The Day New York Turned French

The year 1886 was a banner year for Isabella. In that year she had six books published, including Spun from Fact and One Commonplace Day.

1886 was a banner year for America, too. A wave of patriotism was surging through the country, thanks to the long-awaited unveiling of the Statue of Liberty on a small island in New York’s harbor.

Frank Leslie's Illustrated Newspaper for June 27, 1885, chronicling the New York arrival of the French transport steamer, Isere, with the Statue of Liberty on board.
Frank Leslie’s Illustrated Newspaper for June 27, 1885, chronicling the New York arrival of the French transport steamer, Isere, with the Statue of Liberty on board.

Newspapers and magazines were full of descriptions of the statue and of the pedestal that was being constructed for it on Bedloe Island in New York harbor. Americans were intrigued by the sheer size of the statue. They marveled over its engineering and wondered how the torch would remain lit.

An 1884 print illustrating the proposed location of the Statue of Liberty in New York harbor.
An 1884 print illustrating the proposed location of the Statue of Liberty in New York harbor.

The statue was the brainchild of French sculptor Frederic Auguste Bartholdi. He originally envisioned presenting the statue to the United States on the one-hundred year anniversary of the signing of America’s Declaration of Independence, but he did not have enough of the statue completed by that deadline.

An 1882 photo of workmen constructing the Statue of Liberty in Bartholdi's Paris warehouse.
An 1882 photo of workmen constructing the Statue of Liberty in Bartholdi’s Paris warehouse.

Instead, he sent America pieces of the statue. For example, in 1876 he sent to America the hand holding the torch and one of the feet of the Statue of Liberty. Those pieces toured American cities as part of the centennial celebration, and helped raise the funds needed to erect the pedestal on which the Statue of Liberty would ultimately stand.

The torch and part of the arm of the Statue of Liberty on display at the 1876 Centennial Exhibition in Philadelphia.
The torch and part of the arm of the Statue of Liberty on display at the 1876 Centennial Exhibition in Philadelphia.

Ten years later, the pedestal was in place. Bertholdi was finally able to assemble the statue on top, and America set the date for the unveiling for October 28, 1886.

That day dawned cold and misty. A light fog hung over the city; it had rained the day before, so areas that were not paved were muddy. But wet pavement and mud and chilly temperatures couldn’t dampen America’s enthusiasm.

"Up the Avenue from 34th Street" by Frederick Childe Hassam (1917)
“Up the Avenue from 34th Street” by Frederick Childe Hassam (1917)

Everywhere the city was decorated with buntings and flags. French flags flew from the tops of American households, and American flags fluttered from almost every window.

People came from all over the country to fill the New York streets. Businesses shut down and public schools closed as all New York joined in the celebration.

A New York parade, circa 1899
A New York parade, circa 1899

One visitor in the crowd later related that “every place that a person could get to see was occupied; the tops of lamp posts, telegraph poles, trees, and the housetops were all filled.”

The festivities began with a parade. Newspaper accounts estimated between 25,000 and 30,000 men paraded through the city. It took over two hours for the head of the parade to reach the Battery.

A New York Parade, about 1910.
A New York Parade, about 1910.

The parade featured canon and carriages filled with dignitaries, like President Cleveland and members of his cabinet. Civic organizations, military companies, police battalions and the Army Engineering Corps marched through the streets. Band after band paraded playing the “Marseillaise.”

Volunteer firemen’s associations, Knights of Pythias, federal judges, local mayors, and veterans of 1812 joined the ranks of marchers. They paraded down Fifth Avenue, past Central Park to Madison Square, then on to the review stands on Twenty-Fourth Street.

Undated photo of the Masons of Pyramid Temple on parade.
Undated photo of the Masons of Pyramid Temple on parade.

When President Cleveland stepped up on the stand, the crowd cheered; but then the people close enough to the stage caught sight of the sculptor, Monsieur Bartholdi, who was waiting to be introduced. The crowd instantly recognized him because his likeness appeared on the programmes and in illustrated newspapers.

A promotional image of French sculptor Frederic Auguste Bartholdi, with the Statue of Liberty and a sculpture of a lion.
A promotional image of French sculptor Frederic Auguste Bartholdi, with the Statue of Liberty and a sculpture of a lion.

Those nearest the stand began to chant his name, “Bartholdi, Bartholdi.” Crowds on the avenue up and down heard the name and passed it to the people in the park, and they passed it to the people on the side streets, until the air was “shaken with the roar of cheering” the sculptor’s name.

Monsieur Bartholdi accompanied President Cleveland aboard the steamship Dispatch, to make the short journey across the bay to Bedloe Island. As soon as the Dispatch got under way, over 100 vessels, decorated with flags and bunting, blasted their whistles and followed behind.

Undated photo of the Statue of Liberty in New York Harbor, viewed from the north.
Undated photo of the Statue of Liberty in New York Harbor, viewed from the north.

When they reached Bedloe Island the official unveiling ceremony took place. A large French flag had been placed over the head of the statue, but at the signal, the flag was pulled away, to the sound of a salute of gun fire by all the batteries in the harbor, afloat and ashore.

"Unveiling the Statue of Liberty," by Edward Percy Moran, 1886.
“Unveiling the Statue of Liberty,” by Edward Percy Moran, 1886.

President Cleveland formally accepted the statue on behalf of the United States, after which there followed an address by a representative of France, then music, and a benediction.

When the ceremony concluded there was a one-hundred-gun salute, and the steamers in the bay blew their whistles. The guns on Governor’s Island and other forts fired for a full half an hour.

By this time the rain had begun to fall, but the crowds did not disperse. Over a million people filled every available space from Wall Street to Pearl Street and to the Battery. They stood in the drenching rain and driving winds and cheered themselves hoarse.

A view of the "Statue of Liberty from Castle Garden," New York, by Andrew Melrose, 1887.
A view of the “Statue of Liberty from Castle Garden,” New York, by Andrew Melrose, 1887.

That rainy October day in 1886 was a great day for the city of New York and for the American people, who received a gift that would go on to epitomize the spirit of liberty and refuge for people all over the world.

This video provides more detail about the Statue of Liberty and how it came to reside on Bedloe Island.

Click here to read Isabella’s book Spun from Fact, published in 1886.

And click here for more information about Isabella’s 1886 novel, One Commonplace Day.

New Free Read: Circulating Decimals

cover_circulating-decimals-01

Circulating Decimals

The Sabbath-school library at the Penn Avenue Church is in shocking condition. Book covers torn, pages curled or scribbled on—and some of the books have just gone missing. With the library in disgraceful condition, is it any wonder boys and girls view the church library with contempt?

Soon the ladies of the congregation are busy working up lavish plans to replenish the library with suitable books, but will their plans succeed?

You can read Isabella’s charming story, Circulating Decimals, for free. Just click on the book cover to begin reading.

 

Isabella and the “It” Girls

Toward the end of Isabella’s life, her niece, Grace Livingston Hill, encouraged her to write “just one more book.” Grace suggested that it be about Ester Ried’s grand-daughter or great-grand-daughter, in order to bring the great message of the original Ester Ried novel to a whole new generation of readers.

Isabella Alden in an undated photograph.
Isabella Alden in an undated photograph.

Isabella’s fertile imagination still had plenty of stories waiting to be told. She recognized that there were some loose ends from the Ester Ried series that needed to be tied up, as Grace suggested.

She also knew, based on the letters she received, that fans of her books wanted to know more about some of the other characters she had created.

But Isabella chose not to write those sequels. In 1927 she told Grace:

I am not capable of writing a story suited to the tastes of present day young people. They would smoke a cigarette over the first chapter, and toss it aside as a back number. I haven’t faith in them, nor in my ability to help them.

Cover of a 1925 edition of Life magazine.
Cover of a 1925 edition of Life magazine.

It’s unfortunate that Isabella was so disillusioned with the “present day young people” of the 1920s. She didn’t understand the new generation of young people, and she strongly believed she had nothing in common with them.

While Isabella still dressed modestly in long gowns with high collars and full sleeves, young women of the 1920s wore short, sleeveless dresses.

A 1920s dress, from Pinterest.com
A 1920s dress, from Pinterest.com

They rouged their knees and polished their shoulders.

A 1920s advertising flier for the Bassett's Ice Cream stand located in the Reading Terminal Market, Pennsylvania.
A 1920s advertising flier for the Bassett’s Ice Cream stand located in the Reading Terminal Market, Pennsylvania.

They plucked their eyebrows, painted their lips, and lacquered their fingernails.

Actress Clara Bow on the cover of a 1920s magazine.
Actress Clara Bow on the cover of a 1920s magazine.

Hollywood star Clara Bow set the trends. She was nicknamed the “It Girl” for playing the role of a plucky shop girl who made good. She was the first Hollywood sex symbol, and Americans couldn’t get enough of her.

A 1922 photograph of actress Clara Bow in a daring backless dress. From the U.S. Library of Congress.
A 1922 photograph of actress Clara Bow in a daring backless dress. From the U.S. Library of Congress.

Teenaged girls and grown women copied her make-up and clothes. If Clara Bow smoked cigarettes in a movie, they smoked, too.

Life magazine cover from the 1920s.
Life magazine cover from the 1920s.

Like Clara, they challenged social mores by drinking alcohol and driving fast cars, just like men did.

A 1920s flapper and her flask of alcohol. From the U.S. Library of Congress.
A 1920s flapper and her flask of alcohol. From the U.S. Library of Congress.

And like many of the characters Clara Bow played on screen, they were headstrong and modern and fond of nightlife.

A cover of Puck magazine.
A cover of Puck magazine.

Isabella couldn’t understand it. She wrote:

I saw the trend away from Christ long ago. I recognized the downward trend not only in girls and boys, but in their mothers and teachers and pastors. I came by degrees to understand that the class of young people to whom I had dedicated my life had made a distinct descent, and that for me to do the same in my writing would be to dishonor Jesus Christ.

So Isabella watched with sadness as a new generation of readers turned to the novels of F. Scott Fitzgerald, Warner Fabian, and Virginia Woolf, while her own novels gradually fell out of favor.

Original cover of Unforbidden Fruit by Warner Fabian. The 1928 novel was shocking in its day for depicting single women's sexuality.
Original cover of Unforbidden Fruit by Warner Fabian. The 1928 novel was shocking in its day for depicting single women’s sexuality.

Grace and others urged her not to give up her life work, but Isabella was adamant: she would not write except to try to win souls for Christ.

I think we all realize in these days that even Jesus Christ is not popular. Therefore we who want to follow Him closely must not try to be.

In 1929 Isabella published An Interrupted Night. Like her novel, Unto the End, An Interrupted Night was written for adults and dealt with issues of love, marriage, infidelity, and sacred vows. The book received good reviews, but it would be Isabella’s final novel.

The cover for Isabella's 1929 novel, An Interrupted Night.
The cover for Isabella’s 1929 novel, An Interrupted Night.

Unfortunately, Isabella Alden passed away the following year, in 1930, never knowing that—almost one hundred years later—an entirely new generation of “present day young people” would love and cherish her books.

Pansy’s Gentlemen

In The Ester Ried Series, Isabella chronicled the transformation of a young man named Jim Forbes. Jim first appeared in The King’s Daughter as a member of a wild bunch of boys who showed up at church for the sole purpose of terrorizing the Sunday-school teachers.

Dapper young men in bowler and derby hats-1910

Homer Nelson, who was in charge of the Sunday-school classes, described Jim and his friends:

“Oh, they swear outrageously, and smoke profusely, and gamble whenever they get a chance, not often for money, for they have very little of that article about them; but for raisins, or pins, or straws, or anything that is convenient, and they use liquor freely, every one of them.”

But by the end of The Ester Ried books, Jim was a different person. In fact, he came to be so well regarded, his friends at church gave him a gift: “a dainty and elegant, and altogether perfect gold watch and chain.”

A young gentleman with his gold watch and chain. From OldFamilyPhotos.com
A young gentleman with his gold watch and chain. From OldFamilyPhotos.com

Jim was astonished to receive the watch, not only because of its beauty and cost, but because of what it represented. In the times in which Isabella lived, a man who carried such a watch and chain was considered a gentleman of the first order.

During the late 1800s and early 1900s, true gentlemen followed a very strict code of dress that was based, in large part, on the model promoted by Britain’s Lord Chesterfield, who famously said:

“I cannot help forming some opinion of a man’s sense and character from his dress.”

A Victorian Gentleman, by Vittorio Matteo Corcos, 1890.
A Victorian Gentleman, by Vittorio Matteo Corcos, 1890.

Isabella agreed whole-heartedly. In her books, Isabella dressed her gentlemen in neat, conservative, well-fitting suits. Even the wealthy men who populated her stories (like Edward Stockwell in The Ester Ried Series, Judge Burnham in The Chautauqua Books, and Mr. Burton in Christie’s Christmas) dressed in a way that did not call attention to themselves or their wealth.

Dressing in the “height of the fashion,” Isabella believed, was better left to dandies and pretenders.

A Paris dandy, circa 1890.
A Paris dandy, circa 1890. His multiple watch chains, quizzing glass, elaborate buttons, and overly-shiny shoes would have been considered vulgar by American standards.

There were essential elements of a gentleman’s attire. In addition to a well-fitting coat and trousers, a gentleman always appeared in a waistcoat and tie.

Portrait of Henry Cabot Lodge, by John Singer Sargent, 1890.
Portrait of Henry Cabot Lodge, by John Singer Sargent, 1890.

Even when they were relaxing around the house or engaging in leisure activities, men wore coats, ties, and waistcoats.

Captain John Spicer, dressed to go fishing, by John Singer Sargent, 1901.
Captain John Spicer, dressed to go fishing, by John Singer Sargent, 1901.

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Portrait of the artist's brother, dressed for riding, by Arthur Hacker, 1882.
Portrait of the artist’s brother, dressed for riding, by Arthur Hacker, 1882.

Another essential element of a gentleman’s appearance was an appropriate amount of facial hair. Beards and moustaches were considered to be a symbol of masculinity.

Self-portrait, by James Wells Champney.
Self-portrait, by James Wells Champney.

Isabella’s men wore beards and moustaches, as well. In Helen Lester, Helen’s dashing older brother Cleveland returned home from Europe looking very handsome and “heavily bearded.”

Portrait of Leon Delafosse, by John Singer Sargent, 1898.
Portrait of Leon Delafosse, by John Singer Sargent, 1898.

And charming Ralph Ried wore a full beard in The Ester Ried Series of books.

Undated photo of young man with a full beard and moustache. From Pinterest.
Undated photo of young man with a full beard and moustache. From Pinterest.

Coats, ties, waistcoats, and beards—they were all essential to a man’s attire in Isabella’s world, but a popular 1866 book on “etiquette and true politeness” carried this reminder:

Gentility is neither in birth, manner, nor fashion—but in the MIND. A high sense of honor—a determination never to take a mean advantage of another—an adherence to truth, delicacy, and politeness toward those with whom you may have dealings—are the essential and distinguishing characteristics of A GENTLEMAN.

A 1901 photo of a fashionably dressed gentleman.
A 1901 photo of a fashionably dressed gentleman.

You can click on the links below to find out more about Isabella’s books mentioned in this post.

The Ester Ried Series

Helen Lester

The Chautauqua Books

 

 

Julia’s Occupation

Cover_Julia RiedIsabella Alden’s series of books about the Ried family were her most popular novels. In Julia Ried, book 2 of the series, the Ried family falls on hard times, and daughter Julia decides to strike out on her own. She takes a job as a bookkeeper in a paper box factory in the neighboring town of Newton.

In choosing Julia’s career, Isabella was on solid ground. She was able to write convincingly about Julia’s job and work environment, because Isabella’s father, Isaac Macdonald, operated a paper box factory in Gloversville, New York.

Page from an 1870 Fulton County New York Business Directory.
Page from an 1870 Fulton County New York Business Directory.

Gloversville, the little village where Isabella grew up, was celebrated for its glove-making industry.

A 1908 postcard of Gloversville showing the intersection of Main Street, with its many retail glove shops, and Fulton Street where Isaac Macdonald's box factory was located.
A 1908 postcard of Gloversville showing the intersection of Main Street, with its many retail glove shops, and Fulton Street, where Isaac Macdonald’s box factory was located.

Between 1890 and 1950, Gloversville supplied nearly 90 percent of all gloves sold in the United States.

1913 paper glove box; from Pinterest.
1913 paper glove box; from Pinterest.

Besides the many “skin mills” and glove manufacturing business in the little village, the industry spawned a host of supporting businesses, such as box makers, tool and die manufacturers, and dealers in buttons and threads.

Box for Silkateen brand ladies gloves. From Etsy.
Box for Silkateen brand ladies gloves. From Etsy.

Isabella’s father, Isaac Macdonald owned one of four or five box-making factories in Gloversville. While there’s no record that Isabella ever worked in her father’s factory, she had a good grasp of the working conditions, and she conveyed her thorough knowledge of the business in Julia Ried.

Women workers at a box factory, about 1890.
Women workers at a box factory, about 1890.

In Julia Ried, Isabella gave lively descriptions of the “shop-girls” who folded and pasted the cardboard boxes together. According to Frank Hooper, one of those shop-girls in the book, they worked ten hours a day, six days a week.

A 14-year-old girl at work in a paper box factory. From National Archives.
A 14-year-old girl at work in a paper box factory. From National Archives.

Pasting cardboard boxes together was a sticky, messy, exhausting job; but it was a job that was often performed by women and children.

A young girl working alongside a woman in a paper box factory, 1912. From National Archives.
A young girl working alongside a woman in a paper box factory, 1912. From National Archives.

Small boxes especially—like those that contained gloves for ladies and children—needed to be assembled and pasted by women or children with small hands.

From the Gloversville Daily Leader, March 12, 1900.
From the Gloversville Daily Leader, March 12, 1900.

Yet in the glove-making industry—and its supporting businesses—women and girls earned half as much as men.

The work could be dangerous. Accidents were common, and some injuries could be severe.

From the Gloversville Daily Leader, May 12, 1898.
From the Gloversville Daily Leader, May 12, 1898.

 

A young box factory worker after an accident with a veneering saw; 1907.
A young box factory worker after an accident with a veneering saw; 1907.

Isabella drew on her knowledge of the box-making business to create some of her most beloved characters. The characters of Frank Hooper and Jerome Sayles (whose father co-owned the box factory in the story) made return appearances in other books in the Ester Ried Series.

Women and girls working in a box factory, 1910.
Women and girls working in a box factory, 1910.

You can learn more about Gloversville, Isabella’s home town, by reading these related posts:

Helena’s Alexandre Gloves

Deerville, My Home Town

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Dell Bronson’s Porte-Monnaie

In The King’s Daughter, the heroine of the story is Miss Dell Bronson, a fashionable young lady, raised in the lap of Boston luxury by a wealthy aunt and uncle.

An antique porte-monnaie made of metal mesh
An antique porte-monnaie made of metal mesh

In writing about Dell, Isabella described her as dainty, neat, and graceful. Dell was always fashionably, but tastefully dressed; and because of her uncle’s wealth, Dell was able to afford the latest styles of dress and accessories.

A sterling silver porte-monnaie. It's long shape suggests it was carried in a pocket.
A sterling silver porte-monnaie. It’s long shape suggests it was ideal for carrying in a pocket.

One of Dell’s accessories was a porte-monnaie, which she carried in her skirt pocket.

A silver porte-monnaie, lined in blue leather. From Etsy.
A silver porte-monnaie, lined in blue leather. From Etsy.

 

The blue leather interior of the silver porte-monnaie features bellows to separate coin denominations. From Etsy.
The blue leather interior of the silver porte-monnaie features bellows to separate coin denominations. From Etsy.

Literally, a porte-monnaie was a place for money—specifically coins. In the 19th and early 20th centuries, men and women carried their paper money and coins separately. Paper bills were carried flat in wallets or bill-folds, but all the many coins in circulation at the time were usually carried in porte-monnaies.

A two-cent piece, in circulation until 1873. It was the first American coin to carry the motto, In God We Trust.
A two-cent piece, in circulation until 1873. It was the first American coin to carry the motto, In God We Trust.

And what a variety of coins there were! In addition to the pennies, dimes, nickels and quarters we know today, people commonly carried:

Two-cent pieces
Silver three-cent pieces
Three-cent pieces made from nickel
Half-dimes
Twenty-cent pieces
Half-dollars
Dollars

The three-cent piece, made of nickel, was in circulation until 1889.
The three-cent piece, made of nickel, was in circulation until 1889.

And gold coins (also known as Eagles) weren’t uncommon. They were minted in denominations of $1, $2.50, $5, $10, and $20.

Carried by both men and women, porte-monnaies were made of sturdy material, such as leather or silver. At home, women kept their porte-monnaie in the pocket of their skirt or apron. Outside the home, women would often tuck their porte-monnaie inside their purse or reticule.

Antique silver porte-monnaie. The center emblem has a space for engraving the initials of the owner. From Pinterest.
Antique silver porte-monnaie. The center emblem has a space for engraving the initials of the owner. From Pinterest.

Men kept a porte-monnaie in a desk drawer at home, and carried it in a pocket while out and about.

A French porte-monnaie made of mother-of-pearl, with brass and silver inlay. From Pinterest.
A French porte-monnaie made of mother-of-pearl, with brass and silver inlay. From Pinterest.

References to porte-monnaies date as far back as the 1850s but the term came into fashion during the American Civil War, when Americans considered anything French to be the height of fashion.

Which of the fashionable porte-monnaies pictured here do you think Dell Bronson would have carried? Cast your vote below

The Trouble with Paper Dolls

In Isabella’s book Ester Ried, Ester’s youngest sister Julia found herself in trouble, all because of paper dolls.

Ester had charged Julia with taking an important letter to the post-office. Julia obediently started out, immaculate in white apron and white stockings, but then she met temptation in the form of a little girl playing with her paper dolls.

Mascot Bread_Many Lands ed

While Julia was admiring them, the letter “had the meanness to slip out of her hand into the mud!”

Horrified, Julia and the little girl put their wise young heads together, and decided to give the muddy letter a thorough washing in the creek. But no sooner were they standing ankle deep in the mud, vigorously carrying their idea into effect, than “the vicious little letter hopped out of Julia’s hand, and sailed merrily away, downstream!”

Baby in Rocking Cradle

It’s understandable that Julia was a little bewitched by her friend’s paper dolls. Paper dolls were colorful and beautifully detailed little works of art, usually depicting handsome men, beautiful women, and charming children. Paper dolls of fairy tale characters were popular, too, like this set of Tom the Piper’s Son:

Tom Tom the Pipers Son

And this fanciful set from 1912 depicts characters from the story of Aladdin.

Aladdin fairy tale 1912

Because every respectable paper doll needed a suitable paper home in which to live, children could collect paper doll furniture pieces, too. Here’s a cabinet suitable for a paper doll’s fashionable drawing room:

Drawing room cabinet

Paper dolls even had lovely chairs and settees on which to sit.

Drawing room chairs

 

Drawing room settee
No paper doll drawing room would be complete without a grandfather clock and a decorative screen to block out cold drafts.

Grandfather clock

Drawing room screen

Here’s a paper doll house accessory that Isabella might have liked for herself: a pot of colorful pansies.

Pansies

Pansies instructions

You can click on any of the paper doll images in this post to open a larger version to print and assemble for yourself.

And click here to see a previous post about paper dolls