’s pleading; a monologue by Mrs. Alden as she personates her various characters. They are all seen in life, they must all appear in her books.”

A young woman sits in a room near a fireplace where a fire is burning. She wears an orange dress from about the year 1910 and holds a large sheet of paper she is reading.

Isabella’s characters seem alive and real to us because she wrote about the kind of average people we meet every day; and when her characters come to a crossroads in their lives and face tough decisions, we understand what they’re going through because we (or someone we know) has dealt with similar situations. Her characters cause those of us who read her books to search our own hearts and “see ourselves as God saw us.”

In a dimly lit room, a woman stands near a table with a lamp on it. She holds a piece of paper she is reading. On the table is a tea pot and two tea cups and saucers. Seated at the table is another young woman who is listening.

Grace wrote that Isabella’s characters “still live within our memories like people we have known intimately and dwelt among. Ester Ried and Julia Ried, the Four Girls at Chautauqua, Mrs. Solomon Smith—I almost expect to meet some of them in Heaven.”

Do you have a favorite character from Isabella’s books?

Isabella and the Interrupted Night

For more than a quarter of a century, Isabella edited newspapers (like The Pansy), wrote innumerable novels and short stories, taught classes on homemaking and child rearing, served congregations as a pastor’s wife, and designed Sunday school lessons for children. In between all that, she somehow managed to travel extensively.

Sometimes she was called upon to deliver an address at a conference. Other times she was the guest of a ladies’ missionary society or Bible study, where she often read chapters from one of the stories or novels she was working on at the time. (You can read more about that here.)

Newspaper clipping of an article titled "W.C.T.U. Day." Monday, Aug. 22, will be W.C.T.U. day at the Central New York Assembly, Summit Park. The program follows: 10:30 Crusade Psalm, crusade hymn and prayer; music; conference, Department Work, led by county president; Woman and Temperance, Mrs. G. R. Alden (Pansy); 12, noontide prayer; music. Afternoon - Music; The Saloon a National Problem Rev. Stanley B. Roberts; 2:45, music; medal contest; music; report of judges. Mrs T. M. Foster is county president of the W. C. T. U. and Mrs. L. T. Sherrill musical director.
From the Rome, New York “Daily Sentinel,” August 18, 1898.

When she returned home from one of her many trips, her family gathered around her so she could tell them all about the places she went and the people she met. Her niece, Grace Livingston Hill wrote:

“She saw everything, and she knew how to tell, with glowing words, about the days she had been away so that she lived them over again for us. It was almost better than if we had been along, because she knew how to bring out the touch of pathos or beauty or fun, and her characters were all portraits. It listened like a book.”

One time in particular, Isabella returned home with an extraordinary story. Speaking at the same event had been a woman who was active in many of the same efforts that were of interest to Isabella, such as woman’s suffrage, and the temperance movement. Like Isabella, the woman was well known across the country as a writer and as a much-in-demand public speaker. It was this woman who recounted to Isabella an incident that happened to her.

With the woman’s permission (and with a promise to keep the woman’s identity a secret), Isabella wrote a short story based on the woman’s experience.

The premise of the story is this: A woman traveling by train to a speaking engagement notices an older man and younger woman traveling together on the same train. She quickly realizes she had come upon a couple in the middle of an elopement—and that the young would-be bride is having second thoughts!

How Isabella’s friend intervened (and what happened after) were recounted in Isabella’s story. When it was finished, Isabella sent the story off to a Christian newspaper that was pledged to publish a certain number of her stories each year.

To her surprise, the editor wrote back to ask Isabella if she had considered that the story might suggest to young people “evil ways of which they had never read.”

Can you imagine that? The editor actually worried that Isabella’s story about an elopement might have a negative or “evil” influence on the young people who read it!

In the end, Isabella withdrew the story, locked it away, and forgot all about it. Then, in the late 1920s, she came across the old manuscript and decided to expand the story into a novel.

The result was An Interrupted Night, and the story’s lead character of Mrs. Mary Dunlap was based on Isabella’s friend and the unusual events she told Isabella about decades before.

An Associated Press newspaper photo of Isabella in her later years.

By the time she finished writing the book and submitted it to a publisher, Isabella was in frail health. When the publisher asked her to make some edits to her manuscript, Isabella’s niece, Grace Livingston Hill, stepped in to help her “put it into final shape.”

The book was released in the fall of 1929 with a decidedly modern-looking cover:

Book cover illustrated in the art deco style of the 1920s with a highly stylized profile of a woman's face drawn in tan and orange set against a plain black background. Set in orange type at the top the title "An Interrupted Night." The same orange type is at the bottom with the author's name.

And it was received by a decidedly modern audience that took the story’s premise of an eloping couple in stride. Isabella later wrote that she “exploded with laughter” when she thought about how much the world had changed in the years since she first wrote the story.

Now An Interrupted Night is available for twenty-first century readers to enjoy with a brand new cover:

Book cover showing a young woman carrying a suitcase striding purposefully down the boarding platform of a train station while other people enter and exit nearby train cars.

Mary Dunlap is on her way to a speaking engagement when the train on which she travels experiences engine trouble and must make an unexpected stop for the night. While frustrated by the delay, Mrs. Dunlap quickly realizes a couple on the train is in the middle of an elopement—and the would-be bride is having second thoughts! Drawing on God’s strength, Mrs. Dunlap intervenes; but can she convince the young woman to abandon her plan and return home to her mother before it’s too late?

An Interrupted Night is now available from The Pansy Shop, along with novels by Rev. Charles M. Sheldon, Mary McCrae Culter, and other Christian authors in Isabella’s circle of family and friends. Click on the tab in the menu above, or click here to check out The Pansy Shop!

BY THE WAY …

Who do you think was the “real” Mrs. Mary Dunlap? Frances Willard or Emily Huntington Miller? Perhaps Harriett Lothrop (who wrote as “Margaret Sidney”)? Leave your guess in the comments below!

Isabella’s Glory

In her novel Wise and Otherwise, Isabella wrote about a group of people who lived at a boarding house and the influences they had on each other. One of the residents, Mrs. Sayles, invited her dearest friend Dell Bronson to visit and take a room at the same boarding house. Isabella describes their reunion this way:

Mrs. Sayles went about during the rest of that day with very shining eyes, and very happy, expectant face, which was not shaded in the least when on the morrow she had been sitting for half an hour close beside her friend, and was now with her in her dressing-room, waiting while the rich masses of brown hair were being smoothed and braided into shape.

Isabella knew whereof she wrote. Like Dell Bronson, Isabella also had rich masses of brown hair that she wore in a braid, arranged at the back of her head.

A pencil and charcoal drawing of Isabella as a young woman. Her hair is parted in the middle and drawn to the back of her head where it is arranged in a braided coil.
A publicity image of Isabella, drawn from a photo of her when she was about age 30.

Her niece, Grace Livingston Hill, admired Isabella’s hair, and described it this way:

Her eyes were dark and had interesting twinkles in them that children loved; her hair was long and dark and very heavy, dressed in two wide braids that were wound round and round her lovely head in smooth coils, fitting close like a cap.

Black and white photo of Isabella wearing her hair parted in the middle and drawn smoothly back into a braided bun at the back of her head.
Isabella about age 35

But that wasn’t all Grace admired about her aunt’s hair. She wrote:

When [her hair] was unbraided and brushed out, it fell far below her knees and was like a garment folding her about.

Black and white photo of Isabella in profile. Her hair is parted in the middle and smoothed back into a braided bun at the back of her head.
Isabella about age 40

Grace went on to confess:

How I adored that hair and longed to have hair just like it! How I even used in secret to tie an old brown veil about my head and let it fall down my back, and try to see how it would feel to have hair like that. Nobody else in the world looked just as lovely as did she.

Black and white photo of Isabella Alden in profile, showing her hair parted in the middle and combed back into a braided bun at the back of her head.
Isabella, about age 60.

Isabella kept the same simple yet becoming hairstyle throughout her adult life.

Are you surprised to learn how long Isabella’s hair was? What is the longest length you’ve ever grown your hair?