If Isabella Alden were alive today, there’s no doubt she would be a very tech-savvy person. From telephones to indoor plumbing, from typewriters to motor cars, she embraced new devices and technologies and incorporated them into her stories and her daily life.
In 1909 Isabella wrote a short story titled “Midnight Callers,” which was published in a Christian magazine. It’s a wonderful story about a young woman toiling in the Lord’s vineyard and wondering if her efforts make a difference.
Miss Rachel Holland is a weary Christian mission worker who can’t help questioning the impact of her tireless labor. But her world changes one night when a hopeless ruin of a man stumbles into her office, desperate for help. Will she stand by her faith and summon the energy to serve her heavenly Master yet again?
But “Midnight Callers” is also a story that shows us a snapshot of the world in which Isabella lived. Her characters in the story don’t live in a dusty old past we can’t relate to; instead, they live in a very “modern” world (by 1909 standards).
Rachel Holland, the heroine of the story, writes with a fountain pen, which was a newly popular writing instrument in 1909.
A 1910 advertisement for fountain pens.
Another character, the Rev. Dr. McKenzie, uses a telephone closet to call “Blue two double O”—a reference to an era of manual telephone exchanges and party lines.
Although fountain pens have long since been replaced by keyboards and “Blue two double O” is now a touch-key on our smart phone contact list, the core of “Midnight Callers” still has relevance for readers today.
The story reminds us that while technology may change, our human need for hope—and help from the “present Power” that never fails—is eternal.
When Isabella Alden began writing her beloved “Pansy” books in the 1870s, the literary landscape looked very different than it does today. There were few public libraries like the ones we have now; instead, churches filled that role by establishing their own library systems.
The Sunday-school library was a powerful force in 19th-century America. They didn’t just lend books—they curated collections of books that shaped readers’ moral and spiritual development.
Not all Sunday-school libraries were created equal; some churches seemed to have unlimited resources to maintain a well-stocked library of five-hundred books or more, displayed in neat rows on well-built shelves; while others had only a few titles in their collection.
Isabella’s short story, “Circulating Decimals” is about the efforts of a community to raise money for just such a church library that has fallen into a “disgraceful condition” due to neglect and lack of funds. (You can click here to read the story for free.)
But regardless of size or budget, church libraries had one mission in common: to offer readers books that supported religious instruction, moral development, and the spiritual growth of the congregation.
Churches established committees to evaluate each potential library addition against a set of religious standards. The minister often played a role in recommending or vetoing books, which were also chosen based on their theological soundness and ability to promote standards of Christian living.
The Grace Methodist Episcopal Church of Taunton, Massachusetts had a rather large library of over five-hundred books, and included some of Isabella’s novels, as well as books by Margaret Sangster, E.P. Roe, and other Christian fiction authors.
The church divided their book collection into categories and published a catalog for members of their congregation. The fact that Isabella had ten of her books included in the catalog shows how well the moral messages of her stories aligned with the church’s values and appealed to readers of all ages.
(You can click on the image above to see the entire Grace M.E. Sabbath-school Library catalog of 1904.)
Mainstream publishers like Little, Brown and Company actively marketed their wholesome books to churches. This advertisement in “The Sunday School Library Bulletin” magazine shows their newest offering to churches included a new edition of “Little Men” by Louisa May Alcott:
And organizations like The National Temperance Society also marketed their books directly to churches. Their ad below features a temperance novel by Isabella’s friend Theodosia Foster (who used the pen name of Faye Huntington):
Church libraries established systems for inventorying and lending books. They assigned an inventory number to each book, and issued library cards to readers.
The numbered book plate from a book in the Sunday school library of the Evangelical Lutheran Church of Springfield, Illinois.
They also created rules for borrowing:
Church libraries were a lifeline for readers, especially in smaller and frontier communities where there were no free public libraries. But that began to change in 1886 when wealthy steel magnate Andrew Carnegie began funding the building of public libraries across the country. By 1923 he had financed the building of over 1,600 public libraries where borrowers could choose from thousands of book titles, including the most popular books of the day.
The New York City Public Library, opened to the public in 1911.
The “safe” books Isabella wrote went out of print, while modern novels by Ernest Hemingway, Edith Wharton, and F. Scott Fitzgerald filled the shelves at public libraries.
Sunday-school libraries still existed, but their influence waned to such an extent that in 1930 a newspaper in Greensboro, North Carolina published an editorial just after Isabella’s death. The editorial fondly recalled the church libraries of years gone by:
There were no sex novels; no crime novels; no filthy “realism,” which portrays the perversions of human nature as if it were life itself. Romance there was, in glorious gobs. Many of the books seeped sentimentality. And always there were happy endings.
He went on to write that Isabella’s books “made for clean lives and happy homes and good society.” In her stories, “the problems were the problems of everyday people trying to be good. If they were somewhat morbid and over-introspective, so was the era for which they were meant.”
Isabella truly did write for the era in which she lived; but it’s important to remember that her books succeeded in Sunday school libraries not just because they met church requirements, but because Isabella had a particular understanding of literature’s purpose—that stories should help readers have a closer walk with God and become better versions of themselves.
Maybe that’s why her “Pansy” novels, despite going out of print, are still read and loved by new readers today, and remembered fondly by those who discovered them on long-ago Sunday afternoons in church libraries.
Does your church have a library? What are the kinds of books it offers?
Reviews and giveaways for Christian fiction and sweet, clean fiction. Bringing readers information on great stories and connecting authors with their readers.
![A square label affixed to the inside cover of a book. On the first line of the word "NO" with room to write a number; the number 61 was written and crossed out, and the number 77 written beside it. Below are printed "SUNDAY SCHOOL LIBRARY of the Evengelical [sic] Lutheran Church, Springfield, Ill." The text is surrounded by a fancy Victorian-era design of swirls and dots.](https://isabellaalden.com/wp-content/uploads/2025/09/evangelical-lutheran-church-book-plate.jpg)
Isabella Alden 