Who Would You Like to Be Today?

In the late eighteenth/early nineteenth century, paper toys were very popular. They were cheap to make (thanks to advances in the automation of the paper-making industry) and they were plentiful.

Merchants often used paper toys as giveaways, while other paper toys could be purchased for pennies.

An ad in a 1908 issue of The Ladies Home Journal.

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There were paper airplanes and spinning tops, paper dolls and paper furniture for paper houses.

But in 1905 something unusual happened in the paper toy industry. In November of that year, Tuck & Sons, the famous London-based printing house, released a new paper toy in America.

A winning jockey

The new toy was a paper half-mask children could wear. The masks were issued in a series format, with each series based on a theme, such as literary figures, historical people, or costumes from foreign lands.

A Dutch girl.

The masks were wildly popular for two reasons. First, the artwork was exceptional.

Napoleon

There were no cartoonish drawings here; each mask was beautifully detailed and life-like.

A woman motorist.

The second reason the masks were popular: Adults liked to wear them, too. In fact, adults bought and wore the masks more often than children did.

Carmen, from the opera series.

By the summer of 1906 Tuck was producing the masks in adult sizes, and they were selling like hotcakes.

Granny in her cap.

Hostesses handed them out at parties, and some adults fashioned new games to play in the evening while wearing the masks.

An old tramp.

Here’s an idea for a masked party for young adults that appeared in a 1908 issue of The Woman’s Home Companion:

Adults all across America had fun pretending to be someone other than who they really were!

Cousin Kate, the focus of the popular poem of the same name, by Christina Georgina Rosetti.

Isabella probably did not participate in the fun. In her 1902 novel Unto the End Isabella acknowledges the popularity of masked parties and full-costume masquerades, to the misfortune of one her characters, Grace Landis.

Several times in the story Grace has to find the balance between her father’s more worldly ways and her mother’s religious convictions (that, incidentally, align with Isabella’s). In one scene Grace tells her mother:

“Has [father] told you of the party which is to be at Mr. McAllison’s in a few weeks, where the people are all to dress in character, and wear masks? Some of the characters are what I am sure you would call ‘questionable,’ and as for masks, I did not know that refined society approved of them, but my father wants me to wear one.”

Amazingly, some of those one-hundred-year-old paper Tuck masks have survived, and they’re popular collectors’ items. You can find them for sale on retail websites like Etsy, as well as new masks that are fashioned along the same style as the Tuck originals.

You can see our previous post about paper dolls by clicking here.

Read our post about other paper toys by clicking here.

View more masks on Etsy by clicking here.

 

 

 

 

Let’s Review

This post is part of our Blogiversary Celebration! Leave a comment below or on Isabella’s Facebook page to be entered in Friday’s drawing for a $25 Amazon gift card!

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Chances are, you’re reading this post because you love Isabella Alden’s books.

From the time her first book, Helen Lester, was published in 1865, Isabella enjoyed success as an author.

By the late 1880s readers were buying over one-hundred-thousand copies of her books every year:

From The Brooklyn (New York) Standard Union, October 22, 1890.

When Isabella wrote her novels, there were no Internet sites like Goodreads or online retailers like Amazon for readers to post their reviews of Isabella’s books.

Instead, Isabella’s books were reviewed by literary editors in newspapers across the country.

When her novel Making Fate came out in 1896, a Boston newspaper declared:

Readers of all classes, from the serious to the frivolous, can read this story with entertainment and rise from its perusal refreshed.

The New England Farmer (Boston), August 1, 1896.

In 1901, a San Francisco newspaper reviewed Isabella’s novel, Pauline, and declared Isabella to be “a gifted writer.”

From The San Francisco Call, September 22, 1901. Click on the image to read the entire review.

Unfortunately, not all reviewers were so generous with their praise. One literary critic in a Pittsburgh newspaper wrote that Isabella’s 1902 novel Unto the End “is really not half a bad story in its way.” The critic goes on to classify Isabella’s readers among “those who ask from their literature nothing but that it shall not require them to think.” (You can read the entire review by clicking here.)

But reviews like “Pittsburgh’s” were few and far between. On the whole, Isabella’s novels were well received, and millions of Isabella’s faithful fans relied on those reviews to notify them when her new books were available for purchase.

Several times, in her stories and memoirs, Isabella mentioned keeping a scrapbook; it’s possible that’s where she kept clippings of her book reviews.

And if that’s true, she probably also kept reviews of the books written by her niece, Grace Livingston Hill.

Grace’s writing career took off in the 1900s. When her novel The Best Man was published in 1914, The Boston Globe’s literary critic praised the novel, saying it was “full of thrilling moments.”

You can click here to read the full review, which includes a very nice publicity photo of Grace.

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How about you? Have you ever written a book review and published it in print or online?

How much do you rely on other people’s book reviews when deciding what books to buy?